Amazon.com Review
In the tradition of
Bastard Out of Carolina and
Angela's Ashes,
Change Me into Zeus's Daughter chronicles a child's coming of age in an abusive and dirt-poor environment. With the gripping narrative drive of both of those bestselling books, Barbara Robinette Moss's candid yet lyrical account takes hold of our hearts and doesn't let go until the final page. Her story juxtaposes heart-rending adversity with the playful chaos of eight siblings growing up in the 1960s South, with its creeping kudzu and soybean fields, its forthright and sometimes peculiar inhabitants, and its boiling racial tensions.
The hardships related here are both familiar and unique: the Christmas presents exchanged for drink money, the failed businesses, the decrepit shacks that served as temporary homes, the disturbing early-morning discipline. Under the tyrannical rule of a father who "inflicted pain recreationally, both physical and emotional," the only bright spot in Moss's childhood was her mother, Dorris. Slavishly devoted to her husband ("she seemed to crave him as much as he craved alcohol"), Dorris held the family together by absorbing most of the abuse. But in the end she lacked the courage to leave him, and her children had to act as their own protectors. As if poverty and her father's mistreatment weren't enough of a burden, Moss also had to contend with a face disfigured by malnutrition. As a result, she sought refuge in whatever elusive beauty she could find: the poetry her mother taught as a substitute for material things; the fertile, red Alabama soil; the love of her baby sister Janet. Her urge to create beauty and her longing to embody it culminate in surgery that transforms her face but brings with it a crisis of identity.
In her outpouring of memories, Moss occasionally gets lost in her tale, embedding flashback within flashback. More problematic is the portrayal of her father: he's relentlessly cruel until a near-fatal beating, after which he begins to briefly connect with his children. For us, it's too late, and we can only react to his death with a sigh of relief. But these minor quibbles are just that. Moss's extraordinary memoir enthralls us from its alarming introduction--in which Dorris feeds her starving children a meal of potentially poisonous seeds--to its poignant conclusion. --Lisa Costantino
From Publishers Weekly
In the sepia-toned photograph on the cover of this touching memoir, Moss, her brothers and sisters, and their mother squint into the sun in a tableau that evokes Depression-era images of the rural South. On the back cover, a colorful self-portrait by the author shows a beautiful woman with huge hazel eyes. The contrast between the two images is symbolic of Moss's journey from poverty and despair to artistic and personal accomplishment. Many of the difficulties Moss suffered as a child will remind readers of Angela's Ashes, although the setting for her family's grinding poverty is rural Alabama. She remembers vividly the day her mother tasted corn and bean seeds coated with poisonous insecticides, figuring that if she survived, she could let her children appease their hunger. She lived, and the children ate the seeds. Moss's alcoholic father would often come home in a drunken rage and rouse her and her eight brothers and sisters to punish them far into the night for imaginary misdeeds. Moss was singled out for being left-handed; he attempted to "cure" the problem by tying down her left hand. Her mother, although weak, tried to protect the children from their father's irrational behavior. Most humiliating to Moss was the abnormal growth of her facial bones because of malnutrition and lack of dental and medical care. But Moss's childhood was not all despair and deprivation: she describes with nostalgic warmth the good times she shared with her siblings, and her mother's appreciation of music and poetry, which fueled Moss's aspirations. Moss has structured her memoir in layered, impressionistic flashbacks gracefully revealing the joys and sorrows of her remarkable life's journey. Photos. (Sept.)
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