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16 of 17 people found the following review helpful:
2.0 out of 5 stars
Did Tim get lazy?, March 26, 2005
First, let me say I wanted to love this book. The first O'brien book I read was The Things They Carried, a masterpeice. I suggest to all who were turned off by July July to please read this before writing him off. He has enormous talent, but this book didn't show any of it. The characters are barely credible. The setting of the reunion seems as if the characters dropped into a twilight zone scenario: they can and do haunt the Darton Hall campus in the wee hours, no buildings are locked, no security guards are ushering them out of the door, as if the campus is a ghost town, a mere prop waitng empty for thirty years instead of a real place with a whole new set of students. The dialogue of most characters not only sounds the same, but has the same style in that many scenes end with a character emitting what is meant to be a clever quip. On a more positive note, the sub-tales are mostly quite good, such as David Todd's tale in 'nam (I loved Johnny Ever, the most interesting character in the book), the tale of the lover who drowns (reminded me of a story by Richard Ford), and most of all Marv's tale.
Tim, if you are reading this don't be discouraged. I know you have some better stuff in you. Maybe you got a little lazy or contrived on this one. Best of luck on your next effort.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Beautiful Delusion of a Generation, October 9, 2002
Tim O'Brien has done it again! In July, July, O'Brien creates a beautiful range of voices and lives, trapped by their own passions, hopes and the delusions of a generation, whose youth has run itself, nearly, out of gas. At a high school reunion, we see O'Brien's characters dance under cardboard stars in an awkward celebration of times past. The reunion of old friends serves as a catalyst for reliving the year of their college graduation: 1969. The narrative fluxes between present time stories and the tales of old hopes, dreams, loves and lives of these ripened graduates. In the novel, O'Brien's characters (some of whom, like Spoke Spenelli, remain as sassy and sexy as ever, while others find themselves victims of divorce, broken hearts, or a lost leg to the Vietnam War) are as real as each of us, as they explore who they were and who they have become. In July, July the reader finds herself out on their dance floor, amongst the crowd, dancing along with nostalgia. By brilliantly weaving the experiences of these characters lives, O'Brien creates a chorus for a generation who drowned themselves in the sea of cul-de-sacs, housing developments, golf courses and other landmarks of suburban culture. There is no book that better exemplifies the dreams of a generation, so proud and young and hopeful, who lost its innocence to a time of war. This book has moments of pure hilarity and heart wrenching sadness. It is a reflection of another "coming of age," middle age, that leaves the reader walking away with her own reflections on who she is and who she thought she would become. O'Brien is masterful in his prose. In July, July the cast of characters develop a plotline that wraps each of their lives around your very own. An amazing feat. My highest recommendation.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars
FUNNY AND POIGNANT - GREAT READING!, October 19, 2002
When Tim O'Brien postponed graduate work at Harvard to serve in Vietnam, surely, he had no idea that he would one day become America's preeminent chronicler of those war years and garner a National Book Award. His prose is both brilliant and courageous. With the funny and poignant "July, July" O'Brien returns to the era that so shapes his writing, but this time rather than focusing on the soldiers he spotlights those who were left behind. When asked about his emphasis on female characters in his latest work, the author replied, "....in part it was a technical challenge, to prove to myself that I could do it, that as a writer I could portray convincing, detailed, intelligent, compelling women. More important, it seemed to me that most of the fiction set in the watershed era of the late 1960s focuses on stories about men - the pressures of war, draft-dodging, and so on. But for every man who went to Vietnam, or for every man who went to Canada, there were countless sisters and girlfriends and wives and mothers, each of whom had her own fascinating story, her own tragedies and suffering, her own healing afterward....." With "July, July" we meet many of these women at the thirtieth reunion of Minnesota's Darton Hall College class of 1969. Ten old friends meet again for a weekend in July to reminisce, drink, and rue what might have been Much has happened in the past three decades; , careers have flourished and floundered, children have been born, and marriages made in heaven have ended in hell. It seems fitting that Jan Huebner and Amy Robinson toast their exes with vodka and hope for better days. Dorothy Stier, a wealthy Reagan Republican is recovering from a radical mastectomy and her 30-year-old decision to let draft dodger Billy McMann wend his way to Winnipeg alone. Even with two husbands Spook Spinelli is still on the prowl and sets her failing sight on a tubby rich man with a weak heart. Other riveting characters charm and disarm, while Johnny Ever, perhaps an angel, always hovers. He is there to {pick} consciences and remind, as O'Brien has said, "I'm not sure if Johnny is an angel or a devil or a voice of conscience or just a weird metaphysical middleman. But yes, Johnny is meant to lift the story out of time, to remind both the characters and the reader that human beings have gone through certain universal troubles and joys throughout history, and to remind us of those abiding mysteries and unknown that envelop all of human experience." Tim O'Brien has crafted an incandescent novel penned with astounding insight and unforgettable power. - Gail Cooke
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