Two Rooms: Celebrating the Songs of Elton John & Bernie Taupin

The piano blues of the anti-racist "Border Song" from Elton's self-titled album is Eric Clapton's selection, and the horn section and Reverend Timothy Wright Washington Temple Concert Choir brings new life to this early EJ tune.

Kate Bush goes to the Honky Chateau for "Rocket Man", incorporating a more reggae-type tempo than the original. It's a nice one, but that's nothing compared to the B-side single of this song, a tear-inducing rendition of "Candle In The Wind", unfortunately not included here.

The melancholy and melodic piano ballad "Come Down In Time" from Tumbleweed Collection is covered by Sting. The emotion of the original is enhanced by the piano, but Sting's lower register vocals don't top Elton's rendition. However, Phil Collins does a superb and tight version of "Burn Down The Mission", also from that album, with Steve Winwood helping out on organ and a great brass ensemble in that energetic midsection.

The Who, minus Keith Moon of course, go to the Yellow Brick Road, or should I stay stomp down the YBR for "Saturday Night's Alright (For Fighting)" with Roger Daltrey's vocals and Pete Townshend's guitar solo "giving us none of yer aggravation." One alteration is when they also sing a few lines from "Take Me To The Pilot."

Don't Shoot Me, I'm The Surfboarder? The Beach Boys' take on "Crocodile Rock" incorporates their usual doo-wop harmonies, and lead vocalist Alan Jardine doing a passing interpretation of EJ's voice.

Wilson Phillips does "Daniel" and straight off, I feel very uncomfortable on first-name songs that have my name on it. Their sweet harmonies really enhance the original, but as in the original, I'm not too crazy about it. Also from Don't Shoot Me I'm The Girl Trio... I mean Piano Player.

Joe Cocker has often been maligned by Beatles purists for shredding "With A Little Help From My Friends." Here though, his rough soulful voice does good enough justice to Blue Moves' "Sorry Seems To Be The Hardest Word," that song about a sad sad situation, when people can't talk it over. "Tonight", also from Blue Moves, is done live at Wembley by George Michael, who did vocals on Ice On Fire's "Nikita" and "Wrap Her Up" brings out the emotional melancholy of that song.

Jon Bon Jovi's take on "Levon" from Madman Across The Water, shows that the vocal power he uses on such Bon Jovi songs like "I'll Be There For You" and "Wanted Dead Or Alive" fits here. His voice and the accompanying instruments fit here. Tico Torres from Bon Jovi helps out on drums. In contrast, Bruce Hornsby does a passable version of the title track.

Tina Turner originally did "The B-tch Is Back" on Rough, her no-longer available solo album from 1978, and her attitude really fits this energetic remake. However, the famous guitar solo inbetween chorus and verse remains the same, meaning that's it's probably one of those immortal things that shouldn't be messed with.
Hall and Oates incorporate their white Philly soul on "Philadelphia Freedom" because they felt it reflected the way they felt about their city.

OK, whether or not one likes Rod Stewart will determine whether or not you'll like him doing one of the hallowed EJ songs. However, the violin and mandolin is a unique addition to "Your Song" which still retains its lyrical sweetness.

Oleta Adams made a name by covering Brenda Russell's "Get Here." Here, she and her backing vocalists make a rich gospel rendition of one of my favourite Elton John tunes, "Don't Let The Sun Go Down On Me." Producer guitarist and a backing vocalist: Roland Orzabal of Tears For Fears (!!)

Sinead O'Connor's selection comes from one of EJ's later albums, "Sacrifice" from Sleeping In The Past. It's a more muted version, with O'Connor singing quietly, but rising in intensity after singing the first chorus.

Now this is the real way to do tribute albums, but maybe it was easier here because Elton John and Bernie Taupin wrote so many memorable songs and that the artists involved who were deeply touched by these songs were able to give it the love they deserved. Two rooms, sixteen songs, one great album.