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Soon I Will be Invincible
Soon I Will be Invincible
by Austin Grossman
Edition: Paperback
Price: $12.38
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3.0 out of 5 stars The joke runs for too long, April 23, 2015
First off, this is straight-up point-of-view novel about relationships, about self-realization, about the futility of it all, and about the drive to go on despite all the setbacks life throws one's way.

It's just that the characters are all superheroes and supervillains.

"Why did I never learn to keep quiet about my plans?" moans Doctor Impossible. "It doesn't matter! All my efforts have led to this moment and this time I WILL rule the world."

It's well written and you empathize with the characters. Sort of. Until you realize it's quite silly. Treating supervillains as regular people is an old joke that's been done countless times. Just search the internet for the "Evil Overlord List" or look at the 1969 Monty Python "Bicycle Repairman" sketch where in a world of Supermen, no one knows how to fix a bicycle. Or Jane Curtin interviewing Bond villains on the original Saturday Night Live in the 1970s. Or the father and son moments in Mike Myers' Austin Powers series from the 1990s.

Here it's done deadpan and seriously but it's still a joke; one that runs too long.

Vincent Poirier, Quebec City

Interstellar: Original Motion Picture Soundtrack
Interstellar: Original Motion Picture Soundtrack
Price: $10.00
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5.0 out of 5 stars Serene, haunting, a smile towards the heavens, April 15, 2015
All great soundtracks add to a movie but when a great soundtrack makes a movie great, it stands on its own. As good as they are, the soundtracks of The Godfather or Star Wars will never be independent of their films. Who can listen to the theme from Jaws without thinking of a (possible) shark?

Not so with Interstellar. Hans Zimmer produced something as powerful and as quiet as anything Tangerine Dream ever did. A meditative work that will gently carry your mind down a languid stream.

Vincent Poirier, Quebec City

Book of Longing
Book of Longing
by Leonard Cohen
Edition: Paperback
Price: $10.59
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3.0 out of 5 stars Sing more, write less, January 6, 2015
This review is from: Book of Longing (Paperback)
With Leonard gone
Whose words to compare
With those of his songs?

Not that I did compare,
But I do compare
Now that he's gone...

(Apologies to Annie for the above.)


A man needs a hundred or so poems to make a book, but only eight or ten for a music album. Sifting matters. Cohen's latest album, Popular Problems, is wonderful, youthful, fresh, wise and experienced, but his Book of Longing is... well I found it M'eh! An old man having a go at it. Power to him, but try getting this at the library before buying it.

Vincent Poirier, Quebec City

Friends in High Places: The Rise and Fall of Clark Clifford
Friends in High Places: The Rise and Fall of Clark Clifford
by Douglas Frantz
Edition: Hardcover
88 used & new from $0.01

1 of 1 people found the following review helpful
4.0 out of 5 stars Not unjust, but a little unfair, December 31, 2014
Clark Clifford, the Democratic Party's wise old man, had his reputation and his Washington law firm destroyed by the BCCI financial scandal in the early 1990s but the trial that followed absolved him and his partner Robert Altman of any wrongdoing. Friends in High Places was written a few years after these events, while they were still fresh in everyone's mind but long enough afterwards for the facts to be well understood.

Clifford was tall, good looking, hard working, ambitious but also pragmatic and practical. As a young man, he wanted to be the best trial lawyer in the Mid-West of the United States. When he found no firm to hire him, he offered to work for free at one of the top firms in St-Louis, which he did until the partners realized what an asset they had. He prospered.

He married for love, he loved his wife, he loved his children, but no one could say he loved marriage or family life as he devoted almost all his time to the office. World War II disrupted everyone's plans and Clifford joined the Navy. He eventually moved to Washington to engage in government service, more or less at the top: counsel to President Truman.

He served well. He was jealous of his reputation, often taking full credit for the work of those who reported to him. Authors Frantz and McKean write disapprovingly of this, but working in government myself, I understand that this is how things work: the boss gets the credit. If this seems unfair, remember that the boss gets the boot when things go badly.

Government work at the top level isn't for everyone. It's for those who don't care about money or for those who already have more than enough of it. Clifford wanted money, and he was earning $30,000 by 1940. Government service paid a fraction of that so it would not do as a career. He stayed on long enough to cultivate relationships and to develop a thorough understanding of how government worked before leaving his White House office and moving across the street to found his Washington law firm.

