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At the center of it all was Crawford's own Lone Star Iconoclast. In the heart of the reddest of Red States, The Iconoclast found itself caught between the public's (deeply conservative) expectations, and the papers publisher, W. Leon Smiths, sense of journalistic duty to report objectively. THE VIGIL is an invaluable record of The Iconoclasts coverage, with Sheehan herself providing a scene-setting foreword.
The result is a high stakes, blow-by-blow account of the events as they unfolded. You experience this vigil right along with the writers and participants: the heat, the fire ants, the gunplay, the celebrity appearances, and the intense emotional rollercoaster that has yet to end. Smith and his crew demonstrated a level of professional virtue thatto quote Sheehan herselfshines like a lone spark of integrity in the prairie darkness.
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