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Reinventing Shakespeare: A Cultural History, from the Restoration to the Present
 
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Reinventing Shakespeare: A Cultural History, from the Restoration to the Present (Hardcover)

~ (Author)
3.5 out of 5 stars  See all reviews (2 customer reviews)


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  Hardcover, June 30, 1989 -- $34.99 $0.01
  Paperback, March 6, 1991 -- $19.98 $1.94

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Editorial Reviews

From Publishers Weekly

A rising young textual critic and co-editor of the new Oxford Shakespeare --a Catholic University of America professor notorious for attributing a hitherto little-known manuscript poem to Shakespeare--here defines what "Shakespeare" meant in and to six periods in the past 350 years: the 17th-century English Restoration, the early 18th century, the Romantic period, the Victorian and post-Edwardian eras and the very recent past. Taylor discourses on how Shakespeare's works were edited, criticized, quoted, translated, performed and filmed, how his name and words were spelled, how he was graphically depicted. Although it focuses on the poet-dramatist's evolving reputation--which Taylor calls "Shakesperotics"--this lively survey also examines developments in publishing, journalism, theater, censorship, morality, education, sex, economics, politics, ideology, social and material culture. Among the enormous cast of characters engagingly presented are not only Garrick, Kean and Gordon Craig, but also Burke, Keats and Coleridge, Dowden, Bradley and Chambers, Shaw, Joyce and Cleanth Brooks.
Copyright 1989 Reed Business Information, Inc.


From Library Journal

Like Louis Marder in His Exits and His Entrances (1963), Taylor examines Shakespeare's rise from a half-forgotten playwright to the brightest jewel in the crown of English literature. What distinguishes Taylor's effort, however, is his equal emphasis on political, social, and historical events as well as events in the literary and theatrical world. Taylor ably illustrates how such disparate elements encouraged the series of happy accidents that allowed Shakespeare's reputation to flourish. Taylor's irreverent, tongue-in-cheek style may prevent his book from being taken as serious scholarship; this would be a mistake, as it is a delightful, illuminating read. Highly recommended for both public and academic libraries.
- James Stephenson, The Soc . of the Cincinnati Lib., Washington, D.C.
Copyright 1989 Reed Business Information, Inc.

Product Details

  • Hardcover: 461 pages
  • Publisher: Grove Pr; 1st edition (July 1989)
  • Language: English
  • ISBN-10: 1555840787
  • ISBN-13: 978-1555840785
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #1,522,942 in Books (See Bestsellers in Books)

More About the Author

Gary Taylor
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Customer Reviews

2 Reviews
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Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
6 of 8 people found the following review helpful:
5.0 out of 5 stars A well-written, comprehensive introduction, January 10, 2000
By A Customer
Taylor's survey of Shakespearean adaptations and performance is engagingly written, filled with little revealing details, and opinionated without being biased. It's certainly NOT a Bard-bashing book, though it's not reverent in its discussions of Shakespeare. It's the place to start if you're interested in a one-volume history of Shakespearean adaptation. The last section of the book, on contemporary Shakespeare and written in an arch tone, isn't as interesting, at least to a non-academic. And one might argue that the book is rather Euro-centric: see Dennis Kennedy's Foreign Shakespeare as a good supplement. Even so, it's an essential book for any person interested in Shakespeare and cultural change. You'll think differently about Shakespeare after reading it.
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12 of 25 people found the following review helpful:
2.0 out of 5 stars Scholar at war with himself, November 13, 1998
By Kevin Brianton (Melbourne, Victoria Australia) - See all my reviews
This book on Shakespeare is the obvious result of a lot research from an author who knows his subject as well as anyone. Yet it is a disappointing book as Taylor is simply at war with himself. After a lifetime studying Shakespeare, he attempts to remove from the center of the Canon- with a capital C. He fails. It is a closely argued book, but quite often during the course of it you felt that you were hearing only one side of the debate.

He quotes every whine or weaze at Shakespeare that he can find. For example, he quotes Tolstoy and his famous dislike of the bard. Not mentioning that he hated Lear because he could see direct parallels in his own life. He quotes Shaw, but does not mention that he hated Shakespeare, partly, because he was considered to be the better playwright. Something Shaw could not abide.

Taylor in his desperation to attack Shakespeare uses any weapon at his disposal, including a motley collection of post modern whines and textual gripes.

No one is allowed to be great anymore and while modern English Literature criticism is hell bent on destroying the pleasure of reading and watching Shakespeare, people will continue to do so as academics like Taylor become more and more remote from what they are writing about. Read this and then Bloom for some sensible writing about Shakespeare.

Taylor is at war with himself, and it is a mess of a book.

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