Again, he prospered. As a lawyer, what did he sell? His knowledge of how to make things happen in Washington, or his influence with those in power?

Clifford always explained at length to his clients that he offered them, for a fee, his knowledge and experience. The authors argue convincingly that Clifford sold his influence. And yet Clifford prospered despite the Democrats losing the presidency to Eisenhower in 1952. For eight years Clifford really had no influence with the executive branch, but his practice flourished anyway. All the while, he continued to advise senior Democrats; he was the party's wise old man.

His finest hour came when he replaced Robert McNamara as Secretary of Defense. Before joining the Johnson administration, Clifford had opposed escalating the Viet Nam conflict. By the end of his short term in office, he had begun de-escalating.

After Richard Nixon took office, Clifford returned to his law practice. In 1976, Jimmy Carter brought a new generation of Democratic players to Washington and Clifford wasn't really invited to join. He decided on a new career and he became a banker.

He lent his name to deals and eventually the bank he chaired, First American, was purchased cleverly but covertly and illegally by BCCI. The story came out and Clifford claimed to have had no knowledge of any wrongdoing. Only two alternatives were possible: Clifford was a lying criminal or he was an honest fool. He fought his indictment tooth and nail and he won. An honest fool he was.

This ended his days as a Washington wise man. His reputation was in tatters. Again, the authors make a convincing argument for Clifford being in the wrong and that his problems were of his own making. And again, they are a little unfair. The opinion among Clifford supporters was that the old man had been misled by his young partner Robert Altman and that Clifford ought to lay the blame on Altman. Clifford resolutely refused to this. He had made all the key decisions and he never gave Altman any discretion on vital matters. If anyone was responsible for wrongdoing, it would be Clifford.

The authors dutifully report this, but they don't really convey how easy and simple it would have been for Clifford to blame Altman. Clifford could have saved his reputation; he could have maintained his standing in Washington. The thought seems never to have crossed Clifford's mind.

Yes, he appropriated as his own the work of those under him. Why not? He gave them the work and he directed it. Yes, he fired people who dared to challenge him or his decisions (though he accepted challenges _before_ he made decisions). Yes, he was the boss. But he paid loyalty in kind and Robert Altman had been loyal. Come what may, Clifford would heroically accept full responsibility. If his ship went down, he'd go down with it.

Just as he made his own way to the top, Clifford rushed ahead and caused his own fall and that makes him a true Shakespearean tragic hero. However his loyalty to Altman and especially his honesty deserve more praise than the authors gave him.

Still, the authors seem to mostly like Clark Clifford. This book is by no means a hatchet job. They seem disappointed with Clifford rather than angry. The tone throughout is a little condescending and it misses something vital: what a life this man has led. In the end the book is not unjust, but it is a little unfair.

Vincent Poirier, Montreal

A Woman of Thirty
A Woman of Thirty
by Honoré de Balzac
Edition: Paperback
Price: $9.90
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1 of 1 people found the following review helpful
2.0 out of 5 stars Ludicrous and disjointed, November 28, 2014
This review is from: A Woman of Thirty (Paperback)
Even when I don't like a book, I don't usually give anything less than five stars to recognized classics, but this novel is such an obvious hack job that I feel guilty in giving it even two stars rather than just one.

The structure of the novel, if we can call it that, is a series of formative episodes in the life of Julie d'Aiglemont. The first describes how she came to marry her husband, and the last brings the reader to her death. So far so good, but the problem is that to be called a structure, the object must somehow hold itself up.

The truth is that in this novel, we find nothing in early episodes that supports what we find in later sections. The beginning of one story does not follow from the end of the previous story. People fall in love, are born, and die for no apparent reason. The whole fails the test of logic and falls apart.

OK, one could argue that life is like that. Life does not follow an Aristotelian progression unified in time or place. If this novel were an attempt at presenting life from a different perspective, the way the novels of Proust and Virginia Woolf do, or even the more approachable novels of Indian author R.K. Narayan, I would accept it on those terms.

But "A Woman of Thirty" is not an abstract rethinking of how to represent the lives of people. It clearly aims to be a standard novel ranking with those of other authors and set within Balzac's Comedie Humaine, complete with characters we've met before and will encounter again.

As such it fails.

