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56 of 63 people found the following review helpful:
2.0 out of 5 stars
Suffers from lack of developed characters and plot, May 26, 2005
I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.
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15 of 15 people found the following review helpful:
1.0 out of 5 stars
The slide that began with Ewoks and CGI updates continues, June 23, 2000
By A Customer
This review is from: Star Wars - Episode I, The Phantom Menace (Widescreen Edition Boxed Set) [VHS] (VHS Tape)
This film is really just a large bundle of errors and pointing them out individually is akin to sifting chaff for chaff, but here are a few: 1) The Force is genetic, the result of (or interpreted by) some sort of cooties. Is it contagious? Can you get blood transplants? 2) Anakin = Jesus. 3) Amphibians have hooves and enormous floppy ears, and display no discomfort after spending days and days on a desert planet in scorching sun and heat. 4) Every single time Jar Jar lurches onto the screen, he does something stupid. What he does is unpredictable, the fact that he will do it is not. 5) The N64 20-minute pod racer game came out the same time as the film, which features a 20-minute pod racer scene. Also note the albino bounty hunter (again on a desert planet with 2 suns) who appears because LucasArts was pondering a Tomb Raider spin-off. 6) There is no superfluous dialogue. An economy of speech and action moves the plot along like a 1-act play with 4 different scenes.Basically, Lucas' genius is in marketing, not in film-making. What he failed to understand was that had he made a film that pandered to anyone over the age of seven, an entire generation of Star Wars fans would _have brought their children with them to the theater anyway_. He bricked an assured lay-up.
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19 of 20 people found the following review helpful:
2.0 out of 5 stars
Two-Hour Commercial For The New SW Doll Line..., June 7, 2000
This review is from: Star Wars - Episode I, The Phantom Menace (Widescreen Edition Boxed Set) [VHS] (VHS Tape)
After watching the devoid-of-any-charm-sleep-inducing-travesty-of-a-movie known as the 'The Phantom Menace', I dropped to my knees and prayed to God and every saint that I could remember that Mr. George "Quasi-Genius Turned Marketing Whore" Lucas hands the writing and directing duties of the next two films to another party (dramatic-overstating,but I'm just making a point here, folks). Maybe in the hands of people like Lawrence Kazden (who wrote the script for 'Empire'-the best of the orinal trilogy) and Frank Darabont, we'll get some inspired film-making. Something that the Star Wars myth legacy deserves (even though the trilogy didn't deserve 'Jedi' either, but...). But if it stays in Lucas' hands?...YEESH! Do we really need ANOTHER "VILLIAN TUMBLES DOWN A BOTTOMLESS CHASM" scene, or ANOTHER "BIG-BAM-BOOM SPACE STATION" scene, or even ANOTHER "CELEBRATION FINALE" scene? THere is no doubt, to me anyways, that Mr. George is a great 'Idea Guy', and he used to be an inspired all-around filmmaker. But with 'Phantom', all he seemed inspired to do was show some ILM muscle and create a two- hour commercial for the new line of Star Wars Dolls.
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