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9 of 10 people found the following review helpful:
5.0 out of 5 stars
left me breathless and chuckling, October 21, 2005
Everyone I know is getting a copy of Wheelman for the holidays. I picked up this book thinking it was going to be a quirky read because the protagonist is a mute getaway driver named Lennon, which sounds goofy at first. But instead I was treated to the most fun any media - book, tv show, movie, etc. - has provided me all 2005.
Sleepy, charismatic Philadelphia is the perfect backdrop for the non-stop action and violent twists and turns. It reads like a film, except it never stoops to the predictability and hokiness of Hollywood flicks. It's authentic and funny as hell.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Strong Cinematic Debut, January 30, 2006
This slim crime debut from Philadelphia City Paper editor Swierczynski, starts with an awesome Michael Mann-like set piece, proceeds at breakneck pace through some rollicking Quentin Tarantino-like pulp fiction turf, before petering out with a bit of a whimper in a rather unsatisfying ending. Having previously written a non-fiction book (This Here's a Stick-Up) about bank heists, Swierczynski is primed with plenty of info about how they go down. This shows in the opening portion of the story, where a pair of thieves and the titular getaway driver knock over a Wachovia in downtown Philadelphia. The writing is simple, crisp, and intensely cinematic, as their carefully laid plan hits a speed bump or two, but seemingly comes off.
But sudden reversals are the running theme of the book, and all does not go quite as expected. We next find the driver, Lennon, in a body bag, about to get tossed into a construction project pit, along with his fellow dead heisters. In a comical and bloody scene somewhat reminiscent of Elmore Leonard, he manages to free himself and get away, setting off a chain reaction of double and triple-crosses, as all manner of people start chasing after the missing money. A drunken ex-cop, remnants of the Italian mafia, the new Russian mafiya, dirty cops, half of a bad cover band, a fixer (like the Jon Voight character in Heat), an annoying college girl, Lennon's lady, and a mysterious man in black. All get into the dizzying mix, and at the center of it all Lennon, a mute Irishman who knows cars, books, and survival, and that's about all. (Rather oddly though, there are no car chases, and other than the very beginning, Lennon's driving expertise is left untapped.)
The story is built on fast pacing and pulling the rug out from under characters and the reader. Swierczynski loves to engage in misdirection, and although he sometimes repeats himself a little too much (an overused plot device is that those who appear dead may not actually be dead), and the relationship between Lennon and Katie isn't as camouflaged as he might wish, but the story still has more tricks up its sleeve than any ten average crime stories combined. A corollary to this is how Swierczynski often kills characters very suddenly and unexpectedly, which somehow feels more true to the genre than what one usually finds. And there's plenty of sparse, laconic style, as the body count rises in gruesome fashion. Everything is handled so well that the way everything climaxes in the last ten pages is somehow a letdown. Still, it's a completely entertaining book that will almost certainly be made into a movie, and I will definitely be looking for Swierczynski's next book.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
Excellent heist novel, October 19, 2005
The Richard Stark tradition crossed with Douglas E. Winter's "Run". Great ending. The whole book has real style. I don't think most popular present-day crime novelists take enough chances--too often they seem to trying to score a movie deal. No problem with that here. (A movie version would be great, but it is just too dark for Hollywood).
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