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Wedge-It - The Ultimate Door Stop - Black
Wedge-It - The Ultimate Door Stop - Black
Offered by ALL MAX
Price: $9.69
5 used & new from $7.95

2 of 3 people found the following review helpful
1.0 out of 5 stars A Great Paperweight!, September 15, 2014
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It's a cliche to say of useless things: "At least I can use it as a doorstop." Sadly, this device can't even serve that function. True, it deviates from the "classic doorstop" template in several intriguing ways. However, each of these deviations makes it less effective. This thing fails to do even the most basic work of a doorstop: grip the floor to hold the door in place. Instead of a thick, soft pad of tacky rubber, this thing has just a thin film of hard plasticky material, distributed over a puny surface area. On a hardwood or tile floor, it doesn't even slow the door down. Even if the friction were improved, the gadgety high-concept appearance serves no obvious practical purpose. I tried turning it upside down and sideways. I tried to hang it around the door hinge. I tried to use it to cap the edge of the door at floor level. I tried to shim into the gap between the door and the frame. Nothing worked. Maybe I'm missing the million ways in which this is a masterpiece of industrial design, but the thing didn't come with a manual...
Comment Comments (3) | Permalink | Most recent comment: Oct 17, 2014 10:46 AM PDT


The Angel and Sorcerer: The Remarkable Story of the Occult Origins of Mormonism and the Rise of Mormons in American Politics
The Angel and Sorcerer: The Remarkable Story of the Occult Origins of Mormonism and the Rise of Mormons in American Politics
by Peter Levenda
Edition: Paperback
Price: $12.80
44 used & new from $6.50

52 of 58 people found the following review helpful
5.0 out of 5 stars Piety's Rainbow, August 18, 2012
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Peter Levenda's favorite trick is to take some familiar page from American history and show us that we've failed to understand it. The author notes that, for most people, for most of history, magic was an unquestioned aspect of daily existence. He argues that in order to conjure the full richness of the past to visible appearance, we must take magic seriously as a motivating force and an explanatory principle - of human action if nothing else.

When Levenda calls Joseph Smith a "sorcerer", it isn't meant as a pejorative label. Rather, he's offering Smith some overdue professional recognition. Joseph Smith was as powerful, and as successful, a ritual magician as the United States has ever produced. Levenda shows how the young man's exceptional prowess took him from poverty to the head of a major religious movement with political power and the largest paramilitary force in the US.

Levenda situates Smith quite comfortably within the Western esoteric tradition, and demonstrates that he was, at every phase of his life, a practicing magician. This turns out to explain a great deal about Mormonism, including: its connection with Freemasonry, "sealed" marriages, the Solomonic symbolism of the golden tablets, and prophecy. And when it comes to the Mormon faith, the author has no particular axe to grind. Although he's a liberal from New York City, and probably not a Romney voter, but he places Mormonism on a equal footing with mainstream Christianity, Judaism, and Islam. The revelation of Joseph Smith's magical practice may upset some readers, but it seems if anything to have endeared him to Peter Levenda. As history, the Book of Mormon comes up awkwardly short, especially in the face of recent DNA science. But when considered as the fruit of a magical working it undeniably a magnum opus. Still, this story is ultimately a tragedy in the Faustian mold, as Levenda argues that it was Smith's negligence in a magical operation that proved his undoing. Such is the trajectory of "Piety's rainbow."

I couldn't put it down. But, as with all of this author's work, it's not for everybody. I've been recommending Peter Levenda's books to people for years now, and I always get one of two reactions. Either the reader loves them, or he stops returning my calls.

Good riddance.
Comment Comments (11) | Permalink | Most recent comment: Jan 24, 2014 3:23 PM PST


Haier PBFS21EDBS 20.6 Cubic Foot Counter Depth French door Bottom Mount, Stainless Steel
Haier PBFS21EDBS 20.6 Cubic Foot Counter Depth French door Bottom Mount, Stainless Steel

6 of 6 people found the following review helpful
1.0 out of 5 stars Garbage, December 14, 2011
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While the design of this fridge is ok, the poor materials and construction wreck it. In the 10 months I've owned and gently used it, two of the interior drawers have broken (weak plastic). The metal skin is only a bit thicker than tin foil, and scuffs and dents under normal daily use. Finally, the ice maker went haywire about a month ago, and now generates a solid 2 gallon block of ice every 24 hours, which must be chipped out of the tray in order to keep the fridge functional. I'm now looking at working these issues out with Haier, but given the negative feedback their customer service receives on the Internet, I am really dreading it. I think it's very likely that I'll end up buying a replacement before the year is out. Spare yourself the headache.


