Most Helpful Customer Reviews
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46 of 49 people found the following review helpful:
5.0 out of 5 stars
One of King Crimson's Best, May 24, 2000
By A Customer
Long time fans of King Crimson will find a lot to like about this new, fresh release from King Crimson, version 2000. Without rehashing the past, the band builds on everything that has come before and the results are remarkable.This is a very rich CD. There is so much there that it will take many many listens to fully appreciate the depth of the music. It is also one of the heaviest Crimson CDs and parts of "FraKctured" and "Lark's IV" give any heavy metal band a run for their money. I don't think I've heard Robert Fripp play better. Trey Gunn and Pat Mastelotto keep up with panache and Adrian Belew adds color, beauty and commentary throughout. "Coda: I Have a Dream" bring chills up my spine - not felt since "Starless". I'd say this is the best Crimson CD since Discipline, and a great improvement over a much tamer THRAK (if you can believe that)! Well done! The bonus track "Heaven and Earth" is an indication that the sister release from "ProjeKct X", recorded at the same time as this release, is also a must have CD. That one is only available from DGM mail order though - at disciplineglobalmobile.com. Get them both! And don't miss them on their tours this year!
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20 of 23 people found the following review helpful:
4.0 out of 5 stars
Crafty guitar-playing codger once again defies the fan boys., May 25, 2001
The most consistent thing about King Crimson is the amusement of listening to its fans. I mean, really ... take the time to read the reviews of this CD. For people who claim to like adventurous, forward-thinking approaches to music, a large portion of Crim's fan base seem to keep their heads firmly planted in the dim and distant 1970's and 80's. Where is Bill Bruford? they moan. Where is Tony Levin? they whine. Where are Pete Sinfield, and Greg Lake, and all the rest of them? Why doesn't this King Crimson sound exactly 1ike the old King Crimson? Apparently to many "progressive" Crimson fans, challenging music is music that you are already comfortable with. Fripp & Co. probably get quite a cackle if they ever bother to read any of these.But enough about some of musicdom's most comical fans -- on to the music; namely, King Crimson 2000. A new Crimson for a new century of noisy tricks and treats. And lo and behold, who would have thought that Adrian Belew would stomp out a heavy metal version of Tom Waits in the opening ditty, "ProzaKc Blues"? Once this one gets rolling, the guitars buzz and roar like electric whipsaws behind Belew's hilarious drunken growl. Then, on to "The ConstruKction of Light" -- any doubts about the non-Levin/Bruford rhythm section are put to rest here; the non-Levin guy is amazingly good, and ditto for that non-Bruford guy. Nice guitar interplay by Belew and Fripp as well. Very tasty stuff. Belew's lyrics, as always, are a goofy delight. Do I hear some Yes parodies in some of the vocal arrangements here? Oh well, maybe it's just me. Intentional or not, it's kind of funny. Then we leap "Into The Frying Pan," guitars humming like swarms of bees on caffeine, and more inspired bumping and grinding from the non-Levin/Bruford duo ... then, an unexpectedly quiet ending. This is the point when you realize: no one else sounds like this. It's Crimson! The other tracks, especially the retoolings of "FraKctured" and "Aspic," also make for some engaging listening. There are moments where things don't seem to quite pan out, but they are fleeting -- and expected. There has never been a perfect King Crimson recording, and that is the good news. They're an experiment in progress. Long may the experiment continue ... with or without the support of its "fans."
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18 of 21 people found the following review helpful:
4.0 out of 5 stars
Not THE best, but a good place to start..., May 31, 2000
With each CD, King Crimson becomes more difficult to categorize. After listening to the "ProJeckts" which, admittedly bored me as often as it thrilled me, I wasn't sure where the the next proper LP would take us. I was half expecting a full-out Metal Machine Music part.II sound collage. Fripp, et al. can be difficult to follow, as they range from really abstract and super experimental works, to almost-pop-metal songs. Turns out ConStrUktion is *very* accesible (as far as King Crimson goes). Everything here is really in song form and very digestable. Of course, repeated listens are rewarded with new discoveries, but it's also an album you don't need a Phd. is music theory to understand... simply put, it rocks hard... AND presents some interesting ideas about sound, time signatures, harmony and parallel melody lines. The rythym section is especially tight and just plain gargantuan-sounding... Fripp and Belew are easily two of the 8 or 10 finest guitar players in the history of popular music... Fripp's techical skill seems to grow with each new project, and his riffing here is probably some of the fastest and most complex lead guitar work ever comitted to tape. One caveat: this may be unpopular to say, but I really think this band should stay with instrumentals. Belew's vocals are fine, and would probably sound great if they were just wordless cries... but, the odd and silly lyrics really detract from the intelligence of the music. The recording is spacious and detailed as any electric rock recording you'll hear. Heavy metal for thinking fellers, and a great place to start your King Crimson collection.
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