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109 of 110 people found the following review helpful:
5.0 out of 5 stars
Why can't they make movies like this any more?, December 7, 2003
Rarely does a movie do justice to a book, but Fred Zinneman's production of "The Day of the Jackal" is wonderful adaptation of Frederick Forsyth's novel which, I continue to believe, is one of the greatest thrillers ever written.It's hard to put a finger on what exactly makes this film great: excellent performances by relatively unknown actors, a wonderful plot, fantastic location shooting or a complete desire to avoid the bells and whistles, special effects laden movies that are all that makes up the "suspense" genre of films these days. Like other reviewers have said, be this the first or the fiftieth time that you watch this film, you will be left on the edge of your seat with its "cat and mouse" plot of the search for a lone assassin hired to murder President De Gaulle. The young Edward Fox is brilliant in the title role and the supporting cast excellent. If anything, this film proves that you do not need big named stars, explosions around every corner or computer generated effects to make a fantastic film. The only downside to watching this film is that you realise that the movie industry just does not make films like this any more. Highly, highly recommended.
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35 of 37 people found the following review helpful:
5.0 out of 5 stars
Edward Fox is bloody brilliant!!, November 25, 2003
Well, up front...I am an Edward Fox fan. Have been since he lumbered around in the 1966 FROZEN DEAD as Nazi Popcicle #3. Hey, he was one super fozen dead!! He had several good roles in next few years, but really stood out as Ian McShane's fellow flyer in THE BATTLE OF BRITAIN. They stole the show in a cast of super Brits - Lord Larry, Michael Caine, Ralph Richardson and Robert Shaw, just to name a few - firmly setting their star potential. But Edward really carved his chunk of attention for the role as the Jackal in the 1973 DAY OF THE JACKAL.The film is a tight production, nearly boarding on documentary. Edward portrays the meticulous hitman of many disguises who has been hired to assassinate Charles de Gaulle. Based on the spy novel from Frederick Forsyth, director Fred Zinnermann focuses on the French detectives racing to track down the elusive Jackal before it's too late, and well as the dispassionate, professional preparations by Fox. But you are in two minds, actually. Fox is so winning in the performance, fleshing out the Jackal just not as a coldblooded killer, but as a man, so you oddly almost root for him to succeed, at the same time cheering for him to fail. With the marvellous supporting cast of Derek Jacobi, Alan Badel, Maurice Denham, Cyril Cusack, the faced paced script by Kenneth Ross (Breaker Morant) keeps you absorbed from beginning to end. Thanks awfully, Edward!!
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19 of 19 people found the following review helpful:
5.0 out of 5 stars
Compelling Entertainment, December 9, 2003
Years before the U.S.'s controversial involvement in South Viet Nam, France struggled and eventually failed to sustain its own involvement in Algeria. Many of its senior officers felt betrayed by their government. Efforts to assassinate President De Gaulle failed. Frederick Forsyth had this in mind when writing the novel on which this film is based. At substantial cost, an assassin known only as "The Jackal" is retained by dissidents to succeed where others had failed. There are two separate but related plots: one focuses on the assassin's meticulous preparations; the other on Inspector Lebel's equally thorough efforts to identify, locate, and capture him. Of special interest to me is director Fred Zinnemann's decision to tell the story (as does Forsyth) in a straightforward manner, without any special effects or gratuitous violence. He presents Lebel (Michel Lonsdale) and The Jackal (Edward Fox) as highly skilled professionals. Each fully understands what he must do and how to do it. True, both receive assistance from others along the way but they nonetheless remain in complete control until their ultimate confrontation. Although some have referred to this film as a "political thriller," there is an almost total absence of politics within its narrative. Although his client has specified Charles DeGaulle, The Jackal would kill anyone for the right price. Moreover, there is absolutely no indication of Lebel having any political loyalties or even personal opinions. He is a public official doing his job, no matter who is in danger. For some, I guess, this film is a thriller. It certainly has a number of exciting moments but I, for one, never had any doubt that Lebel would eventually prevail. My interest is explained almost entirely by the seamless development of the two plots, each of which includes several especially well-portrayed incidents. For example, when Lebel confronts a high-level minister who has unknowingly provided The Jackal with privileged information and then later, when The Jackal penetrates security defenses to position himself so that he has a clear shot at his target. "Riveting" rather than "thrilling" summarizes my response to events throughout this crisp and cohesive film.
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by Frederick Forsyth
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