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War Lord (John Constantine Hellblazer) (Mass Market Paperback)

by John Shirley (Author) "John Constantine, a working-class British magus, is rumored to be a magical adept by some, a con man by others..." (more)
Key Phrases: mummified hand, psychic field, Blue Sheikh, John Constantine, Hidden World (more...)
3.6 out of 5 stars See all reviews (18 customer reviews)

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Editorial Reviews

Product Description
Englishman and amoral occultist John Constantine has been out of sorts lately, disconnected from himself...and this time not from another bender, but quite literally, as his soul is cast adrift during a fouled-up spiritual quest in an Iranian monastery. Now rescued and recruited by an agent for the Hidden World -- the supernatural realm that exists far beyond everyday mortal awareness -- Constantine and his extraordinary allies are forcibly dragged into a globe-spanning conspiracy. For the secret cabal known as the Servants of Transfiguration has set in motion a horrifying plot to raise the ancient demon god known as the War Lord -- and bring about a last great war that will annihilate everything on Earth....



Excerpt. © Reprinted by permission. All rights reserved.
Chapter One: The Foxes Have Holes and The Birds of the Air Have Nests...

London, England

Good to be back in London -- especially on a Friday night: a crisp night in April, it is, near the Thames. I feel people streaming through the city, coming up from the Underground like bubbles in a boiling teapot; they're joined by people moving singly from shops and office buildings, to become part of a living torrent that breaks into thousands of rivulets finding their way to parties and computer cafes and nightclubs; people migrating to the cinema, people going to watch a match on telly with their friends -- most important, people going down the local for a pint.

That's where I'm headed. It's a relief to be a faceless part of the stream, just another one of the excited particles in the solution, volatile with social chemistry, economic heat. But not much economic heat, me. Not sure I've got the dosh in my pocket for a drink -- I reckon one of me mates will buy, at The Cutter -- they'll stand me a pint and something decent in the way of a smoke, Bob's your uncle. Someone I know's sure to be there. I can feel them there -- though I'm still a block away. I can feel a couple of old friends and others I know who never trusted me, rightly so.

Must lock down the old intuition. If I let myself feel too much I'll start to see things -- those other things. Glimpses come: I see people from earlier times, in Edwardian dress; in Regency; in the togs of King James's time and Elizabethan too; pasty white or apple-cheeked they are, all mingled, now, with a modern crowd. Round here there're as many dark-skinned blokes from Pakistan and North Africa as the old Anglo-Saxon-Norman-Celt genetic hodgepodge.... Dogcarts and carriages translucently overlapping with delicately off-gassing smart cars and big black exhaust-flatulent taxis and great hulking chrome lorries...antique tarts mingling with modern: is that James Boswell leering at a tom as she lifts her dress in a reeking doorway?

Don't know if the anachronisms are ghosts, or a gander through time. Don't care, don't want to see them at all.

I twitch my attention back onto the impulses from this time: John Constantine's twenty-first-century London....

But sometimes I miss London 1979, strutting in punk regalia on Carnaby Street, telling the old Swinging London types to sod off -- now there was energy, there was life, because life doesn't sustain itself without rebellion. But this, now, this twenty-first-century polyglot parade, this'll do. It's full of vital cultural crosscurrents and it's what the big kaleidoscope of time has shifted me to and you've got to just look at the kaleidoscope and fancy them colors....

Not sure how I decided to come over here today. Not sure where I was yesterday. More than that: feeling a little fuzzy about the last week or so. Must've gotten pissed, blacked out...must've been one fuck-all of a piss-up...

Passing a doorway exuding curry smells; passing a frock boutique, doomed to fail like most of them; passing a chippie with its smell of deep-fried fish -- and here's The Cutter, with a painting of a cutter, all sails set and billowing, on the swinging wooden sign over the door. Hope someone's got a Silk Cut....

John Constantine was about to push through the door into The Cutter when it burst open and a couple of compact, short-skirted girls came bouncing out, their laughter tumbling together. Trying to keep in practice with the fairer sex, Constantine smiled coolly at the little blond with the heart-shaped face and said, "What's so funny, then, love? I could use a laugh."

The girl's gaze slid past him like he wasn't there, her expression unchanging, the stream of giggling chatter unceasing. The two girls flounced off down the street, arm in arm, helping each other walk and laughing at their own drunkenness.

Slipping through the door before it closed, Constantine felt a bit down at the snub. He was getting older -- was he so old it was like he wasn't there, for the young ones?