The only two things that earn it an extra star are the opening scene where the daughter falls in love, against her father's advice, with her husband, and a later story about murderers and pirates. That particular episode is ludicrous and, unusually for Balzac who tends to shuns that particular contrivence popular among nineteenth century novelists, full of unbeliveable coincidences. But at least it has action & violence, which is also something unusual in Balzac.

Vincent Poirier, Quebec City

Note: This novel is a only a very small part of the Human Comedy, which on the whole is a five-star work!

End of History and the Last Man
End of History and the Last Man
Offered by Simon and Schuster Digital Sales Inc
Price: $10.99

1 of 1 people found the following review helpful
5.0 out of 5 stars Wrong in the best way..., November 18, 2014
The arrogance of the title kept me for too many years from reading this book. I still disagree that history has an end (a steady state) or that there is such a thing as the last man, but I was very wrong to put off reading this for so long.

Francis Fukuyama looks at history and says it's going to a specific destination. That's wrong. But the insights he brings as he defends this thesis are so clever and so deep that his conclusion, wrong or right, is neither here nor there.

When he speaks of history reaching an end, he means "end" as the end which justifies the means, not "end" as is the end of a story. And this is where (I think) he is completely wrong: history is not history towards anything. History is Darwinian but not in the "might makes right" vein which led to such perversions as eugenics. History is Darwinian in that it is ever changing and always adapting to what is going on now.

The foundation of Fukuyama's theory of history is that the Last Man in History is different from the First Man who made History. Economic theory takes reason as the defining characteristic of man's behaviour. Man wants to maximize his happiness and minimize his pain. Fukuyama credits Locke and Hobbes with these insights, but he then goes back to Plato to look for something else that might motivate man and better explain history. He is looking for a third part to man's soul, so to speak, a part that motivates him in a way that neither seeks pleasure nor avoid pain and suffering. After all, Man shares these two aspects of his being with animals. The First Man of History must have had something else prodding him on.

Fukuyama goes back to Plato and his theory of the tripartite soul. The third part of the soul is what Plato calls "thymos" to which Fukuyama comes back again and again. Thymos is the part of ourselves that yearns for recognition by other men. According to this theory of history, history is made by men who are willing to risk death (an idea Fukuyama credits to Hegel) in order to win something as insubstantial and abstract as a flag or as honour. This thymos also motivates man into fighting for liberal democracy, because all men and women in a liberal democracy are recognized as equal by each other. They all have some say in how they are ruled. The master isn't fighting for recognition from other masters anymore. We are all masters--the Last Man is his own master within a liberal democracy and that is the end of history.

Man is driven towards democracy not because he wants wealth or because he fears the master's whip. We want democracy because we want to have a say in what happens to us, even if it costs us comfort and brings us some pain. That history is driven by thymotic values is a profound insight. As he argues his point, Fukuyama undermines along the way the purely economic theories of history (other things motivate us besides wealth) as well as Henry Kissenger's still enormously influential theories of Realpolitik among self-interested nation states (in a world of realpolitik, why hasn't the USA taken over Canada already?).

Nevertheless, I remain unconvinced of Fukuyama's thesis. I see no end to history and no last man because I don't see a steady state of affairs. Certainly, liberal democracy is the most desirable of the political systems we know and Fukuyama doesn't imply that because liberal democracy is now prevalent, and becoming universal, nothing else will happen. Of course history will roll on in that sense, and Fukuyama never dismissed the idea that events like 9/11 would continue to happen. But he thinks that a world of democracies would be necessarily stable, and this is where I disagree.

Fukuyama never takes into account the inherant instability of large systems. This chaotic movement of complex systems is why we cannot predict the weather, it's why we cannot predict stock prices, it's why new ideas and technologies disrupt societies.

The world is about as large as it gets as far as our own lives are concerned (the rest of the Cosmos being outside our timescale). The Roman Empire fell and Western Civilization only just barely survived. China's greatest novel, The Romance of the Three Kingdoms, begins with the sentence "Empires wax, empires wane." While history might not be as cyclical as the Romance implies, neither is it teleological as Fukuyama contends.

Some times and eras are true Golden Ages. India achieved in the past a degree of spirituality as yet unsurpassed. The dark ages humbled Western Man. Greece gave us Reason, and Rome Power. China invented the meritocratic civil service (that's what Confucian studies was all about). Yet these Great Powers waned. The world is a chaotic place, a dangerous place, and it is also a magnificent place.

