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All this may seem remedial to anyone remotely familiar with the group, but it bears repeating in the face of the cool reaction Stereolab's latest long-player, Sound-Dust, may get. Listeners hoping for a radical departure from previous outings may be disappointed to find that the disc doesn't necessarily break new ground - lush arrangements, enchanting melodies and otherworldly tones abound, but that's to be expected from Stereolab. But to assess this apparent lack of progress as aesthetic stasis or another signal of the group's lapse into irrelevance would be to overlook the ways in which their prolific output (eight LPs and scores of singles and EPs in the span of 10 years) incessantly reworks the same themes and ideas, as if the band wanted their records to blend into a seemingly endless, repetitious whole. It's a subversive pop formula that questions assumptions about innovation, originality and aesthetic progress, and one that Sound-Dust recalculates in superb fashion.
Pete Skafish
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