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14 of 14 people found the following review helpful:
4.0 out of 5 stars
A Past Life, October 19, 2002
The Rolling Stones Rock And Roll Circus was released Oct 15, 1996. It is the long suppressed made-for-TV special recorded 28 years earlier on Dec 11-12, 1968 with The Who, John Lennon, Taj Mahal, Jethro Tull, Marianne Faithful, and Eric Clapton. The packaging is beautiful with a great 42 page glossy color booklet that has all the rare behind the scenes photos and a full account of things leading up to the event. The Who were red hot at the time and easily upstaged the Stones who were still struggling through their first major crisis after the removal of Brian (and his subsequent death) and attempting to figure out how to hold on to their status as the premier band. The Stones refused to release the recordings because their performances were not spectacular. Most reviewers agreed when they finally got to see the film themselves. However, what the film lacks in production (which was obviously amateurish) it makes up for in history. The Stones lackluster set of Jumpin' Jack Flash, Parachute Woman, No Expectations, You Can't Always Get What You Want, Sympathy For the Devil, and Salt Of The Earth are easily compensated by The Who's mini opera A Quick One While He's Away and Lennon and Clapton's Yer Blues. There are also dated period piece interviews with Mick and John and very amateurish introductions by the individual Stones, which when combined with the extremely amateurish set, acting, and cinematography amply demonstrate why this is one for Stones and rock history collectors. The Stones were right, it didn't work for them, and it is good that the release was delayed until it appealed to collectors and would not reflect on the reputation of the band.Most people know the music, so in my reviews I try to give you data on the sessions and interesting facts connected with the songs and the album. Here we go: Interesting notes include:
.....this CD and the companion DVD and VHS releases were the last time Brian Jones performed with the Stones
.....Brigitte Bardot was Mick's original choice for the ringmaster, when she declined, he did it himself
.....Keith wanted Johnny Cash, but he declined too
.....Mick refused to consider Jimmy Page's new band "The New Yardbirds" without hearing their tapes (which were released on their first album "Led Zeppelin")
.....Ivry Gitlis was a great classical violin virtuoso.....he accepted an invitation to perform because he respected Brian Jones
.....John Lennon's temporary supergroup (Clapton, Mitch Mitchel, and Keith) was named Dirty Mac in response to the hottest band of the day....Peter Green's Fleetwood Mac
.....the taping started around noon on Dec 11 and ran for 18 hours...when the specially chosen fan audience left at 6AM, Mick and Keith shook hands with most of them and thanked them for coming Other songs from the same show that were recorded for the Circus but which have not yet been released are:
.....Route 66
.....Confessin' The Blues
.....Yonder Wall
.....Walkin' Blues This information comes from "It's Only Rock And Roll: The Ultimate Guide To The Rolling Stones" by Karnbach and Bernson and from my own collection, with some of the notes from Davis' "Old Gods Almost Dead." Both books are available from Amazon.com.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Worth it just for "A Quick One", December 11, 2003
Today marks the 35th anniversary of one of the greatest rock n' roll shows of all time. The Who, The Stones, Jethro Tull, Taj Mahal, Marianne Faithfull, and The Dirty Mac - a super group comprised of Keith Richards, John Lennon, Eric Clapton, and Mitch Mitchell - rocked out while wearing clown suits and other circus garb. Jagger and a midget introduced Tull. The Stones kept this recording in the vault until 1996 because they thought The Who out performed them. They did - which says a lot, as The Stones set was great. Regardless, this CD contains the best performance of "A Quick One" I've ever heard.After the opening ceremonies, the show kicks off with Jethro Tull playing one of their earliest hits - "A Song for Jeffrey." This version sounds a lot like their studio version of the song, however, leading me to believe it was lip-synched. Regardless, it's a great song. The Who follow with a phenomenal version of Townshend's mini-opera, "A Quick One" (you my be familiar with this song from the movie "Rushmore"). It's one of The Who's best and this is easily the best version of it. After ok songs by Taj Mahal and Marianne Faithfull, The Dirty Mac takes over for two songs. They do a great cover of The Beatles' "Yer Blues." Then they did "Whole Lotta Yoko," which is way too much Yoko for me. Her wailing obscures what is an otherwise incredible jam session featuring some of rock's all-time greats. The Stones then take over and end the show with a five-song set featuring some classics. "You Can't Always Get What You Want" is pretty good - I prefer it with the choir opening, however. "Sympathy for the Devil" is another highlight from their set. It sounds incredible. The CD also comes with a thorough booklet with lots of pictures and a good write-up of the evening.
