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The Space Opera Renaissance (Hardcover)

by David G. Hartwell (Author), Kathryn Cramer (Author)
Key Phrases: transport area, female tongue, six races, Dem Lia, Captain John, War Maiden (more...)
4.4 out of 5 stars See all reviews (8 customer reviews)

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Editorial Reviews

From Booklist
Hartwell and Cramer have well-honed reputations for consummate editorial acumen, thanks to the renowned hard-sf anthology The Ascent of Wonder (1994) and the consistently excellent Year's Best SF. Now, in an exhaustive compendium spanning eight decades, they provide a definitive overview of space opera. Originally a contemptuous label for pulpy adventure sf, space opera has matured into sf's most popular subcategory, in print and on screen: think Star Wars and Stephen Baxter's universe-spanning sagas. Beginning with "The Star Stealers," by Edmond Hamilton, arguably the first practitioner of space opera, Hartwell and Cramer cut a wide swath through the genre, from pieces by such departed masters as Cordwainer Smith and Leigh Brackett down to others by such rising stars as Tony Daniel and Charles Stross. Thirty-two tales in all trace space opera's evolution from its lurid early obsession with impossible planets to its contemporary fascination with wormholes and posthumans. While the massive volume may not be ideal schlep-along reading, it is an important resource for any comprehensive sf library. Carl Hays
Copyright © American Library Association. All rights reserved

Review
“We are in the hands of a loving expert.”
--John Updike on The World Treasury of SF

“An editor extraordinaire.”
--Publishers Weekly on David G. Hartwell

“One of the definitive anthologies of the genre.”
--Des Moines Register on The Science Fiction Century

“Demonstrates the fact that science fiction is alive and well in the ’90s…A fine addition of any science fiction collection."
--VOYA on Visions of Wonder


See all Editorial Reviews

Product Details

  • Hardcover: 944 pages
  • Publisher: Tor Books; 1st edition (July 11, 2006)
  • Language: English
  • ISBN-10: 0765306174
  • ISBN-13: 978-0765306173
  • Product Dimensions: 9.3 x 6.7 x 2.6 inches
  • Shipping Weight: 3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars See all reviews (8 customer reviews)
  • Amazon.com Sales Rank: #479,513 in Books (See Bestsellers in Books)

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14 of 15 people found the following review helpful:
5.0 out of 5 stars Hartwell & Cramer's best BIG review-anthology yet. , March 13, 2007
I'm working my way through the Hartwell & Cramer SPACE OPERA RENAISSANCE anthology, and finding it well-done and to my taste -- I think it's Hartwell's best BIG review-anthology yet. Truly a doorstop: 940+ pages!, with a surprisingly large number of new-to-me stories.

Space Opera, as Hartwell points out in his nicely-done introductory essay and story notes, is a flexible concept. And when you get to New Space Opera, or Widescreen Baroque Space Opera -- well, no one really knows what these are. Really, space opera is what Hartwell (or whoever) points to when he says "space opera"...

Anyway, take a look at this juicy lineup:
(my faves are starred*)

Introduction: *How Shlt became Shinola, Definition & Redefinition of Space Opera, by Hartwell & Cramer

I. Redefined Writers
"The Star Stealers" by Edmond Hamilton
"The Prince of Space" by Jack Williamson
"Enchantress of Venus" by Leigh Brackett
*"The Swordsmen of Varnis" by Clive Jackson

II. Draftees (1960s)
***"The Game of Rat & Dragon" by Cordwainer Smith
"Empire Star" by Samuel R. Delany
"Zirn Left Unguarded, the Jenjik Palace in Flames, Jon Westerly Dead" by Robert Sheckley

III. Transitions/Redefiners (late 1970s to late 1980s)
*"Temptation" by David Brin
"Ranks of Bronze" by David Drake
*"Weatherman" by Lois McMaster Bujold
"A Gift from the Culture" by Iain M. Banks

