From Publishers Weekly
How much can one middle-class Victorian-era woman endure? Plenty, as evidenced by this engrossing second novel from Graham (
Firebird). A tailor's daughter living on London's Savile Row, Veda Grenfell expects that one day she will marry up and shed her status as a tradesman's daughter. But as she comes of marrying age, her brother dies in a riding accident, her mother and unborn sibling die during childbirth and a bout of typhoid fever leaves Veda deaf. Realizing her deafness will ward off suitors, Veda goes to work at her father's shop, where she proves herself a talented seamstress, and intrigue and possible romance simmer. Charismatic Lord Ormelie is interested in more than Veda's stitch work; the repellant Balducci, the head cutter at Grenfell's, uses Veda to further his position at Grenfell's; and Mr. Nicholls, a clergyman hired by Veda's father as a tutor, is prone to caustic jealousy of other men who pay attention to Veda. Veda's deafness is smartly played, and Graham's depiction of the tailor shop's inner workings is instructive. Though the litany of setbacks Veda endures makes it seem like the world has it in for her, the redemptive ending will please fans of the genre.
(Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In this novel, set in England shortly after the death of Prince Albert, Graham, author of
Firebird (1998) and
Sarah's Window (2002), continues her exploration of the romance genre by adding a Victorian gothic to the mix. The first-person narrative reveals the world of Veda Grenfell, daughter of one of the tailors to England's aristocracy. Her life changes drastically when she loses in one year her mother, her brother, and, as a complication of illness, her hearing. Veda challenges tradition to find an acceptable life that includes love. Seen through Veda's intelligence, most characters are well described and developed; only a few are clearly devices, meant to move the plot forward. Graham's climax will hardly surprise experienced readers (especially those who have read
Jane Eyre), and the unrealistically pat resolution will raise eyebrows in anyone conversant with the social mores of Victorian England. Despite these faults, fans of the author's previous books and readers of gothic novels will enjoy Graham's delicious details of high society and star-crossed love.
Ellen LoughranCopyright © American Library Association. All rights reserved
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