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I confess I peeked at the reviews of this book before settling in to read it and was a bit worried by the rather harsh remarks by a number of readers. Shouldn't have been. This is a novel of real power. Witty (often darkly humorous), intelligent and beautifully written it is completely at a piece with rest of the series. Still puzzled by those reviewers who claim this was ghosted and a bit troubled by one writer who complained Villier's death was a problem because she was such a strong female character. Well yes, but this isn't Oprah nor is this about consciousness raising as we know it at the end of the twentieth century. Rather, this work is a fantistically imagined glimpse into the very early nineteenth century-a time quite different from our own. I had heard of O'Brian first in the mid-1970's but couldn't rally much interest. Napoleonic Wars? Royal Navy? So? Then, for some reason or another, I picked up 'Master and Commander' over the New Year's Holiday. Three months later, I had read each of the nineteen novels in sequence. One of the great reading experiences of my life. 'The Hundred Days' is an altogether tougher work than those which preceed it. Aubrey and Maturin have been at this for a great long while. The war with Napoleon drags on and on. Fortunes are made and lost. Friends and family die. There indeed is very little of the joy to be found in the earlier books. Choices available to a person were far fewer in number in the early 1800's. Societal constraints, class strictures, duty-any number of factors conspired to grind a person down. By the end of 'The Hundred Days' Aubrey seems tired and spiritless. And why not? Good friends killed. Endless political intrigue. He faces huge responsibilities as the 'Lord of the Manor' and member of Parliament as well those in his naval career. The death of his best friend's wife and the death of his long time coxswain Bonden are terribly painful. Remember, Aubrey has been at sea since the age of twelve. It is not a warm and fuzzy place to live. It is a painful and isolated existence. No,'The Hundred Days' gets it really, really right. It has been a wonderful trip for Aubrey and Maturin and all the rest, but the cost has been huge.

Scanning through the other customer reviews of "The Hundred Days", I am struck by the chasm between those who condemn the book (sometimes in startlingly harsh terms) and those who applaud it. I count myself firmly among the latter, but acknowledge that this volume differs significantly from earlier entries in the series. What some readers apparently view as an absence of skill and spirit on O'Brian's part, I find instead to be the product of a subtle and masterful command of the literary art. Death is a central theme, Death is a chief character of "The Hundred Days", and I find it not surprising at all that O'Brian has elected to use a style in keeping with that particular focus. I have seen numerous comments from dissatisfied readers decrying O'Brian's "failure" to deal with the deaths of major characters at length. With all due respect, I think that view misses the whole point of what and how O'Brian has written. The cheapest, most false piece of writing produced by any hack would have lavished sorrow upon these deaths; shedding shallow tears would have been the easy thing to do. The abruptness of these deaths, even the absence of healing mourning, heightens the pain and the sense of loss we feel. O'Brian has not written a book to make us "feel good". Instead he has painted for us a portrait of emotional constraint, the hues of the world washed over with the grey of an unexpressed grief. Only at rare moments are we pernitted to see the black gulf beneath Stephen's determined insistence to continue on after Diana's death. He is a man who is hiding even -- or, especially -- from himself the depth of his loss, while we see that grief has dulled his usual acuity. O'Brian has not tried to "entertain" us here, and those seeking light diversion would do better to look elsewhere. No, "The Hundred Days" is not an easy book, but it evidences an undiminished literary skill. I believe this novel to be O'Brian's finest writing in several years. Long after finishing it, "The Hundred Days" haunts me.

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.

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4.0 out of 5 stars Ship-shape and Bristol fashion
I'm a big fan of the Aubrey-Maturin novels of Patrick O'Brian. There is only one that was poor: "The Far Side of the World", which read like a rough sketch for an Aubrey-Maturin... Read more

Published 8 months ago by John McConnell

1.0 out of 5 stars Beware of Narrator
The item description says that it is read by Robert Hardy. The version I purchased was narrated by Simon Vance, the least desirable of the O'Brian narrators. Read more

Published 21 months ago by Nora J. Whitten

5.0 out of 5 stars The Aubrey-Maturin series is simply the best fiction ever written
Patrick O'Brian's "The Hundred Days" is the nineteenth book in Patrick O'Brian's Aubrey-Maturin series. Read more

Published on January 3, 2009 by A. Courie

5.0 out of 5 stars The master of the art of leadership writes a great tale
With Napoleon back in France after escaping from Elba, he needs to stop the arrival of Russian and Austrian troops sent to augment British forces at Waterloo. Read more

Published on November 3, 2008 by Kent Hugus

1.0 out of 5 stars Great reader; poor editing of material.
We made the mistake of buying this ABRIDGED version of The Hundred Days, not noticing the FINE PRINT. Read more

Published on February 19, 2007 by N. L. Abell

5.0 out of 5 stars The Hundred Days
Overhelming view of England day to day life during the last months of Napoleon power.

Published on January 18, 2007 by Josep Sellares Casajuana

4.0 out of 5 stars spoilers here; but DONT read other reviews if you haven't read this book
I have criticisms of many of the reviews here. Reviewers, type 'spoiler' for gosh sake. Have some decency; presumably review perveyors haven't read the damn thing. Read more

Published on November 23, 2006 by D. J. Bohn

5.0 out of 5 stars Masterfully Told Adventure
Patrick O'Brian's capacity to carry off nineteen installments in the Aubrey/Maturin series is nothing short of astonishing. Read more

Published on January 22, 2005 by Zecon

4.0 out of 5 stars Wonderful, but not as
I very much admire Partick O'brien's style and books, and I cannot say that this is even a mediocre book, but it is below his rest, merely for reasons of the plot. Read more

Published on January 7, 2005 by Aileen

5.0 out of 5 stars I Loved It
"The Hundred Days" is the nineteenth of O'Brian's amazing 20-volume nautical series. It's not quite as heavy or complex as some of the others, but it has a wonderful flow... Read more

Published on December 23, 2004 by richard_t

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