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The DC Comics Guide to Writing Comics
 
 
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The DC Comics Guide to Writing Comics [Paperback]

Dennis O'Neil (Author)
4.1 out of 5 stars  See all reviews (22 customer reviews)
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Editorial Reviews

Amazon.com Review

There must be dozens of books on how to draw comics, but even the best artists need to tell a good story. Who can teach them? Dennis O'Neil. A comics writer and editor for more than 20 years, O'Neil oversees DC Comics' Batman titles--one of the most successful comics franchises ever. In addition, he's a bestselling novelist, a screenwriter, and a writing teacher. So when it comes to storytelling, O'Neil knows his stuff. In this guide he delivers his knowledge in a succinct, no-nonsense style.

O'Neil explains three-act story structure and examines subplots, characterization, and methods for developing drama and suspense. He then applies these concepts to comics' specific forms: graphic novels, miniseries, maxiseries, and the rare megaseries (such as Batman: No Man's Land, a year-long über-narrative played out across five comics titles). As in good comics, words and images work together in this book. Every idea is illustrated by panels or pages from great moments in DC Comics lore. Especially illuminating are the script excerpts that come paired with the comic book pages they describe.

Strangely, the book ignores the visual side of comics writing. Modern comics scripts specify shots, angles, and blocking in movie-director fashion, but that craft is never addressed. (DC has a good opportunity here for a second volume.) However, what this book sets out to teach--storytelling--it does quite well. Aspiring comics writers won't just learn theory, they'll be empowered, because O'Neil provides a framework for crafting new tales. --J.B. Peck

From School Library Journal

Adult/High School-This witty, clear, and concise guide is tailored to those who want to create comics. O'Neil is adamant that there is no One True Way, although he stresses the importance of practice. He discusses story structure, characterization, script preparation, and other general writing topics. He also covers those more specific to comics writing such as miniseries, maxiseries, and continuity. O'Neil addresses the visual component of the art, the importance of page layout, and the relationship between the writer and the artist. He concludes with a short essay, "Writing Humor Comics," by Mark Evanier. The book is lavishly illustrated with black-and-white examples from various DC comics. In addition, the author includes many pages of scripts, which are usually juxtaposed with the finished page. He provides excellent advice and guidance for beginners. Although the examples focus on DC characters and stories, the content should have broad appeal. This is a nice balance to the many how-to-draw-comics books in most collections. Even for nonwriters, the book is interesting for the background look it provides into how comics are created.

Susan Salpini, Fairfax County Public Schools, VA

Copyright 2002 Cahners Business Information, Inc.

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Product Details

  • Paperback: 128 pages
  • Publisher: Watson-Guptill; 1st edition (June 1, 2001)
  • Language: English
  • ISBN-10: 0823010279
  • ISBN-13: 978-0823010271
  • Product Dimensions: 10.4 x 7.4 x 0.4 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Bestsellers Rank: #24,272 in Books (See Top 100 in Books)
    #26 in  Books > Reference > Writing > Fiction
    #48 in  Books > Reference > Publishing & Books > Authorship
    #5 in  Books > Comics & Graphic Novels > History & Price Guides

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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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Customer Reviews

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Average Customer Review
4.1 out of 5 stars (22 customer reviews)
 
 
 
 
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27 of 29 people found the following review helpful:
4.0 out of 5 stars A solid introduction, but it leaves you wanting much more, January 1, 2003
By Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews
(TOP 10 REVIEWER)    (VINE VOICE)    (COMMUNITY FORUM 04)   
This review is from: Dc Comics Guide to Writing Comics (School & Library Binding)
"The DC Comics Guide to Writing Comics" is author by Dennis O'Neil, who wrote some of the classic Green Lantern and Batman stories (usually drawn by Neal Adams). In this volume O'Neil covers the various methods of writing scripts, procedures for developing a story structure, creating well-rounded characters, and more. Although most of what is covered in here is basic to all forms of writing, O'Neil does keep the focus on how these key concepts apply to the writing of comic books. The book is divided into two parts, with an appendix:

