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Y'all get scared now, ya hear
 
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Y'all get scared now, ya hear

Reindeer Section
4.3 out of 5 stars  See all reviews (7 customer reviews) More about this product

Price: $13.98 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Customers buy this album with Son of Evil Reindeer ~ Reindeer Section

Y'all get scared now, ya hear + Son of Evil Reindeer
  • This item: Y'all get scared now, ya hear ~ Reindeer Section

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    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details

  • Son of Evil Reindeer ~ Reindeer Section

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Product Details

  • Audio CD (September 25, 2001)
  • Original Release Date: October 30, 2001
  • Number of Discs: 1
  • Label: Play It Again Sam
  • ASIN: B00005OC92
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon.com Sales Rank: #67,751 in Music (See Bestsellers in Music)

 
1. Will You Please Be There For Me
2. The Opening Taste
3. 12 Hours It Takes Sometimes
4. Deviance
5. If There Is I Haven't Found It Yet
6. Fire Bell
7. If Everything Fell Quiet
8. I've Never Understood
9. Raindrop
10. Sting
11. Billed As Single
12. Tout Le Monde
13. Nytol
14. The Day We All Died

Editorial Reviews

Amazon.com

The debut from this U.K. supergroup is a strange, uncertain, and undoubtedly unique record that resulted from a 10-day clatter through the nooks and crannies of the guitar-wielding Glasgow underground. Project leader Gary Lightbody, the fey-voiced front man of Irish indie-popsters Snow Patrol, manages to keep members of bands as diverse as Arab Strap, Astrid, Mogwai, Mull Historical Society, and Belle and Sebastian playing from the same hymn sheet. And on the whole, it's his own quavering, tremulous vocals that take precedence on these ponderous, sad, Sebadoh-like songs (the gorgeous "12 Hours It Takes Sometimes"), lo-fi beat-box breakdowns ("Raindrop"), and technofied Sonic Youth-style droners ("Tout le Monde"). Sure, it would have been nice to hear some of the record's other contributors making more use of their talents--Arab Strap's splendidly miserable Aidan Moffat only steps up to a microphone once, for the rolling acoustica of "Nightfall." But it's clear that this is Lightbody's project, and it's a marvel that Y'All Get Scared Now, Ya Hear sounds so polished, focused, and complete. --Louis Pattison

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Customer Reviews

7 Reviews
5 star:
 (2)
4 star:
 (5)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
12 of 12 people found the following review helpful:
5.0 out of 5 stars It makes everything easier..., October 12, 2001
By Doug Kochmanski (Pittsburgh, PA) - See all my reviews
(REAL NAME)   
This album makes everything easier. Everything about life, in general. I get up to go to work, and for the last three mornings, I've listened to this album. It's the perfect length for the drive, and the fact that the songs are ordered on the album in from simplest to most musical and most instrumental make the morning, in a way, build into a good idea. I noticed that another reviewer mentioned that this is an album to listen to while you're falling for someone. I agree. I'm at the beginning of a new relationship and the first track, "Be There For Me," is everything I'd ever want to say--but haven't said, yet. The rest of the tracks on the album are all reasons to say it, though. I'm amazed that this album was recorded in ten days. It's sonically beautiful and so intense; but at the same time whimsical. I think that's a good word. The second portion of the album is a stretch from the first, but a perfect one. The processed rhythms and bass lines that subtly drive the last tracks are amazingly crafted, and the closing track, "The Day We All Died," is about the finest melody I've ever heard. That's about all I can say. I love Belle & Sebastian; I love this. You all will, too, you hear?
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9 of 10 people found the following review helpful:
4.0 out of 5 stars Slowcore with Balls, September 28, 2001
Believe it or not, I'm not familiar with Snow Patrol, Arab Strap, or even Belle and Sebastian. I bought this album because I heard it playing in the record store. It's wonderful: poignant, playful, subtly profound. It starts very simply -- a voice and and acoustic guitar -- and builds slowly and steadily to a raging rocker, but gently all the way, and with a sweet "goodbye" at the close.

Fans of Yo La Tengo, Low, and the (incredible and underrated) Red House Painters should love this.

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5 of 5 people found the following review helpful:
4.0 out of 5 stars Not really Belle and Sebastian, but just as good., September 26, 2001
It's a shame that Belle and Sebastian are given credit as the main contributors to this album because that truly misrepresents the sound. The real brain child behind this project is Gary Lightbody of Snowpatrol. Fans of Snowpatrol can look forward to an album of sparkeling beauty. Where it will fall short is the lack of catchy pop hooks and lyrics that stay with you all day like those on SP's first two albums. The first half of the songs on the album start out at a slow pace while some percussion appears in the back half to create a little more toe tapping and head bobbing, all the while layered with GL's soothingly smooth vocals.
Any fan of Snowpatrol will appreciate this album, as well as Belle and Sebastian fans if they are not expecting Stuarts witty sarcasm to appear anywhere. Oh, by the way members of Mogwai, Astrid, V-twin, Mull Historical Society, Eva, Arab Strap and Hercules appear as well (good luck finding most of these bands).
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Most Recent Customer Reviews

5.0 out of 5 stars Twee Rocks
This is an interesting mostly Scottish super-indie-group led by the vocalist of Snow Patrol (Irish, not Scottish). Read more
Published 12 months ago by Kevin P. Mccarthy

4.0 out of 5 stars A bit early for a review, but...
I just got this album, only because I am fans of Snow Patrol, and Belle and Sebastian (Mainly Looper), but I must say, this album opened me up to many other bands, not to mention... Read more
Published on March 2, 2002 by the_mnomen@yahoo.com

4.0 out of 5 stars missed oportuntities...
Before I complain about what's wrong with this album let me tell you what's right. It's gorgeous, slightly baroque indie-pop at nearly it's finest. Read more
Published on February 9, 2002 by Rob Damm

4.0 out of 5 stars A great album for falling in love to
I bought this album at the same time that I bought a Bob Dylan and a Modest Mouse album, and between those drastically different, often rambunctious sounds, this one sort of got... Read more
Published on September 30, 2001 by Sara Amundson

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Y'all get scared now, ya hear
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