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Milton Babbitt: Words About Music (Madison Lectures) (Paperback)

~ Stephen Dembski (Author), Joseph N. Straus (Contributor)

4.5 out of 5 stars See all reviews (2 customer reviews)

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Hardcover Available from these sellers. Published March 31, 1987	Hardcover, March 31, 1987	--	$50.00	$10.27
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Product Details

Paperback: 216 pages
Publisher: University of Wisconsin Press; 1 edition (April 15, 1987)
Language: English
ISBN-10: 0299107949
ISBN-13: 978-0299107949
Product Dimensions: 9.3 x 7.5 x 0.5 inches
Shipping Weight: 14.9 ounces (View shipping rates and policies)

Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)

Amazon.com Sales Rank: #1,551,404 in Books (See Bestsellers in Books)

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2 of 2 people found the following review helpful:

5.0 out of 5 stars More than Worthwhile, January 12, 2008

By	Spencer Topel (New York, NY United States) - See all my reviews (REAL NAME)

In never ceases to amaze me how many people who call themselves "amateurs" and even "experts" misunderstand Milton Babbitt. If anyone ever would take the time to listen, they would understand him better.

The first tragedy of the "Who Cares if You Listen" essay, is that it was the choice of the publisher, not the author, to change the title. Whether this is an acceptable answer or not, it is well documented. It is sad to say that most people don't even get past the title of the essay. In this way, the irony of the message actually comes through: the people who are too quick to judge something end up being the last person any artist wants to please. Mr. Babbitt makes it clear that he is not interested in pleasing every single person that listens to his music. Why is this a crime?
Any composer who writes "serious" music is deluding themselves if they think their music is going to be accepted by and adored by the greater public. So a composer has a concert with a major orchestra or fifty--can those composers imagine what their audience listens to when they are away from the concert hall? I am sure they would like to think that their music lifted the audiences' spirits or realized a deeper truth about music.
The reality is: this notion is more the exception than the rule.

This collection of essays is full of wit and the wry sense of humor that hides just beneath the surface. His commentary on the societies of music making is appropriate if not at times misgiving. Mr. Babbitt is an iconoclast that stands out from his peers, both in his compositions and his writings. Anyone who knows him would tell you that, (though watch out for the baseball stories).

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8 of 17 people found the following review helpful:

4.0 out of 5 stars worthwhile, July 13, 1999

By A Customer

This review is from: Milton Babbitt: Words About Music (Madison Lectures) (Hardcover)

Milton Babbitt is the most intelligent and articulate of the serialist propagandists. He is very often dead wrong, but he is always worthwhile to read. His monographs published in "The Journal of Music Theory" and elsewhere have been very influential, but as far as I know they have never been collected in book form. This is a valuable compendium of his thought. The last lecture reprises the argument of his notorious "Who Cares If You Listen?" article. For a reprint of the original article and an apposite rebuttal, see "Music in the Western World: A History in Documents" edited by Piero Weiss and Richard F. Taruskin.

I also recommend (very much) PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.

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