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54 of 56 people found the following review helpful:
5.0 out of 5 stars
My two cents..., October 24, 2003
PRESENTATION: Top notch, the single most gorgeous manga I currently own. I paid the same price for this that I did for Viz's release of Phoenix: Future, and this is by far a better deal. The cover is durable and is likely to last many years. The paper is heavy stock, meaning it doesn't tear easily and isn't nearly as transparent. The inks are also the darkest I've ever seen in an American manga, making it much closer to what you'd expect from Japanese manga. It's left-to-right reading order, but I don't mind. This book was obviously intended for people who are new to manga, and probably will have no interest in pursuing the genre any deeper. The only thing that I'm less than thrilled with is the 1/4-sized dust-jacket. I mean, what the heck is that for? A way to make it look colorful on the store shelves?WRITING: I can't say anything about the translation, as I haven't even seen an issue of the original, much less read it. However, the writing, in terms of construction, word-choice and grammar, is superb. Whoever this unnamed translator is, they're my new favorite, replacing Gerard Jones. The writing, as in story, character, pacing, et cetera, is superb. Although part of the plot reminds me a bit too much of Hinotori: Dawn. A few issues later are we going to have one of the character decide they want to be the best sculptor in the world? :) Also, the story is split up into chapters (I assume linked to how they were originally published), something which was sorely missed in the Hinotori series, which made each volume one long story. Some people are going to have trouble with the humor, and are naturally going to assume the translator inserted them, never having read any Tezuka before. It also occurred to me that only the really great writers are the ones who even attempt to play with anachronism like this. The only other people besides Tezuka I can think of who do this sort of thing well are Shakespeare and Chaucer. (Well, aside from Disney animated features as of late). Buddha only manages to get himself born in this volume, so the plot centers around characters whose overall relevance we have to wonder about. Some character I thought were going to be very important to the story didn't survive the first volume. (Speaking of Buddha, I thought his pre-Enlightenment name was Gautama?) ART: The usual Tezuka mixed bag. A bizarre mixture of natural artwork which wouldn't look out of place in the Louvre, and then you have something which looks like the work out of Carl Barks or Walt Disney (though, I might point out, having a far greater "freedom of space" than any western comic artist has yet managed to achieve). There's quite a bit of nudity, as could be expected. Combined with the "Eastern spiritualism", it's enough to give the people at Focus On The Family a heart attack. Expect to see this book burned in the Bible Belt soon. OVERALL: I'm not lying when I say this is the best single manga I've ever read. As much as I like Hinotori, it's always a big spotty for me, since I don't think I agree with what Tezuka is ultimately trying to say. This being an historical account and not the Buddhist equivalent of the Left Behind novels, I'm more apt to accept it on its own terms. Highly recommended for everyone, even and especially those who aren't fans of manga.
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