Grow up, John, he told himself. The bloom's off the rose and that's that. No new rose in town for you.

It felt good to be here anyway. He gazed contentedly at the teeming pub; at the dark, crowded wooden booths, floor going slanty with age, signs extolling ales, walls displaying banners for football and rugby teams. Good to be in his own local. Peculiar thing, a pub, how people are focused on whoever they're talking to, or just there alone, drinking -- but they're with all the other people in the pub, too, people they don't know and won't say a word to, all night long. Not that there aren't social boundaries. But on some level, you're with everyone there.

Still, it seems some will walk right by you like you weren't there even though they've known you for decades. Because there went Rich -- skinny, lined face, hair dyed magenta, spiky atop, long in the back, dressed in whatever had come handy -- walking by as if he hadn't seen Constantine.

Rich was an old friend, clueless and yet peculiarly connected to the very heart of Britain. A fellow veteran of punk rock and devilishly improvisational was Rich -- Constantine had known him since the era of his own band, Mucous Membrane.

"Rich!" Constantine called as his old mate, sloshing pint in one hand, roll-mops in the other, whipped by him in the crowd, shouting at someone over the noise. True, Rich was half deaf -- maybe he hadn't heard Constantine. He wasn't blind, though. He had to have seen him. "Already sozzled I see...."

Or is it some kind of social freeze-out? What've I done now?

Trouble was, Constantine couldn't remember how he'd come to cock things up. Really was blurry, the last few...hell, the last few weeks. He might've firebombed a day care for all he could remember....

But there's someone at the bar who won't ignore me.

"Chas!" Constantine called. More like an extension of himself than a best friend, was Chas. Cabbie and reluctant factotum. Chas claimed to be sick of the Hidden World -- but always had to see what was hid.

Constantine slipped past a big weeping drunk in a football T-shirt -- Manchester United -- and a long-necked, probably French female in a black pinafore and heavy eye shadow, and found a spot at the dented oaken bar next to Chas. He looked Chas over as if he'd never seen him before -- as if he were watching a stranger through a secret window.

With his short dark hair receding, Chas was not markedly younger than Constantine. The outline of his face was softening, thickening with middle age, the lines around his eyes etched with cynical humor. Just now he was telling a story to a stocky, bald bartender in a rugby jersey and matching braces. Took Constantine a long moment to remember the bartender's name -- Addy, wasn't it? -- which was strange in itself. Constantine rarely forgot a bartender.

The bartender was pretending to be amused as Chas rattled on, both of them ignoring Constantine. "Not again, I says! Stone me! You 'in lurve' again, I says! Woman's allergic to sarcasm -- all bug-eyed at me, she says, 'Oi yeah I'm in love, 'e's a god!' Yeah he'll be god of her fanny soon enough!"

The bartender grinned and caught up a cloth, swiping a lager spill off the bar directly in front of Constantine. "Pint of the usual, Addy," Constantine said. "This wicked wag here'll be buying. Eh, Chas? Can't spare a greeting for your old mate, you can bloody well spare something wet and a fag."

Chas kept chuckling, staring into his porter. There was a sadness behind it, Constantine saw. Chas was married -- but could he have a thing for this girl he was talking about? Midlife crisis?

"Right, Chas, carry on as you like," Constantine said, disgusted. "Just saw Rich. About as observant as you are. Unless you gits are playing at a snub. What'd I do, mate, get on a piss-up and summon your mum back from Hell? Let's have it."

Chas ignored him. Constantine shrugged. "Well you can bog off then. Oi, Addy -- how about that pint?"

The bartender did set a drink down in front of him. Gin over ice. Constantine reached for the glass, thinking the bartender had heard him wrong, but sod it, gin would do the trick -- and then he stared at the glass...as his fingers passed through it. He tried again to grasp it, again his fingers passed through it. He felt the cold of the liquid very faintly -- but he was unable to really touch it. The girl in the black pinafore paid the bartender and took the drink.

"Strewth!" Constantine burst out, watching his gin and ice depart.

"You can't pick up a glass, John Constantine," said a voice at his elbow. "And you can't talk to living people."

Constantine turned to see a man who wasn't quite there -- he'd appear to be solid enough one moment, then someone would walk through him and he'd shimmer like a television image when a storm's shaking the cable. Constantine saw ghosts fairly often -- he'd seen some on the way here after all -- and was not terribly surprised. "Your picture's not coming in proper, mate," he said, looking the ghost over. The ghost was a military figure, a British Army colonel in tropical-issue khakis and shorts. Hair slicked back; flaring, curled mustache; red scowling face.