If nothing else Fukuyama brings reason and a certain abstract, intellectual magnificence to our understanding of history. At least for that reason, The End of History is well worth reading.

Vincent Poirier, Quebec City

Tuf Voyaging
Tuf Voyaging
by George R. R. Martin
Edition: Paperback
Price: $13.16
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1 of 1 people found the following review helpful
4.0 out of 5 stars Tuf: vegetarian lover of cats and shaper of planets, November 15, 2014
This review is from: Tuf Voyaging (Paperback)
Before becoming big with Game of Thrones, George R.R. Martin was a working science fiction writer published in old fashioned pulp or digest magazines. I first saw Martin's creation Haviland Tuf on the cover of the 12 October 1981 issue of Analog Science Fiction/Science Fact, the same magazine that launched the careers of Robert Heinlein and Isaac Asimov, among others, before it changed its name from Astounding Science Fiction. That issue contained "Guardians", which introduced Tuf as a tall lanky languid ivory-white vegetarian lover of cats.

Tuf travels space in his Ark, a biological laboratory and DNA warehouse, looking for planets that can use and afford his services. The book is made up of seven stories: an introductory novella recounting how Tuf went from being a trader in treasures (actually, more like junk) to acquiring the Ark and becoming a planetary ecological engineer. There are three stand-alone stories, of which "Guardians" is one, and which appear interspaced with three stories about a planet with a runaway overpopulation problem.

Martin gives us light, entertaining stories with characters that are almost three dimensional. If you are a science fiction fan, you can't go wrong. If you are not a science fiction fan but you wonder what it's all about, you still won't go wrong. If you are coming from Game of Thrones and want more Martin, you won't go wrong. And if you want to read some Martin but you find Game of Thrones too long, then Tuf Voyaging is ideal.

Vincent Poirier, Quebec City

by Honoré de Balzac
Edition: Paperback
Price: $6.99
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5.0 out of 5 stars Seeing Shylock win, and almost cheering him on, November 7, 2014
This review is from: Gobseck (Paperback)
Shakespeare's Shylock utters few words and by this writer's trick, we are made to feel the economy, the careful greed, of the money lender. Balzac makes use of the same device for his money lender, Jean-Esther van Gobseck, known as Papa Gobseck. When asked direct questions, the prodigeously verbose Honoré de Balzac has Gobseck answer in short phrases or even monosyllables.

-You hold the trust?
-Will you then take undue advantage of the crime the lady has just committed?
-Just so!

The main difference between Shylock and Gobseck is that Shylock loses everything in the end and we can think of him as a tragic hero complete with a tragic flaw. Gobseck on the other hand wins, so there is no reason for us to feel empathy. He goes for the pound of flesh, albeit figuratively, and ruins many clients. We should hate him, I am sure many readers do, but instead we cheer him on partly because because he is so clever, partly because he simply profits from the mistakes of others. Gobseck's gains may be excessive but they aren't entirely unfair.

For all that, Gobseck is unlovable. He isn't actually malevolant, he isn't even dishonest. He deeply respects the world. "Life is a craft, a profession, that one must take the trouble to learn" says he about about a man dying for being too sensitive and for not knowing how to overcome the adversities of life. But while understanding how the man got beaten, one of the few men form whom he held some esteem, Gobseck has no empathy for him. He simply doesn't love anything, so how can we love him?

A wonderful character to encounter in Balzac's Monde.

Vincent Poirier, Quebec City

The Sheltering Sky
The Sheltering Sky
DVD ~ Debra Winger
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5.0 out of 5 stars Despair and longing, October 23, 2014
This review is from: The Sheltering Sky (DVD)
Port (Malkovitch), Kit (Winger) and Tunner (Scott) arrive in Morocco some time after World War II. They are travelers, not tourists, they come not merely to visit and see the sights, but to live and experience the desert, the tea shops, and the souks.

Port and Kit are also looking to revive their marriage and implicitly their very lives. Port especially feels lost and Morocco for him represents a time when he thrived and grew. Salvation, he assumes, can be found here. As events develop, it is clear that Morocco cannot answer the needs of Port, Kit, or their marriage.

Tunner isn't careless but he doesn't need salvation. He lives without worry. He has money, he enjoys himself, and he readily shares his good fortune with his friends. He cares for friends and lovers. He offers Kit hope in life even as she follows her husband Port in his existential crisis.