Tantric Temples: Eros and Magic in Java
Tantric Temples: Eros and Magic in Java
by Peter Levenda
Edition: Hardcover
Price: $18.97
32 used & new from $18.97

15 of 16 people found the following review helpful
5.0 out of 5 stars Esoteric Anthropology, December 10, 2011
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This is a very difficult book to review. The photos are too few and too small to really make this a "coffee table" book, but the book itself is too big and too expensive to qualify as general nonfiction. Similarly, while this book purports to be a positive account of Javanese religious buildings, the author refuses to honor the conventions of academic anthropology, slipping here and there into what can only be called "gonzo journalism." But Peter Levenda is at his best in what he calls the "liminal space" - at the cutting edge of speculative insight. If he is "unscholarly," then so was Heinrich Schliemann.

The author argues that the "Hindu" and "Buddhist" temples of Java must be understood as remnants of an older, indigenous tradition of animistic shamanism. More interesting is his suggestion that the tantric Buddhism of Tibet is a manifestation of this tradition, and was imported to Tibet from Java. This is an intriguing suggestion, and the author demonstrates that it consistent with a good deal of evidence. I am persuaded. Unfortunately, the scarcity of written Javanese history makes it impossible for the author to prove his case here. Further still, the author seems to suggest that the Javanese shamanism (that would become "tantra") was actually just the Javanese manifestation of an ur-religion that spanned the fringes of the Indian ocean.

Oh yeah, then there's the sex. In an attempt to speculate as to the religious rites and beliefs of the tantric temple builders, Levenda shows us contemporary Javanese tantrism, as it exists in the heart of modern Islamic (!) Indonesia. In one notable ceremony, men and women gather at a sacred cemetery at night to have sex with strangers. The participants approach this as an act of sacred transgression and magic - and not inconsistent with their nominal Muslim faith. Levenda compares this rite to tantrism as it exists in other parts of the Indian Subcontinent and finds a continuity, a continuity which he argues must extend back to the time of the temple builders. He confirms this by identifying the tantric themes in the architecture these sites.

I'm not sure how this book will be received by readers interested only in Indonesian history or anthropology. There's no question that this is probably the best account of the Javanese "tantric" temples available in English. But there is also clearly a deeper significance here, too. I approach this book as a rabid fan of Mr. Levenda. As good as I believe this book is on its own terms, it takes on an eerie magnificence when viewed in light of his other books.


The Exegesis of Philip K. Dick
The Exegesis of Philip K. Dick
by Philip K. Dick
Edition: Hardcover
Price: $25.69
147 used & new from $3.77

202 of 220 people found the following review helpful
5.0 out of 5 stars Not a novel at all..., November 10, 2011
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I am compelled to write this based on the extraordinarily misleading review below. If you don't already know what this is, DON'T buy it. Not only is it not a novel, it's not even a story. Come to think of it, it ain't even, strictly speaking, a "book"! So if you're looking for an introduction to Philip Dick, you should really try something else. Most of us start with Blade Runner.

To explain, toward the end of his writing career, Philip Dick had a visionary/religious/mystical experience. Like all such experiences, it was exceptionally difficult to verbalize, rationalize, or explain. If the experience itself didn't drive Dick mad, the task of making sense of it clearly did, at least for a time. Dick entered a period of heightened creativity, struggling to give voice to his religious experience through writing. Dick called this process, and the body of text it produced, his "Exegesis." Traditionally, the word signifies the process of expounding upon and interpreting a work of literature, typically a religious text; here, the object of Dick's literary critique was his own mind.

This book is a relatively narrow selection of pages from that effort. It reads like a philosophical journal, and consists of outlines, correspondence, doodles and rambling essays on science, creativity, ancient history, religion, death, and drugs. This is the raw ore of genius, but it is extremely unrefined. Worse, it has an eerie "tinfoil hat" feel to it; one gets the strong sense that Dick was flirting with mental illness. The casual reader is certain to be alienated, and unnecessarily, since the Exegesis formed the basis for several excellent works of narrative fiction. VALIS, Dick's crypto-autobiographical novel recounting the same events is infinitely more accessible.

But, if you, like me, are more than a casual reader - if you have read Valis and Ubik (and possibly Cosmic Trigger I: Final Secret of the Illuminati to boot) - if you take seriously the possibility that Dick contacted a divine intelligence in February of 1974, then this book is for you. And if that's you, then the content will speak for itself.

But the editing? In my view, it's above average. Since I have never seen the file cabinets from which these pages have been selected, I can't attest to their completeness. However, the stuff that's here is consistently engaging and seems to have been selected with care. Better still, the text has been annotated by a multidisciplinary team of editors, ensuring that the reader has a guide for some of Dick's frequent digressions into brain science, Biblical hermeneutics, and pharmacology.

This is much better than I'd hoped and the serious fan/student will be very, very happy.

