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Nextdoorland
 
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Nextdoorland

The Soft Boys
4.4 out of 5 stars  See all reviews (14 customer reviews) More about this product

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Product Details

  • Audio CD (September 24, 2002)
  • Original Release Date: September 24, 2002
  • Number of Discs: 1
  • Label: Matador Records
  • ASIN: B00006FRUM
  • Also Available in: MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon.com Sales Rank: #160,985 in Music (See Bestsellers in Music)

 
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Editorial Reviews

Product Description

Their first album in 20 years from Robyn Hitchcock's Soft Boys, featuring the classic lineup of the great Kimberley Rew on guitar, Matthew Seligman on bass and Morris Windsor on drums. Matador. 2002.

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Customer Reviews

14 Reviews
5 star:
 (6)
4 star:
 (7)
3 star:
 (1)
2 star:    (0)
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Average Customer Review
4.4 out of 5 stars (14 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
4.0 out of 5 stars Guaranteed to raise the hairs on your skin, October 18, 2002
By wm "wordmule" (...onward....thru the fog!) - See all my reviews
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It's a Soft Boys album, but it sounds like the evolution of Robyn Hitchcock to me. He's been quoted as saying "when I make a record with a band, it turns out to be a Beatles record". I'd agree with that, but Beatles at their jammingest.

The twin lead guitar interplay between Robyn and Kimberly Rew is nothing short of breathtaking. The lyrics are signature Robyn Hitchcock surreal, but at one point, he eerily captures the strange and scary times we live in: "Evil is the new enemy / I wish I could say that I was just paranoid" (from "Strings").

The beauty of this CD is that Hitchcock and his band gracefully manages to walk the thin line between melodic pop and total, over the edge, into the abyss guitar freakout.

All in all, an excellent album, which will definitely stand the test of time.
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10 of 11 people found the following review helpful:
4.0 out of 5 stars Underwater Moonlight it's not..., September 26, 2002
The years have been kind to Robyn Hitchcock. His early music with The Soft Boys sounds as fresh, vital and quirky as when it was first released over two decades ago. This reunion album made me a bit skeptical at first. You may not be able to go home again, but you can go next door and visit with the neighbors.

Nextdoorland is full of the rocking charms we've come to expect from Hitchcock. What's more is that the performances by his band The Soft Boys is top notch. Kimberly Rew's guitar snarls and snaps alternating chords thick as a tree stump. His playing hasn't been this refreshing or challenging since his solo albums and early Katrina & The Waves where it was a lot more polished and, well, poppy. Poppy is OK but Rew has always been an interesting guitar player and capable of so much more. Hitchcock and the other Soft Boys bring out the best in him.

The album is littered with a number of gems. Like a lot of Hitchcock solo albums, there's a fair amount of filler as well but the quality of the filler tracks is better than most artist's achieve in a lifetime. Always interesting as a solo artist, Hitchcock and The Soft Boys return with a strong album. It isn't Underwater Moonlight, nor is it meant to be. The starkness of that seminal album and the diy feel is evident in every track on Nowhereland.

I'd also recommend picking up Kimberly Rew's latest solo album. Although it isn't as strong or compelling as Tunnel Into Summer, it's stocked with melodic, riff driven rock 'n' roll. Rew hasn't sounded this good in years and clearly his new found solo career has invigorated him.

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6 of 6 people found the following review helpful:
4.0 out of 5 stars Maybe it'll rain tonight, May 13, 2003
By Garry Messick (Boynton Beach, FL USA) - See all my reviews
(REAL NAME)   
Some might be disapointed that the Soft Boys' first album in 20 years isn't Underwater Moonlight jr. But to my ears, Nextdoorland is actually superior in some respects. For one thing, the band is playing better than ever. (Several tracks feature some terrific extended dual guitar interplay between Robyn Hitchcock and Kimberly Rew that's a bit reminiscent of Television, oddly enough.) There's real verve and energy in the sound and performances, and the songwriting is consistently engaging, featuring structures that never go where you think they will (a chorus comes in where you'd expect another verse, parts flow into parts without coming to a conventional chorus, songs that end in abrupt, unexpected eays, etc.). All in all, a triumphant return for Hitchcock and company.
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Most Recent Customer Reviews

4.0 out of 5 stars Nextimeland
This record is a good record. It has jangles and melodies and holds together well. Robyn puts some holds on his lyrical obscurities to make it a little more graspable(sic) to the... Read more
Published on November 24, 2005 by jon gire

5.0 out of 5 stars Best Album of the Year?
Does it really matter how this album compares to Underwater Moonlight? What counts is that it may be the best album to come out in the past year. Read more
Published on July 24, 2003 by Lincoln J Lounsbury

4.0 out of 5 stars Neo or retro?
The psychedelia-lite of this album, with proudly raspy, utterly English vocals, emphatically enigmatic lyrics and duelling guitars, calls to mind nothing so much as the mid-90's... Read more
Published on April 20, 2003 by aharon levy

5.0 out of 5 stars An excellent album
A great, groovy reunion album by one of the kookiest groups of the early, olden days of the punk/New Wave scene. Read more
Published on March 10, 2003 by Joe Sixpack -- Slipcue.com

5.0 out of 5 stars Better than Underwater Moonlight?
This album has played a weird trick on me. At first I dismissed it as a really good album. Happy that it was here. Read more
Published on February 9, 2003

5.0 out of 5 stars Hefty Boosts
Either you are familiar with this band or you were searching for something else: Soft Machine - maybe; Soft Cell - you need therapy. Read more
Published on December 19, 2002 by Martin Sladdin

3.0 out of 5 stars Great to have them back, but...
...I must confess to being somewhat dissapointed, not only by this album but by their recent concert appearance (Mercury Lounge, NYC). Read more
Published on December 4, 2002 by John Geoffrion

4.0 out of 5 stars Next to nearly perfect...
It would seem that a wait of twenty years hasn't dulled the Soft Boys one bit. Fresh from touring to support the re-release of Underwater Moonlight, the Soft Boys returned to the... Read more
Published on December 4, 2002 by Todd Hagley

5.0 out of 5 stars Classic Cans of Soft!!
Out of the depths of his criminal insanity and minimal insecurity, Robyn was becoming ever more suspicious of his own charms. Read more
Published on September 29, 2002 by Famush Dafo

5.0 out of 5 stars Not to be missed!
I wondered what a new Soft Boys album would sound like at this point, 20 years after the release of their classic 1980 neo-psychedelic jewel Underwater Moonlight and after... Read more
Published on September 27, 2002 by tonguepaste

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