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7 of 7 people found the following review helpful:
4.0 out of 5 stars
4.5 Stars - A return to simpler Of Montreal, October 13, 2002
If Of Montreal's The Gay Parade was their Pet Sounds, Coquelicot Asleep in the Poppies their Smile, and Then Who will Protect our Children their Smiley Smile, where does that leave Aldhils Arboretum? Why it's Wild Honey, of course. This isn't meant to slight either album, as both have their distinct qualities, but for Of Montreal and The Beach Boys it represents a change in musical direction to looking backwards and not forwards. Aldhils Arboretum doesn't have the same high concept as Coquelicot or the coherence of The Gay Parade, but this probably makes it a more likable album for the newly initiated. If you're listening to the group for the first time, this should be your album. It's really the Of Montreal sampler. You can hear bits of Cherry Peel (Jennifer Louise), The Bedside Drama (Predictably Sulking Sara), The Gay Parade (Natalie and Effie in the Park), Coquelicot (the most challenging song on the CD, Kid Without Claws), and even Then Who Will Protect Our Children? (the beautiful An Ode to the Nocturnal Muse which is sung in Japanese (Neru No Daisuki) on the aforementioned CD).There aren't too many clunker songs on this CD, which makes it very listenable from beginning to end. Even the lower quality songs like Isn't it Nice? and A Question for Emily Foreman have charm. What holds me back from giving this album the 5 star rating and my highest recommendation is the lack of some truly brilliant songs. Doing Nothing could be a pop hit if Of Montreal ever wanted that kind of thing, and Kid Without Claws brings me back for repeated listens. They just don't set off bells in my head like some of their better songs from earlier CDs. That said, Aldhils Arboretum is worth buying for existing fans and those drawn by their curiosity. The cheery relentless poppy hooks are all there, as are some of the finest musical arrangements this side of Circulatory System. Of Montreal is a band that loves to make music, loves to play music (if you can ever get to their live performances, they are routinely among the best performers I've heard), and loves to make you smile.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
For me, a good introduction to a great band, October 13, 2002
First of all, download track one (Doing Nothing). If you like that song, buy this album as the rest will certainly appeal to you. Full of storytelling gems, this album reminds me of so many moments in my life. "Old People in the Cemetery" just offers such beautiful imagery. The catchiness of "Jennifer Louise" will remind you of a forgotten cousin. "Pancakes For One" is the perfect song for a breakup, while "Kissing in the Grass", with its haunting clarinet, makes you wish you had a lover again. An album that reminds me of The Apples In Stereo and of the "Magical Mystery Tour" couldn't be bad, and it isn't. Although a friend of mine disparaged this as a Beatles ripoff, 60s pop influences don't make it that. Instead it is an intelligent album that is definitely one of the top 10 of the year. Give "Aldhils Arboretum" and Of Montreal a chance.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Of Montreal's "Revoler"-equivalent, October 12, 2002
Upon its release last year, Of Montreal's previous album, "Coquelicot Asleep in the Poppies", took its place among my over-1,400 cd's as the Absolute Favorite in my collection. I wondered how they could ever follow something so huge, so colorful and ambitious. Like the Beatles moving backward from "Sgt. Pepper" to "Revolver", they followed it up by tightening the structures, trimming some whimsy, and turning the guitars way, way up. Horns, strings, and pianos are still part of the sonic arsenal, but are used more sparingly, moving their sound away from the psychedelic vaudeville of past records and into a more electrified, "live" feel.The songs here, in perfect Kevin Barnes style, are still as sweet, colorful, and twisty as licorice whips. But where their last few albums utilized crates of Crayola color, making each song fan out like fractal "oil puddles in taffeta patterns" (to steal a line from Joni Mitchell), the songs on this record are leaner, colored with fewer crayons, pressing harder. This is an aggressively guitar-and-buzzing-organ oriented record, and easily their most "rock". The conceptual ideas of the last few records have also been shed, giving the record a somewhat haphazard, random feel, lacking the strong collective identities of "The Gay Parade" or "Coquelicot." That said, the absence of an overarching story brings the individual songs more into focus, and these are some of the greatest songs they've come up with yet. I was a bit taken aback by some of the lyrics on this record, particularly "Old People in the Cemetary." It's a good song, but an unusually mean-spirited and condescending missive from a normally good-natured and open-hearted songwriter. The lyrics of "Isn't it Nice?" are also uncharacteristically glib and prosaic, and sound awkwardly mashed into place. However, I also chuckled aloud at them, so they're not entirely ineffective. :) Of Montreal are simultaneously more confident and less ambitious on "Aldhil's Arboredum", and by scaling back their sound have given themselves another path forward. Another great record from one of the greatest bands around.
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