[UPDATE: In a previous version of this review, I complained about the absence of explanatory material on Bishop James Pike. A comment below pointed out that there is in fact a detailed entry on Pike at the back of the book. My mistake. My gripe is withdrawn.]
Comment Comments (27) | Permalink | Most recent comment: Aug 30, 2013 9:56 PM PDT


Philosophy and Simulation: The Emergence of Synthetic Reason
Philosophy and Simulation: The Emergence of Synthetic Reason
by Manuel DeLanda
Edition: Hardcover
Price: $25.32
58 used & new from $14.90

71 of 79 people found the following review helpful
5.0 out of 5 stars A New Organon, March 20, 2011
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You've read some Mandelbrot. You've read some Prigogine. You've wracked your brain against Alan Turing and Godel, Escher, Bach. You've watched spontaneous orders emerging from chaos and groked that is a metaphysical and epistemological game changer. You SENSE that there is something fundamentally wrong with the linear/reductive/determinist/Cartesian outlook. But where to go from here? What does it mean? Despite the best efforts of brilliant people like Stuart Kauffman, the philosophy of complexity has simply has not caught up to the mathematics.

But Manuel DeLanda has been living on this island for a very long time. He's been busy excavating the conceptual soil underlying the sciences of complexity, and he's made some intensely interesting discoveries. Where other thinkers' best efforts have foundered at the threshold of mysticism, DeLanda has hewn relentlessly to scientific materialism and, in so doing, has found objective patterns and significance in the logic of the complex.

But don't expect it to come easy. The reason for DeLanda's success is his aggressively ecclectic outlook, and it may be a bit difficult to see through his goggles. He's a continental philosopher who writes about science, and a dogmatic materialist who thinks like a medieval scholastic theologian. One can't help but feel that this book is the fruit of his different way of thinking. The back blurb describes this book as a new "Organon" (echoing Aristotle and Bacon). I can't put it any better. This is, quite simply, "what's going on" behind complexity/chaos/emergence. Sadly, the concepts can't be summarized for purposes of a book review, but it's breathtaking.
Comment Comments (2) | Permalink | Most recent comment: Nov 2, 2013 4:33 AM PDT


The Philosophy of the Coen Brothers (The Philosophy of Popular Culture)
The Philosophy of the Coen Brothers (The Philosophy of Popular Culture)
by Mark T. Conard
Edition: Hardcover
Price: $42.10
50 used & new from $7.45

20 of 22 people found the following review helpful
5.0 out of 5 stars Rebirth of Tragedy, October 26, 2010
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Friedrich Nietzsche believed for a time that the composer Richard Wagner would be able to unite all the noble impulses of art into an opera capable of sublimating European culture, just as classical tragedy ennobled the Athenians. Wagner failed, even in Nietzsche's judgement, but I am reminded of him every time I see a Coen Brothers film. Like Wagner, they have created a stage upon which the plastic/Apollonian (cinematography, lighting, set and costume) engages the musical/Dionysian (script, drama, soundtrack). But where Wagner failed, the Coens have succeeded. Their films together constitute the rebirth of tragedy here in modern America - a multimedia art of moral choice, with a philosophical vocabulary and contemporary significance. There's nothing deeper or more relevant on the American scene.

And I guess that accounts for just why this book so utterly blows the doors off any other "Philosophy of" book I've encountered. Like Woody Allen or Stanley Kubrick, the Coens produce film that is not merely philosophical, but is philosophy itself - the kind of art that drives fans to study philosophy in the first place.

But, in approaching the Coens, you do need some guidance. These are two guys who know the canon, cold, from Homer (O Brother Where Art Though) to Kant (See Walter in the Big Lebowski) to Heidegger (Barton Fink). At least part of the opacity of their films stems from the audiences unfamiliarity with these themes. And this is where this book comes in handy. This is a collection of truly thoughtful, high caliber works of scholarly criticism. It is so much better than similar titles like "The Simpsons and Philosophy" that I kinda wish it had a different title.

Oh well, bottom line: if you like either philosophy or the Coen Brothers, you'll LOVE this book. Expect to gain new insights on Barton Fink's wallpaper, the Dude's relationship with the old cowboy, and the nature of Anton Chigurgh. The authors are all philosophers, but they clearly love and understand film, and come at some of these problems from a film-studies perspective. I can only hope the same people involved in this will follow up with a "Philosophy of David Lynch."


Nietzsche and the Nazis
Nietzsche and the Nazis
DVD ~ Stephen R.C. Hicks
4 used & new from $8.98

35 of 37 people found the following review helpful
5.0 out of 5 stars Dude, it's an ethos., September 21, 2010
This review is from: Nietzsche and the Nazis (DVD)
This documentary is an unusually fine example of what philosophy can do when it's done properly. Stephen Hicks takes the viewer on a information rich tour of the intellectual history of 20th Century Germany. His presentation is scholarly, fastidious, and fair.