IV. Volunteers:Revisionaries (early 90s)
*"Orphans of the Helix" by Dan Simmons
"The Well Wishers" by Colin Greenland
*"Escape Route" by Peter Hamilton
"Ms Midshipwoman Harrington" by David Weber
"Aurora in Four Voices" by Catherine Asaro
**"Ring Rats" by R. Garcia y Robertson
*"The Death of Captain Future" by Allen Steele

V. Mixed Signals/ Mixed Categories (to the late 1990s)
*"A Worm in the Well" by Gregory Benford
**"The Survivor" by Donald Kingsbury
"Fools Errand" by Sarah Zettel
"The Shobies Story" by Ursula K. Le Guin
"The Remoras" by Robert Reed
"Recording Angel" by Paul McAuley
"The Great Game" by Steven Baxter
"Lost Sorceress of the Silent Citadel" by Michael Moorcock
"Space Opera" by Michael Kandel

VI. Next Wave (21st Century)
"Grist" by Tony Daniel
"The Movements of her Eyes" by Scott Westerfeld
*"Spirey and the Queen" by Alastair Reynolds
*"Bear Trap" by Charles Stross
"Guest Law" by John C. Wright

Some story comments:

"The Game of Rat & Dragon" (1955) by Cordwainer Smith. My favorite Smith classic, which is to say one of the best SF shorts ever, Hasn't dated one bit in a half-century. Meow!

Dan Simmons' "Orphans of the Helix" (1999, _Far Horizons_), is a tasty, atmospheric and thoroughly space-operatic travel-adventure, set in the Hyperian Cantos universe. Pure travelogue and goshwow, mind --allegedly, this started life as a TV treatment. Would have made a nice show, if the SFX turned out well....

There's a new-to-me David Brin short: "Temptation" (1999), Streaker dolphins in Jijo's ocean. Quite a nice one, and reminds me of the good bits in the Jijo books -- like the sheer audacity of (literally) scraping a technical civilization into the ocean. In theory, anyway <G>. Those tricky Buyurs!

Donald Kingsbury's long novella "The Survivor" (1991) is set in Larry Niven's Known Space universe, during the Man/Kzin wars, and is a proxy for Niven, a Space Opera King who's notably absent. It's the first half of his Lt. Nora Argamentine saga, set just after the Fall of Wunderland. John Clute thought it one of the best stories of 1991, and so do I.

"Ring Rats" (2002) by R. Garcia y Robertson: Space pirates! --pure adrenaline rush, with some nasty bits. Strong stuff, one of his best yet.

"Spirey and the Queen" (1996) by Alastair Reynolds: which has "some of that space-war sizzle and true weirdness that we see as a primary appeal of late-model space opera" -- Hartwell

Anyway, there's a ton of good stories here, most of which you'll be happy to add to your permanent library. Check it out.

Happy reading--
Peter D. Tillman
Review first published at SF Site
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13 of 17 people found the following review helpful:
5.0 out of 5 stars superb anthology, July 17, 2006
In the Introduction to this superb anthology, space opera was coined by Bob Tucker in 1941: "In these hectic days of phrase coning, we offer one. Westerns are called "horse operas," the morning housewife tear-jerkers are called "soap operas." For the hacky, grinding, stinking, outworn space ship yarn, or world saving for that matter, we offer space opera." By 1959 the connotation remained "A hack science fiction story, a dressed up western" as noted by Fancyclopedia II. By the 1960s space opera was considered dead. Yet today it is alive, well, and highly regarded as its reputation changed as "sh*t became Shinola". This terrific compilation pays tribute to space opera tales from various decades starting with a delightful Edmond Hamilton tale from 1929 to a Stephen Baxter contribution from 2003; the entries showcase the evolution and make an analytical argument that even cheap pulp fiction in outer space can be well written. The break out by decades is as follows: 1920s - 1; 1930s - 1; 1940s - 1; 1950s - 2; 1960s - 1; 1970s - 1; 1980s - 3; 1990s - 16; 2000s - 6. Though the spread is heavily the 1990s (half the entries) with some readers fascinated with the sub-genre roots wanting more of the older entries, the contributions are from a who's who, who come through with superb tales. This is must reading for science fiction short story fans.

