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The Lais of Marie de France (Penguin Classics) Paperback – June 1, 1999

4.1 out of 5 stars 29 customer reviews

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Product Details

  • Series: Penguin Classics
  • Paperback: 176 pages
  • Publisher: Penguin Classics; 2nd edition (June 1, 1999)
  • Language: English
  • ISBN-10: 0140447598
  • ISBN-13: 978-0140447590
  • Product Dimensions: 5 x 0.5 x 7.8 inches
  • Shipping Weight: 1.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #109,721 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

27 of 27 people found the following review helpful By Jan Dierckx on May 18, 2006
Format: Paperback Verified Purchase
Before the famous Italian Renaissance, you could speak of a French Renaissance in the 12th century as far as literature is concerned.
In Southern France there were the Troubadours, singers and poets, often part of the nobility or their entourage. In the North of France you had Chretien de Troyes and his Arthurian romances and the Lais of Marie de France, to name only two of the most important.
The 'Roman de la Rose' was written in the 13th cent. but is probably the most important masterwork of the French Renaissance.

About the person of Marie de France almost nothing is known for certain.Her 'Lais' - stories about romance or adventure - are based upon the popular and folkloristic tales that already existed for centuries in Bretagne - a region close to where the Atlantic meets the North-Sea.
These stories were handed down from generation to generation by story tellers.
The Lais of Marie de France excel by diversity. There are love stories - of course - but also vivid descriptions of
tournaments and even a story about a werewolf.
Marie de France proofs that medieval literature can be entertaining.
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37 of 40 people found the following review helpful By ninjasuperstar on March 30, 2001
Format: Paperback
Like The Romance of Tristan and Iseult, The Lais of Marie De France offer the reader more than the literal. There is high emphasis placed on the symbolism of animals. There are dead nightingales, weasels that know the secret to new life, a jilted werewolf, and others. The lais and Tristan and Iseult were written during the same time period, as evidenced by the lai entitled "Chevrefoil," which retells one of the closing scenes in The Romance of Tristan and Iseult.
Most of the lais follow the courtly love tradition, but often with a twist of the opposite, especially in "Eliduc." Courtly love challenges the institution of marriage and other social conventions. It examines the problems that arise when people fall in love: selfishness, disloyalty, and violence.
I do fear that there is a lot lost in the English translation. The lais were originally long French poems, but the translation is presented as prose. However, where the music of the language lacks, the consequences of the work remain.
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25 of 27 people found the following review helpful By A Customer on November 17, 2003
Format: Paperback
The Lais of Marie de France, aside from being a landmark in the history of literature, are a collection of romantic stories that transcend time. I absolutely love the power and authority Marie de France assigns to her female characters. She juxtaposes the social superiority of men during the late twelfth century with abnormally strong women. The effect can be both compelling and saddening, while always poignant. In the Lai du Lanval, Marie de France creates a larger-than-life female character whose authority and affluence eclipse even King Arthur's grandeur. She essentially tells a love story in reverse, wherein the woman, as the figurative 'white knight',
rescues the man, who plays the role of the 'damsel in distress'. Also, in the Lai du Laustic, she tells the tale of a woman who falls in love with her neighbor and uses the chirping of a nightingale to justify her late night meetings with him. When her husband grows tired of her leaving the bed each
night, he has the nightingale killed so that his wife can sleep. Without the nightingale's chirping, she cannot talk to her love, thus, as an explanation of their bad fortune, she wraps the dead bird and sends it to her lover. This particular lai exposes the sad, immutable predicament of arranged marriages. Marie de France uses clever and subtle ways to describe the complications of love and marriage, which make her writing so uniquely profound.
More specifically, I believe the Penguin Classic's edition of The Lais of Marie de France is an excellent version to study. Compared to other translations I've read, this is the most readable. The translators, Glyn S. Burgess and Keith Busby make it clear in their Translator's note that their aim was to stay as close to the original written word as possible.
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30 of 33 people found the following review helpful By m-starr on November 9, 2002
Format: Paperback Verified Purchase
This is a wonderful collection of old old Breton tales written into poems by Marie de France in the 12th century. Who exactly Marie was is a bit of an enigma, as the introduction to the book explains. But she was unquestionably a gifted writer: her lais, written to entertain courtly audiences, vary colourfully one from another, and positively sparkle with romance, passion, and wit. Mostly they tell of grand loves between courtly young men and comely noble maidens, and there is some great obstacle to overcome. Some endings are happy, others tragic; there is always a great test of the spirit, with notions of loyalty, honesty, honour, and true love playing into the mix. The scenes when lovers get together can be downright ... (in a subtle medieval sort of way). The translation puts the poems into prose, though the language remains poetic. Altogether, you can see why these gems of stories have lasted 800+ years.
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12 of 12 people found the following review helpful By A Customer on October 30, 2003
Format: Paperback
The version of The Lais of Marie de France, translated by Glyn Burgess and Keith Busby, is a substantial collection of lays by Marie de France. Though little is known about the writer, Burgess and Busby provide a thorough presentation of the literary evidence relevant to the question of authorship. Furthermore, they discuss the literary history of previous compilations of Marie's lays, laying a broad foundation for even the amateur reader of medieval literature.
The lays in this collection are themselves rich and thematically diverse. Through the literature, Marie makes sharp criticism of medieval gender roles, examines the character and dynamics of Arthur's court, and challenges the modern view of marriage and love. In the story "Lanval," Marie even makes a start towards defining a woman's beauty. To credit of the translators, her stories are both straightforward and accessible to the modern reader. This collection is highly recommended, and well worth the price.
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