Part One: (1) What are Comics? is answered in terms of a comprehensive vocabulary of comic book terms such as speech balloon, story arc, and inker; (2) A Full-Script Versus Plot-First compares the latter, which is the Marvel method developed by Stan Lee, with the former, the traditional approach for writing film and television scripts, with the strengths and weaknesses of each; (3) Story Structure provides a listing of the basic kinds of structure used in comics, including a detailed look at different examples of "The Hook"; (4) Creating Drama looks at the importance of keeping the action going and offers a key distinction between suspense and surprise; (5) Subplots presents the advantages and inherent dangers of subplotting; (6) Characterization spends as much time talking about dialogue and humor as well as about the hero and other characters; and (7) Script Preparation is about the physical act of writing and producing something that can be turned over to an artist (assuming, for the sake of argument, you are not going to do the whole comic book yourself in the spirit of Dave Sims, the early years).

Part Two starts by covering the rules for different types of comic book stories: (1) Miniseries give you a title with a predetermined number of issues, usually between three and six; (2) Graphic Novels are, for want of a better definition, long fictional narratives (sidestepping graphic novel miniseries like "The Dark Knight Returns"); (3) Maxiseries are essentially longer miniseries, like "The Watchmen" or "Crisis on Infinite Earths"; and (4) Ongoing Series, which are the staple of DC Comics and include titles like "Action Comics" and "Batman" that have been published continuously for over 60 years. Basically the same general rules are applied to all of these forms, with a different balance of consideration. The rest of this unit looks at (5) Story Arcs as ways of doing a miniseries in an ongoing series; (6) The Levitz Paradigm for tracking plots and characters over the course of multiple issues; (7) Megaseries, which is O'Neil's newly coined term for stories that cut across multiple titles for the same characters, such as Batman's "No Man's Land"; (8) Adaptations, which in this case applies not to turning great works of literature into comic books but rather adapting Batman movies back into the comic books that inspired them; (9) Continuity, or rather three types of continuity; and (10) Denouement, which is O'Neil's final pat on the back to his readers.

The Appendix has Mark Evanier's thoughts on "Writing Humor Comics," and a list of suggestions for the Comic Book Writer's Library. Overall, the book is much more descriptive than anything else, which ends up being both its strength and its weakness. Still, O'Neil does try to crystallize his thoughts into specific rules whenever possible. If anything, O'Neil is guilty of trying to cover too much and sacrificing, to some degree, depth for breadth. Throughout "The DC Comics Guide to Writing Comics" the best examples are when O'Neil can go into detail (especially if it is regards to a comic we have actually read). The book is illustrated with examples from comics throughout DC's history, but the best examples are rough or finished pages paired up with the pages written up for the artist by the writer. This is where we get our best sense of how comic books are written and produced in the real world.

The companion volume to this work, "The DC Comics Guide to Pencilling Comics," is written by Klaus Janson. There is actually a minimum of overlap between these two volumes, which offer a complimentary approach to the creation of comic books. These two DC volumes are worthy additions to the limited library that every aspiring comic book writer/artist should own, which would include Will Eisner's "Comics and Sequential Art" and "Graphic Storytelling," Scott McCloud's "Understanding Comics" and "Reinventing Comics," and even John Buscema's "How to Draw Comics the Marvel Way."
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15 of 15 people found the following review helpful:
5.0 out of 5 stars Great for basic knowledge, July 16, 2001
By A Customer
This review is from: The DC Comics Guide to Writing Comics (Paperback)
First off, I'd like to do the mini-review for those with limited attention spans: "Buy This Book".

Following is a list of why I think you should buy this book:

1) Although it's about comic books, in my opinion, many of the lessons Dennis O'Neil teaches in this book are valuable for writing in general, especially the point he makes about never letting the reader get bored.

2) It's doesn't cost a arm and a leg.

3) It's well written. O'Neil's style is very fluid and natural, sometimes funny, and always very clear on the lessons he wants to teach.

4) It's full of examples. Almost every page in the book has an example from a comic book or script that clarifies and illustrates O'Neil's points. Half the fun in this book is reading the examples.