Hicks refuses to completely acquit Nietzsche of responsibility for Nazism, but he doesn't stoop to cheap caricatures, either. Nietzsche, no pale criminal, would likely accept responsibility for everything Hicks levels at him. After all, to call Nietzsche "dangerous" is merely to appreciate him in full.

But Hicks is not merely doing positive intellectual history. This video essay is also a normative philosophical endeavor. Hicks takes the unfashionable view that ideas have consequences, that they drive history. Hicks appreciates that Nazism was a highly sophisticated and fully-articulated philosophy. As Walter put it The Big Lebowski, "Say what you want about National Socialism dude - it's an ethos." Nazism was not a spasm of madness, but a coherent response to perennial questions. It is not enough that we dismiss Nazism, or simply forget it; in the long run it's certain to emerge once again. Instead, Hick holds, we have to engage it - and engage Nietzsche - to determine and then to prove where each goes wrong and why.

Hicks sees philosophy as a sort of ideological bomb squad, dispatched to dismantle rogue ideologies before they become catastrophes. As thrilling as I find this notion, my view is a bit more cynical. In 1930's Germany, Hicks has identified one of the few points in the last 2000 years when philosophy had some causal traction on the highway of world history - and in that instance the result was not pretty.

Still, if you're interested in these things you'll be hard-pressed to find a more engaging three hours of television anywhere.
Comment Comment (1) | Permalink | Most recent comment: Mar 26, 2012 12:48 PM PDT


Accounting and Finance for Lawyers in a Nutshell, 4th Edition (In a Nutshell (West Publishing))
Accounting and Finance for Lawyers in a Nutshell, 4th Edition (In a Nutshell (West Publishing))
by Charles H. Meyer
Edition: Paperback
22 used & new from $20.83

4 of 4 people found the following review helpful
5.0 out of 5 stars Essential Reading for New Commercial Lawyers, November 8, 2009
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Law schools purport to teach you to "think like a lawyer." While this is important for navigating the world of courts and contracts, it can be a huge obstacle to communicating with non-lawyers (especially non-lawyer professionals). As a lawyer who works frequently with statisticians, chemists, and accountants, it has been my my experience that the communication divide between attorneys and accountants is the most difficult. Accountants use flexible, conventional terms and processes to reach precise quantitative results. Lawyers use precise, qualitative language to control fuzzy indeterminate results. Worst of all, we share many jargon words (liability, equity, asset) but use them differently.

This book is written for a lawyer who "thinks like a lawyer" and wants a book to just "lay it out." It assumes no prior knowledge and all the jargon terms are defined at the outset. Areas of ambiguity or subjectivity are clearly flagged. The author then walks us through accountancy, step by meticulous step, without any advanced math. Like all good legal writing, it is dense with information, but perfectly clear and as brief as possible.

This book will teach you the language of the accountant and how to read financial statements. If you are looking to learn to DO accounting, you need a different book. But if you want to work effectively with accountants, to see relevance in financial statements, and to prepare expert witnesses, this book is peerless. If only there were a similar book for accountants, so they could understand me!

This is going on my list for pre-law reading.


Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe (Liverpool University Press - Liverpool Science Fiction Texts & Studies)
Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe (Liverpool University Press - Liverpool Science Fiction Texts & Studies)
by Peter Wright
Edition: Paperback
Price: $26.13

11 of 12 people found the following review helpful
5.0 out of 5 stars It is what it is, October 26, 2009
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Fabulists of all sorts have an annoying habit of "letting the work speak for itself." The closer artists come to "genius," the less they want to talk. From Kubrick to Pynchon, the party line holds that silence is good stagecraft. But a recent poll ranked "it is what it is" among the most annoying phrases in the English language, and I have to agree. When I see compelling art, I want to get under the hood (and I expect to see some heavy machinery).

This collection really scratches that itch. Wolfe has nothing to hide and a lot to say. He's chatty, ballsy and slightly mad. In the interviews, he takes the dominant role, using vapid questions as a springboard for his own carnival-barker act; in the essays, Wolfe gives good mentorship to aspiring writers. Throughout, he thoroughly blows your mind. Expect to think long and hard about what he has to say about religion, philosophy, storytelling and the publishing industry.

It amazes me that he hasn't written more non-fiction - he's piercingly insightful, brutally opinionated and perfectly articulate. Above all, you get the sense that Wolfe knows what he's doing and he's doing it intentionally. Better still, he's doing it at a net profit, to general acclaim. He doesn't seem to know why he does it, or how you can force yourself to, but he wrestles with these questions in good faith. Of course, you'll have to have read some of his books to get anything out of this and that's a reason to go buy them immediately.


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