"You escape from a David Niven movie?" Constantine asked. "Kind of chilly for those short pants."

"Haven't got time for whimsy, recruit," the ghost said. "We've got a campaign to wage. No time to be swanning about bars. Just wasting your time trying to talk to the civilians. They can't see ghosts."

"Ghosts...plural?" It came home to Constantine then. The penny not only dropped, it clattered, and spun around in the coin box. No one was snubbing him -- they simply couldn't see him. Not many can see a disembodied spirit. "Bloody hell! Who did for me? Who killed me?"

"No no no no, you're not dead, recruit!" The ghost slapped a quirt on his hip impatiently. "I'm dead! I'm a ghost as much as old Henry the Eighth still bumming about his castle. But you, you're just missing your earthly vehicle! You're traveling out ...


Product Details

  • Mass Market Paperback: 352 pages
  • Publisher: Pocket Star (January 31, 2006)
  • Language: English
  • ISBN-10: 1416503439
  • ISBN-13: 978-1416503439
  • Product Dimensions: 6.6 x 4.2 x 1.2 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars See all reviews (18 customer reviews)
  • Amazon.com Sales Rank: #238,958 in Books (See Bestsellers in Books)

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3.6 out of 5 stars (18 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
5.0 out of 5 stars The bar is set higher for media tie ins, April 13, 2006
I am not sure what book some of these people were reading. While not exactly perfect John Shirley's novel takes what could have been a standard boring Comic book tie-in and raised the bar. This novel spans the globe and takes Constantine out of his stomping grounds puts him at the center a demonic attempt spread conflict in the middle east.

As fan of the comic since the first issue and of the author I was very excited about this book. Warlord not only meant all my high expectations but exceeded them.

If you are familiar with John Shirley the author it might help you understand who is at the helm here. Shirley is considered by many to be the godfather of cyberpunk with his mind bending `City come a-walkin' and more recently with apocalyptic thriller `Demons' which took issue with environmental destruction and corporate responsibility in way no one imagined a horror novel could.

Vertigo appear to be more clever than many of the people posting reviews because this kind of political challenge is a great way to move Constantine into the novel format. Constantine always challenged the boundaries of taste, we've been there and done that. By working with ongoing political nightmares that are still evolving in Iraq and in Africa this novel courageously explored issues that few authors have the guts to do.

An early chapter that involved a suicide bomber in Iraq is by far one of the most powerful pieces of fiction I have seen painting us a picture of issues that are in the news(at least in the foreign press). The writing itself is inventive and engaging. Indeed the setting is not typical for the character but my question is must all media-tie in novels be boring carbon copies of the source material? I think not.

The suggestion that you could put any hero into this story sounds like the words of a person who has not read the book. Could you see James Bond teaming up with ghosts of psychic Iraqi- war vets? Could you picture John Rambo doing rituals to conjure demons? This was a Constantine novel. Rich in Constantine's history, early in the book Shirley did a great of outlining his history the idea that Shirley didn't research his history or make it a part of Constantine's world is simply Bollocks.

I found myself dog earing pages that moved me and that doesn't happen when often when you read media tie-ins. Thank you Vertigo for hiring a writer of John Shirley's caliber. You have raised the bar for Constantine and for media-tie ins in general.
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17 of 23 people found the following review helpful:
2.0 out of 5 stars JAR HEAD, March 3, 2006
By Thomas E. O'Sullivan (Knoxville, Maryland United States) - See all my reviews
(REAL NAME)      
WAR LORD is a strange mix.

On one hand it's trying to be accessible to anyone who might pick it up without knowing anything about Constantine, or may have only seen the film (and that John Constantine is labeled by Shirley as a "parallel" Earth version of the Constantine featured here, and in the VERTIGO comics line), or may have only a passing interest in the subject - for those people, WAR LORD will be a quick read. But for those who've been with John for the long haul, literally to Hell and back, then WAR LORD will be a often difficult and rough read.

The main problem is that it's less John Constantine and more John "Bond" with Constantine running the gambit of boats, helicopters, guns (and more guns) and tanks, with John and his strange band of brothers being chased off of and out of one form of transportation, shoreline, house or catacomb. John is always on the run here, moving from one set piece to the next, one close call after another and not really doing anything but just rolling along with the shambling mess of the plot, arriving in the nick of time, or being nicked just at the right moment. There's enough going on here to fill two novels if Shirley took the time to ease up off the gas and give us some time to admire the view - as it is, it's just an adventure novel - with Constantine standing in for Jack Ryan or Dirk Pitt. It's has magic (John's abilities are on the rise here), adult themes, language and some clever moments that keep you turning the page... but by the end you know you've been cheated.

