Most Helpful Customer Reviews
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15 of 15 people found the following review helpful:
5.0 out of 5 stars
The Rookie Detective and the Serial Killer, April 19, 2006
For the reader that is tired of the same old stories of tough, hard-drinking detectives in Los Angeles or New York, Lynda La Plante offers a refreshing detective in a tale from London that has a gratifyingly authentic flavor. There is a hint of La Plante's excellent Prime Suspect television series, and a hint of Jack the Ripper in this story of bright, young Detective Sergeant Anna Travis, daughter of the late Detective Chief Superintendent Jack Travis. Anna is chosen by Detective Chief Inspector Langton to join his team investigating a series of murders of prostitutes. There is almost no evidence identifying anyone as the killer, but the team continues to dig until they uncover puzzling clues pointing to a handsome, famous movie star. It seems unlikely that this wealthy man is the murderer, but as the investigation continues, he turns his charm toward Anna. Or is he stalking her? Suspense builds until we reach a gripping climax to a most enjoyable story.
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8 of 9 people found the following review helpful:
4.0 out of 5 stars
"Watch the eyes. Wait for the fear.", March 7, 2006
Being the new kid on the block is disconcerting to say the least, as Anna Travis joins a bustling murder squad in search of a serial killer who has just claimed his seventh victim. Getting up to speed by taking home victim files, Travis is sorely tested by her first corpse and coroner's exam, but in the spirit of her father, a revered cop known as "Jack the Knife", the fledging murder detective throws herself into the case. The last victim brings a much-needed break in the case, the squad subject to constant budget constraints and the good will of their superiors, who in turn must answer to the people. Far from glamorous, this is tedious labor, checking and rechecking facts, witnesses, necessary minutiae by which a strong case is built. Travis finds her presence increasingly requested by DCI Langton, perhaps because she puts a female face on a primarily male venue, but also for her tenacity and willingness to get the job done.
From one lead to another, Travis takes her cues from an unpredictable Langton, who is by turns elated by new information and depressed by a lack of progress. Finally, the meager leads bear fruit, all leading to the son of a prostitute, one of the serial killer's victims; the son's name is Anthony Duffy, now a well-known actor, Alan Daniels. Everything points to this man, but the evidence is circumstantial at best. If Daniels is the killer, he is brilliantly circumspect, going out of his way to be cooperative and charming, even paying special attention to Anna. Unnerved by his interest, Anna is confused and begins to doubt her cop instincts. Is Alan genuinely attracted to her or is he a practiced sociopath? In either case, Langton suggests Travis take advantage of Daniel's interest to ingratiate herself, in hopes of finding the critical piece of evidence that will put him away. In spite of being her father's daughter, Anna is hampered by a lack of self-confidence in her relationships with men, a tempting target for the inscrutable actor, Daniels.
LaPlante is a gifted writer of this genre, shuffling characters, clues and plot elements for maximum suspense. While the sardonic Langton is a perfect boss, waxing hot and cold in equal measure, Travis, the new female detective, is both sympathetic and likeable, a compelling combination. Smart and increasingly savvy in this new job, Travis takes to murder, although she first suffers the usual pangs of initiation, foolish mistakes and dangerous situations born of her naiveté. This police procedural combines the inner workings of a tough occupation, with the loyal, determined personalities that dedicate their lives to making the world a safer place. Anna Travis is at home on her new turf, ready for her next assignment. Luan Gaines/ 2006.
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1 of 1 people found the following review helpful:
2.0 out of 5 stars
Where's Helen Mirren when you need her?, August 13, 2008
I enjoyed "Prime Suspect" and when I learned that the creator of the show had written some mysteries, I figured I'd give one a go. Having just finished "Above Suspicion," it is easy to see why LaPlante is so successful writing TV drama: she's good at plot. The novel moves at a brisk pace (at least for the first 3/4 of the way; the ending sags miserably) and the story is fairly entertaining, if not terribly original (sociopath killing prostitutes in London).
Unfortunately, a mostly-fast-paced plot does not an excellent mystery make without original, convincing characters; high quality writing; and nuanced dialogue. And "Above Suspicion" lacks all three. The characters are cardboard cutouts: the child of a detective who wants to make her father proud, the terse, but oh-so-manly chief inspector whose wife has conveniently died, the charming and handsome suspect with the prostitute mother. The dialogue is basic and formulaic. The scenes shift abruptly, without any background development. The writing is ho-hum, flat and basic to the point of simplistic. The worst sin of all: clunkers that make the reader stop and groan with exasperation. The police allow a novice detective to go out on a date with the suspected sociopath/serial killer? The detective whose primary qualities are eating fast and being rude asserts some kind of romantic pull on his subordinate (notwithstanding all concerns about sexual relationships on the job)? Adjoining hotel rooms where the female detective conveniently sleeps in the nude? Yeah, right.
If you like British police procedurals, there are many many better choices: Ruth Rendell's Wexford series, Deborah Crombie's Duncan/Gemma mysteries, Elizabeth George, P.D. James, to name a few. Or maybe you're better off renting "Prime Suspect" on video and watching master Helen Mirren inject some depth and character into your crime drama -- because "Above Suspicion" lacks either.
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