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Helvetica: Homage to a Typeface 2nd ed. Edition

13 customer reviews
ISBN-13: 978-3037780466
ISBN-10: 3037780460
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Helvetica: Homage to a Typeface + Helvetica Forever: Story of a Typeface + Helvetica and the New York City Subway System: The True (Maybe) Story
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Product Details

  • Paperback: 256 pages
  • Publisher: Lars Muller; 2nd ed. edition (November 15, 2002)
  • Language: English
  • ISBN-10: 3037780460
  • ISBN-13: 978-3037780466
  • Product Dimensions: 4.9 x 1 x 6.4 inches
  • Shipping Weight: 12.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #984,090 in Books (See Top 100 in Books)
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Customer Reviews

Most Helpful Customer Reviews

By Christy Maluna on April 5, 2015
Format: Paperback Verified Purchase
This is a gift for a friend, but I had it sent to me. It arrived in perfect condition
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13 of 13 people found the following review helpful By Robin Benson on January 19, 2006
Format: Hardcover
First the mystery: just why was every alternate page in the book joined together? The reader has to carefully cut the perforations to be able to look at every page. I can't find any reference in the small amount of text about this. My conclusion is that the public use of the type is on the open pages and non-public (or designed) examples are on the perforation joined pages. At least you'll know if you buy a pre-used copy though.

Apart from the perforations I thought this was a handsome little book and homage in the title is very apt. Helvetica is probably the world's number one communication choice, it works just as well on a municipal sign or a new baby announcement. Before it gained a monopoly each nation seemed to have its own jobbing type, Franklin Gothic in America, Gill Sans in England or Antique Olive in France, for instance but the super clean lines of Helvetica (and computer typesetting) meant it was no contest for all the others.

The author mentions the uniqueness of Swiss design in the Fifties partly because the top designers always used the same typeface, the stunning Akzidenz Grotesk, which fitted into their rather austere but elegant graphic solutions even though it only had two weights, Medium and Bold. Who needs italic, extended, condensed, extra black and the other weights to communicate efficiently? The rest of the world for a start. From the late Fifties Swiss designed Helvetica spread across the globe and you'll see from the hundreds of examples in these pages some wonderful design solutions, especially the two hundred plus logos that use the face in all sorts of variations. As a typeface there are probably a few dozen Helvetica weights now available.
Read more ›
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Format: Paperback Verified Purchase
Perfect visuals of a perfect typeface. A must have!
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By Aleksander Pieri on July 6, 2010
Format: Paperback
wish this book will be re-printed again but at least in double size. this book is a very good inspiration to gian simplicity in graphic design. the book is very small with small images. I hope the next edition will be more big size to enjoy the large view of a beautiful design creations like those in this book with just one font: helvetica.
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Format: Paperback Verified Purchase
This famous book is simply a little picture book and is great to take with you for a travel, or to offer to someone interested at art and visual art. Check also the "handbook" which is the same size and the same paper sold at the same publisher. Together they make a real couple and will please your grandson who likes art and his girlfriend who study in visual design. Or vice-versa.
[...]
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By Khrystyna on January 21, 2010
Format: Paperback Verified Purchase
I love this book. Although i has a poor binding and it's kinda small ( i expected bigger book) i really love it. It has a lot of pictures with usage of helvetica.
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By Gaby on July 22, 2011
Format: Paperback Verified Purchase
It's the pocket book every designer has to have it in their studio.
Anyway, I think the larger edition is better.
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Helvetica: Homage to a Typeface
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