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12 of 12 people found the following review helpful:
4.0 out of 5 stars
Highly promising first novel--with wonderful world-building, March 5, 2008
When the god he worships, Voice, vanishes from Gad, Arjun comes up with the idea of searching for Voice in the great city, Ararat. In Ararat, gods are abundant and it would be easy, he reasons, to for one more god to lose his way in that city. After traveling for months, he arrives in time to see evidence of those gods--a huge flame that continually lights the city, and a bird flying overhead that showers its powers down on the inhabitants of Ararat, temporarily gifting a few of them with the ability to fly.
Jack Sheppard has waited for the arrival of the bird and uses its passage to speed his own escape from a workhouse. Once free, he joins up with a group of other feral children and schemes to free more. Ararat teems with workhouses and prisons, and Jack embarks on a quest to free everyone. While the power the bird gave most of Ararat fades, in Jack, it seems to grow.
Scientist Holbach has predicted the return of the bird and convinced one of the city's nobles, the Countess Ilona, to invest in a balloon that will, Holbach believes, permanently capture a bit of the bird's power that would otherwise disperse into nothing. The experiment is a success, but at a cost, and the balloon, named Thunderer, becomes a part of the Countess's arsenal. While Holbach dreamed of using it to continue his vast survey and Atlas of the seemingly limitless city, the Countess plans it to be a weapon, allowing her to threaten her rivals without fear of retribution.
Author Felix Gilman shows huge promise in a fascinating and complex world where gods walk the streets, continually transforming the city behind them, where a few humans seem to have abilities that defy explanation, and where disease and corruption never lies far beneath the surface. The city of Ararat is really the primary character in this story, with Jack, Holbach, Arjun and the others serving mostly as opportunities to peer into other parts of the city, to see new sights and new dangers.
THUNDERER is Gilman's first novel and, despite its promise, it's not without flaws. The Thunderer itself never really plays an important role in the unfolding plot. The mysterious spider god shows incredible potential (and a number of pages are dedicated to this god) but soon fades and never really plays a role in the plot, either. As several people point out to Jack, his plan to spring workers and prisoners from their workshops and prisons is clearly doomed--if the escapes are successful, the newly freed prisoners have nothing to do, no money, no food--yet he seems incapable of doing anything else. Even Arjun seems to wander through the city rather. Only in the last fifty pages or so, when Gilman wraps things up, does Arjun develop goals and start to plan rather than react.
The best fantasy develops wonderful worlds that somehow reflect and shine lights into our own universe. But Gilman, in THUNDERER, seems to forget that it's necessary to have compelling characters and plot as well. There's a lot to like in this book and Gilman certainly shows huge promise. But that promise is only partially filled in this first novel.
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17 of 20 people found the following review helpful:
4.0 out of 5 stars
Theological Urban Fantasy : a good story, well written, January 4, 2008
Yes, someone gave this book a bad review, but don't listen to him -- he's someone who apparently doesn't know the difference between "bazaar" and "bizarre". This book is a delight, and the author is both a good storyteller and a good writer.
I completely disagree with the previous reviewer's critique that the book has no character or plot development; I found the characters to have both depth and charm (and yes, they do learn and grow and change during the course of their travels), and the plot is creatively based upon what happens to the these characters as they seek to find, follow, trap, defy, profit from, or divine the patterns of the many gods within the seemingly infinite city of Ararat. This city is NOT, as the critical reviewer has written, "devoid of cause and effect and logic," but instead is vividly written and fascinating. The gods of Ararat regularly remake its streets in the wake of their passing, and the citizens who believe in these gods (and who among them would dare NOT believe, when their presence is so frequently seen and felt) range from the blasé to the devout to the fanatical.
The summaries of this book focus on the naive traveler Arjun and his search for the Voice, but there is also another main character, Jack (it's not too much of a spoiler to say that he's the one featured on the cover, is it?), a boy of the streets whose own search is equally engaging. Indeed, they are contending with forces greater than themselves, yet they have their own skills and wisdom to draw upon as they make their stand.
The secondary characters also have depth, and skills, and flaws of their own to wrestle with, and as you read you will be certain that even though not every detail has revealed to you, the author, at least, knows everything about both his gods and his mortals, making both the setting and the story of his novel very believable and wonderfully exciting.
I'll be saving my 5-star rating for when Gilman's second book goes to press.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars
Slow to build but satisfying, January 27, 2008
This novel took a little bit to get it's engine going, but I found it excellent. There are three main characters. The first two are Jack and Arjun and the plot follows the two of them in their separate stories until they intersect. The last is the city, an area that is as much theological as geographical. The city rearranges itself and is infested by gods that are unknowable but impossible to ignore. The book lags at the beginning because the author has to layer on plots and characters and background to let the readers ( and the characters) discover how the city really works.
A satisfying chew.
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