It's just a long plank walk to a short drop and weak splash of an ending. You never feel John or any of his traveling magic band (of brothers - I must remind you, although it would have been very funny if John was literally part of a "magic band" on tour in Europe... hey, Shirley, let's see that parallel version of Constantine some time) are ever in any danger at all. The villains gab, talk and spit cardboard about their grand plans, none of which makes much sense or even seems worthwhile. And while John is well realized here, he's also leashed too tightly - he never cuts loose once.

But, I give two stars to this book for adding to the "seen it, done it, and read it all before" story with on the spot topicality in dealing with the US lead invasion of Iraq. It's well done, makes its point without going over the top, and it's a real shame that this story did not take place in the middle of the occupation of Iraq (John is in Iran when the story opens - another novel idea, quickly dropped), and end there as well. As it is, it's just IN THE NEWS NOW wallpaper, and a missed opportunity.

For fans, a few moments. For those new to the series - do your homework first, and then give it a try.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars I couldn't put it down., April 13, 2006
By C. Simpson "CT" (Salem, OR United States) - See all my reviews
(REAL NAME)   
I am not familiar with this series, so I don't know or care much about whether the author is following what has gone before. I really enjoyed this book. The character developement is well done; the author does an effective job of getting inside the characters' heads and hearts. Another strong point was the weaving of different plot lines, reminiscent of Edgar Rice Burroughs. I enjoyed the mix of topical subjects (the Iraq war)with the age-old "good verses evil" (ancient gods). A good ride, as I stated earlier, I couldn't put it down. My only small complaint was with some of the military hardware....what is a 16 millimeter machinegun? Well, there wil always be a Trekkie out there somewhere, complaining that "Captain Kirk would NEVER do that". Or something. Enough quibbling, it's a fun book. Take it for what it is.
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Most Recent Customer Reviews

4.0 out of 5 stars Super Reader
This was good. Shirley is a good writer, and a decent fit for this milieu. He has managed some of the laugh out loud funny Constantine lines, and even an 'alternate reality' movie... Read more
Published 22 months ago by Blue Tyson

5.0 out of 5 stars pure magic
As a huge fan of the Hellblazer comic, I'm always excited at the chance to read a new adventure of John Constantine. I loved this book. Read more
Published on July 10, 2007 by Amy

5.0 out of 5 stars Want to play with Fire?
Try Hellblazer John Constantine Shirley style. This book is a great riveting compelling and exciting read. Read more
Published on January 9, 2007 by Misha Nogha

5.0 out of 5 stars Shirley twists J.C. anew
Those expecting a clumsy version of either the movie or graphic novel will be sorely disappointed. This finely crafted novel finds horror legend John Shirley grabbing John... Read more
Published on January 4, 2007 by Brett J. Trout

4.0 out of 5 stars Entertaining
This was an entertaining read. Constantine's portrayal was good, although a little more dramatic than in the comic books, he seemed to use magic a lot more frequently. Read more
Published on November 12, 2006 by R. Padilla

5.0 out of 5 stars A Fun Read - One that stays true to the Constantine mythos
This is a great book for fans of Hellblazer - that's Hellblazer the Comic book. Forget all about that movie and harken back to Jamie Delano and Garth Ennis, back when folks were... Read more
Published on September 23, 2006 by Modern Review and Culture

3.0 out of 5 stars Interesting.
John Shirley, John Constantine, Hellblazer: War Lord (Vertigo, 2006)

I was expecting another graphic novel when this one showed up for me, but no-- Vertigo signed on... Read more
Published on August 14, 2006 by Robert P. Beveridge

3.0 out of 5 stars All but the ending
the book does well in the beginning and keeps pace trough the story at an entertaining rate.

the story unfolds nicly, and the finale has a nice setup... Read more
Published on June 29, 2006 by Bas Hamer

2.0 out of 5 stars Just because Constantine has the potty mouth---
This book has all the right things to make it a good novel. So why does The Raven only give it a measly two stars? Three words: Excessive language use. Read more
Published on June 3, 2006 by Darkendale

1.0 out of 5 stars Entertainment
I don't know how accurate was to the series but for me this felt like a vehicle for the authors own political viewpoints. Read more
Published on April 13, 2006 by Elsbeth Shelley

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