Harriet Klausner
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Not Free SF Reader, December 11, 2007
Firstly, the Space Opera Renaissance is a good book, and one that has been fascinating me for a while, now. You can see this by the story average of 3.61 over a significant number of stories. Throw in the intro and the story intros and you have something approaching excellent, even. You could stretch the rating for the book to 4.25, perhaps.

Hartwell and Cramer are clear leaders as far as editors go in writing introductions to stories, where they actually do provide opinion and guidance, rather than a dry, used car salesman list of previous publications and upcoming work that might be as much science fiction as Snow White or Law and Order, and not relevant at all. While it is nice to promote writers and not hurt the poor darlings feelings - that shouldnt' bother editors, they do that every day with a whole bunch of 'No', it is their job, after all. Lists of publications ignore the silly geographically split up publishing market, and might be irrelevant to large chunks of the readers who only hang out in bookshops, anyway.

They are also unafraid to mention URLs or other resources relevant to these pieces, and editors in general could do this for space reasons when they want to expand on something a little more. So this part is very well done, and usually I read those first in their anthologies.

It is also commendable for the variety of stories and tone included, humour included.

Anyway, rambling on about this at great and likely boring length is done at the usual notfree spot for anyone that cares, and is way too long for here. The problems I see here are story choice, and actually being more clear to the unfamiliar about what they see Space Opera as, and story and author choices - two whole novels, basically? etc.

Still, a really interesting book worth having.

Space Opera Renaissance : The Star-Stealers - Edmond Hamilton
Space Opera Renaissance : The Prince of Space - Jack Williamson
Space Opera Renaissance : Enchantress of Venus - Leigh Brackett
Space Opera Renaissance : The Swordsmen of Varnis - Clive Jackson
Space Opera Renaissance : The Game of Rat and Dragon - Cordwainer Smith
Space Opera Renaissance : Empire Star - Samuel R. Delany
Space Opera Renaissance : Zirn Left Unguarded the Jenghik Palace in Flames Jon Westerly Dead - Robert Sheckley
Space Opera Renaissance : Temptation - David Brin
Space Opera Renaissance : Ranks of Bronze - David Drake
Space Opera Renaissance : Weatherman - Lois McMaster Bujold
Space Opera Renaissance : A Gift from the Culture - Iain M. Banks
Space Opera Renaissance : Orphans of the Helix - Dan Simmons
Space Opera Renaissance : The Well Wishers - Colin Greenland
Space Opera Renaissance : Escape Route - Peter F. Hamilton
Space Opera Renaissance : Ms Midshipwoman Harrington - David Weber
Space Opera Renaissance : Aurora in Four Voices - Catherine Asaro
Space Opera Renaissance : Ring Rats - R. Garcia y Robertson
Space Opera Renaissance : The Death of Captain Future - Allen Steele
Space Opera Renaissance : A Worm in the Well - Gregory Benford
Space Opera Renaissance : The Survivor - Donald Kingsbury
Space Opera Renaissance : Fools Errand - Sarah Zettel
Space Opera Renaissance : The Shobies Story - Ursula K. Le Guin
Space Opera Renaissance : The Remoras - Robert Reed
Space Opera Renaissance : Recording Angel - Paul J. McAuley
Space Opera Renaissance : The Great Game - Stephen Baxter
Space Opera Renaissance : Lost Sorceress of the Silent Citadel - Michael Moorcock
Space Opera Renaissance : Space Opera - Michael Kandel
Space Opera Renaissance : Grist - Tony Daniel
Space Opera Renaissance : The Movements of Her Eyes - Scott Westerfeld
Space Opera Renaissance : Spirey and the Queen - Alastair Reynolds
Space Opera Renaissance : Bear Trap - Charles Stross
Space Opera Renaissance : Guest Law - John C. Wright

Hey! You! Get offa my Sun!

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Stark goes looking to find a lost friend he thinks is in trouble, and ends up fomenting a slave rebellion, among other things.

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4 out of 5


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3 out of 5


Share intelligence.

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Anti-piracy intelligence is powerful.

4 out of 5
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