This film has to be the epitome of the feel bad movie. It offers a difficult life lesson as it drains the viewer's soul of all desire, leaving it bare and exposed to the elements. Our longing is raised to a climax even as we realize it can never be satisfied. The sky cannot protect against wind or rain, and it is absurd to expect it to shelter us.

Vincent Poirier, Quebec City

Capital in the Twenty-First Century
Capital in the Twenty-First Century
by Thomas Piketty
Edition: Hardcover
Price: $27.22
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5 of 5 people found the following review helpful
5.0 out of 5 stars 85% fact, 15% opinions about these facts, October 13, 2014
Like it or not, facts are facts. The distribution of wealth is clearly returning to 19th century levels, the rich really are getting richer, the middle class is shrinking, and the poor have little hope of joining the middle class.

Piketty's book is mostly an exposition of facts followed by opinions and proposals about what we should do about them.

==The Facts==

In a nutshell, the results are this: wealth was concentrated in the hands of a very few before, this changed in 1910 and by 1980 we had a strong and large middle class. However, simple economics show that these achievements are temporary and that the middle class will shrink.

Piketty looks at over two hundred years of solid data. This data is very difficult and problematic to interpret and to put in context so Piketty makes it all available online for others to examine.

The results are pretty simple and straightforward: if the rate of return on capital exceeds the rate of growth, then capital will accumulate all by itself. Those who have capital will see it grow while those who do not possess it will never get richer.

Piketty also looks at the structure and sources of capital and how they have changed over time. Up until the mid-nineteenth century, over 90% of a nation's wealth was simply land. Return on capital was a generous, but more importantly a very steady, five per cent. With the industrial revolution, wealth and capital changed in structure. Today less than five percent of a nation's wealth is in farm land. The rest is in real estate, intellectual property, and factories.

Sources of wealth have changed as well. Obviously, if capital changes form, revenue changes its source but beyond that, the last thirty years have seen the rise of a new phenomenon: super managers whose revenue hoisted many of them out of the middle class into the top 0.1%.

But between 1910 and 1970, something interesting happened. Before that, there were the super-rich, the 1% who owned most of everything, there was a middle class of modestly wealthy home owners making up the rest of the top 10%. The poor made up the rest of the 90%. By 1950, the poor made up fifty percent, the top 1% flattened to the top 10%, and the middle class grew to forty percent. (World War I and II leveled the playing field and the wealth had to be shared as it was produced.)

Piketty also looks at where wealth arose. One of his most interesting findings is that until the 1880s and again between 1950 and 1980 (but not since then) the United States was the _most_ egalitarian place in the world. This bears repeating loudly: the USA was NUMBER ONE in fair wealth distribution. Why? Simple: in the nineteenth century, capital was farm land and farm land was cheap. But in the 1920s, the US was subject to same pressure to reform once a wealthy oligarchy appeared.

(Reality can be offensive. Piketty does point out that the southern states DID have unequal wealth distribution: a wealthy class whose capital was chattel. Slaves did form a computable capital base and provided a return that compared with the return on other types of capital. )

==The Politics==

One weakness in Piketty's book is that he almost takes it for granted that this is a bad situation. He doesn't spend much time explaining why this is undesirable. Well, he's an economist rather than a political scientist and I suppose he assumes everyone sees what he sees. Most people don't see it unfortunately, and Piketty's quips about everyone eventually paying rent to Wall Street bankers and Arab emirs aren't enough to convince opponents or even those undecided who are merely leaning towards free market capitalism.

Piketty also proposes different solutions, including many that he fully admits are unworkable: A world wealth tax for example. He points out that if all declared private assets and liabilities are added up, along with public assets and liabilities, we get a negative numbers. This implies, he jokes, that we are owned by Martians, but goes on to the real explanation: a significant portion of the world's wealth is hidden in tax havens. His second proposal is to have a wealth registry similar to a land registry.

To those who scoff at the idea, he points out that for all intents and purposes wealth has been registered in France for two hundred years and that this has benefitted the wealthy in one important way: it has cemented their property rights.

Still he realizes that his ideas are impractical, but insists they are useful. A world wealth tax might not be useful but a European wide wealth tax, or a US wide wealth tax, would bring many of the same benefits.

Finally, Piketty does NOT want government to grow. He agrees that with the current share of 30 to 40 percent of GDP, government controls a large enough share of the economy.

He wants to rich to pay more and the middle class to expand.

Vincent Poirier, Quebec City

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