5) It's short. 120 pages long, and about half the book is examples.

Reasons you might want to not buy this book:

1) It's pretty basic. It rehashes a lot of material experienced writers may have already learned.

2) It doesn't hold your hand. O'Neil doesn't tell you a single method and have you go through it step by step. The book is very general, and is meant to enhance your existing writing abilities, rather than give you a single recipe. ;-)

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11 of 12 people found the following review helpful:
4.0 out of 5 stars Very helpful, but I did expect more., July 22, 2001
By Ryan S (New Boston, Ohio) - See all my reviews
This review is from: The DC Comics Guide to Writing Comics (Paperback)
When I saw this book, I thought it would be a great way to pick up some tips ... and it was, but not as many as I had hoped for. It's great for beginners, but for anyone who has been at this a while (like myself), it seems pretty dumbed down. Another bad thing is that I expected a book and I got what looks like a trade paperback comic. It's fun to read, but I just think there is more to be said. This book focuses more on format & structure than content. And even at that, O'Neil (an outstanding writer) spends half his time saying how there are more than one ways to do anything, and this way may not be the right way for you. HOWEVER, I was able to get a few useful tips and pointers from its 128 pages. Personally I feel that if you can get JUST ONE useful tip from it, then it's worth the .... And I did get several, so I'm happy with it. But don't look for writing tips on how to make compelling characters (there is a breif bit about it, but not much). This book is more about style and format. But at the end of the day, I would certainly recommend this book to anyone who wants to write comics. Format & structure are very important. As I said, if you can get just one tip from it, you've got your money's worth!
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Most Recent Customer Reviews

4.0 out of 5 stars Pretty good overview
This is a solid overview of how to write a comic. Decent for the price it is a good text for an introduction into the art of comic script writing. Read more
Published 9 months ago by Ireul

4.0 out of 5 stars Great nuts and bolts of comic book writing.
I would say the only draw back on this book is that it doesn't take a hard line on anything because it's the "DC" method. Very useful guide book on writing comic books. Read more
Published 18 months ago by Jason L. Broaddus

5.0 out of 5 stars One of the best books in a great series
The DC Comics Guides are great. And this is one of the best in the series. It gives clear cut practical advice alongside inspirational examples and hints. Read more
Published on January 5, 2008 by J. Lyon

3.0 out of 5 stars good, but limited in scope
I read this book because I'm interested in making comic books for fun, and while there was a lot of good stuff here and it was easy to read, there was a lot more that I would have... Read more
Published on August 31, 2007 by Dream's Raven

5.0 out of 5 stars good stuff
I thought the book was very informative, provided excellent examples, and gave great tips on writing. Read more
Published on June 13, 2007 by JB

5.0 out of 5 stars Beyond Comics, This is a GREAT book on the principles of writing!
Whether you write comic books or novels, there are powerful nuggets on the writing process that if applied, you will experience growth in your craft. Read more
Published on December 19, 2006 by J.S. Lewis

5.0 out of 5 stars Best book on writing I've ever read.
I've read about a dozen books on writing and screenwriting, and most have been very helpful, especially J. Michael Straczynski's "The Complete Book of Screenwriting. Read more
Published on January 3, 2006 by Michael Swanson

5.0 out of 5 stars Thank you Mr. O'Neil
here in Palestine ( holly land), we miss the fortune of books and comics, I want our kids to see this fancy world just like I do every time I read BATMAN or Spiderman ... Read more
Published on July 18, 2004 by fashcool

5.0 out of 5 stars Not at all a Bad Start
As an experienced, published writer in just about every genre EXCEPT comics, I came to this book expecting a simple, cookie-cutter, step-by-step guide that would have all its... Read more
Published on March 30, 2004 by J. Kersh

2.0 out of 5 stars DISAPPOINTING.
Half of this thin volume consists of B&W repro's of DC comics pages. 3/4 of the rest consists of tips cribbed from Hollywood Screenwriting books. Read more
Published on December 11, 2003 by steven pond

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