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The Ugly Renaissance: Sex, Greed, Violence and Depravity in an Age of Beauty Hardcover – October 7, 2014

3.6 out of 5 stars 52 customer reviews

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Product Details

  • Hardcover: 448 pages
  • Publisher: Doubleday (October 7, 2014)
  • Language: English
  • ISBN-10: 0385536593
  • ISBN-13: 978-0385536592
  • Product Dimensions: 6.5 x 1.4 x 9.6 inches
  • Shipping Weight: 1.8 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (52 customer reviews)
  • Amazon Best Sellers Rank: #397,506 in Books (See Top 100 in Books)

Customer Reviews

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31 of 35 people found the following review helpful By Thomas B. Gross VINE VOICE on October 4, 2014
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
I hesitated to order this book because I was put off by its apparent premise: that the Italian Renaissance was not all sweetness and light but had a "dark side" - hardly a revelation to anyone, but I decided to read it anyway because I am fascinated by descriptions of daily life in 15th and 16th Century Florence - my favorite part of Ross King's "Brunelleschi's Dome" was the description of herds of sheep within the city walls and I figured it would be entertaining to read about the sex lives of Renaissance Men (and Women).

I haven't read Vasari's "Lives of the Artists" since my first visit to Florence 40 years ago this month - I don't remember much of it but I remember loving the stories, and the best of "The Ugly Renaissance" is reminiscent of Vasari if not directly sourced from it.

There's a lot of interesting information here - enough for perhaps three shorter books. The first book would be a description of Florence at the time that Michelangelo carved the David - it would be very much like "Brunelleschi's Dome". Some of this is really great, like when he describes Michelangelo's father giving his son a hard time for being a painter and not a banker. The second book would be about the Medici family, and the third book would be a description of Florence during the "Age of Discovery" (which is remarkable because Florentines don't appear to have been interested at all in the discovery of America). These three sections make up the entire "Ugly Renaissance" book somehow bound together by the idea that not everything in Renaissance Florence was beautiful or enlightened.
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16 of 18 people found the following review helpful By Reader from Washington, DC on August 29, 2014
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
The depravity of the Renaissance era is no secret -- within the last few decades at least two gaudy television series about one of the most evil Popes, Alexander Borgia and his equally icky illegitimate children, have been produced. Many novels and much poetry about Renaissance Italy, filled to the brim with murder and adultery, have been published in the last three centuries.

But historian Alexander Lee believes that modern admirers of the art and literature of the Renaissance tend to romanticize the era, seeing only the beautiful altarpieces and statues like Michelangelo's David in isolation from the horrific society which produced them. He argues that moderns tend to believe that people who paid for and produced art and poetry that beautiful couldn't have been bigots, murderers and rapists, and must instead be close to moderns in their thinking. Lee's book tries to break up the sanitized picture of the Renaissance as a wonderful time of intellectual discovery and show its seamy underside.

In "The Ugly Renaissance," Lee describes how many of the altarpieces, with pictures of the art patrons painted into them, were given to churches to alleviate the guilt that the wealthy merchants, violent soldiers and corrupt church officials felt about their sin-stained lives. Huge libraries were built by merchants fearing that they would spend eternity in purgatory or hell for ruthless acts of usury.

Lee writes in an engaging style as he takes the reader on tours of breathtaking crimes and atrocities, followed by commissions to Raphael or Fra Lippi that were intended as atonement for the crimes. Even readers who are not convinced that the public has a sanitized view of Renaissance Italy can learn much from this fascinating book.
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5 of 5 people found the following review helpful By James Norwood on November 27, 2014
Format: Hardcover
Drawing on the title of an iconic Clint Eastwood film, scholar Christopher Lee writes the following about the era of the Renaissance: "The story is much like a good old shoot-`em-up Western, except that the good aren't so great, the bad are a lot worse, and the ugly really, really like art." (p. 205) The author follows the path set forth by Swiss scholar Jacob Burckhardt (1818-97) to examine the Renaissance as one of the acmes of civilization, but also one that deserves an asterisk for its darker side.

One of the strengths of "The Ugly Renaissance--Sex, Greed, Violence and Depravity in an Age of Beauty" is the depth analysis provided by Mr. Lee. The author skillfully probes beneath the surface to uncover a complete picture of life in Renaissance Italy. Far from a one-dimensional book about the seamier side of life, "The Ugly Renaissance" features an extensive spread of illustrations and detailed discussions of great works of Italian art. By the book's conclusion, it is clear that the author genuinely believes that the Renaissance bequeathed an incandescent legacy of high culture.

Mr. Lee raises a valid point when he asserts that the seamier side of the Renaissance has often been ignored by historians. In Kenneth Clark's book and television series "Civilisation," the court of Urbino is described as the most civilized place on the planet in the fifteenth century. But Lord Clark fails to mention the sordid background of Urbino's condottiere despot, Federico da Montefeltro. By contrast, Mr. Lee describes Federico as "among the most underhanded, backstabbing men of the age. Though charming to a fault, he lived and breathed treachery and never seems to have thought twice about spying, poisoning, and murder." (p.
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