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17 of 21 people found the following review helpful:
4.0 out of 5 stars
No Polished Diamond, but Surely a Jem!, November 1, 2005
Rock acts in the sixties never took themselves too seriously, and this production of the Rolling Stones Rock & Roll Circus is no exception. Sex, drugs, and rock & roll were the order of the day, not high-tech professionalism, and members of "the Establishment," such as television producers, had no choice but to conform. Obviously, this project was an attempt to assemble a handful of British rock acts for a loosely thrown together BBC variety show, modeled on America's zany and popular "Rowen & Martin's Laugh-in." Set under a circus big top, the result is revealing window into what was then coined "The British Invasion" of the classic rock era.
One has to look below the surface of this light-hearted production to appreciate its magic. Tony Iommi, the left-handed guitarist, later to become the driving force behind Black Sabbath seemingly goes unnoticed as Jethro Tull's side man in "Song For Jeffrey." The falsetto harmonies of the Who's quiet bassist John Entwistle, and Keith Moon, barely able to contain himself, highlight Pete Townsend's "A Quick One While He's Away. "Ain't That A Lot of Love" and some extra performances resurrect the nearly forgotten blues group Taj Mahal.
Girlfriends and wives also got in on the act, and contributed performances. Marianne Faithful, then Mick Jagger's main squeeze, delivers a cutesie virbrato rendition of "Something Better." Yoko Ono (with classic violinist Ivry Gitlis) reminds all within memory just how horribly wretched her dying animal, no talent voice passed off as art, can be on "Whole Lotta Yoko."
Dirty Mac, an all-star garage band featuring the late John Lennon, Eric Clapton, Keith Richard on bass, and Jimi Hendrix drummer Mitch Mitchell, resurrect a lost art: the Jam. Lennon's powerful vocals leads the ensemble through a rendition of "Yer Blues," while a youthful Clapton gently caresses a beautiful red Gibson ES-335. Richard, surprisingly competent on bass, provides a solid foundation along with the ever meticulous Mitchell. A lose ending nearly spoils a perfect performance, but hap-hazard endings have always been a Rolling Stones trademark anyway.
Predictably, the Stones highlight the show with six exceedingly rare performances. The late Brian Jones, an original founding member, who would be fired by Jagger & Co., then mysteriously drown shortly thereafter is seen here in this unique footage. The Stones remain true to the studio version of the now classic "Jumping Jack Flash," as the crowd needs no cue to come alive. Richards launches the band into the slow blues "Parachute Woman." Mick's harmonica and the honky-tonk piano of the late Nicky Hopkins fill the gaps nicely. Jone's hauntingly beautiful slide guitar, Richards' acoustic rhythm, Hopkins' pounding fills, and Jagger's intoxicating vocals nail "No Expectations." The Stones increase the tempo with yet another classic, "You Can't Always Get What You Want," then launch into the sinister "Sympathy For The Devil." Charlie Watts' rim work coupled with guest conga man, Rocky Dijon lend a raw authenticity, later lost in stadium venues. Ever the front-man, Jagger's voodoo screams are climaxed by him kneeling submissively, peeling off his shirt, like a slave about to be whipped, only to reveal some devilish, if temporary body tattoos. An audience participation finale of "Salt of the Earth" highlight Jagger and Richards vocal harmonies quite nicely.
Despite the few legitimate circus acts interlaced with humorous, if sometimes ridiculous witticisms by Jagger, Lennon, and others, this nicely arranged package is a must for any die-hard Stones fan, or afictionado of classic rock history.
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