Most Helpful Customer Reviews
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
It's taken a while..., March 10, 2003
It's taken me a while to like this album. I've been trying to listen to it, but the Throwing Muses album released on the same day has been played many more times than this album. I am really starting to like this album a lot. I didn't like "Strange Angels" the first time I heard it because it wasn't "Hips & Makers." But it really grew on me after seeing Kristin live several years after "Strange Angels" had been released and after "Sunny Border Blue" was released. I think this album is going to be the same for me it will grow more on me and I'm sure it will become another Kristin favorite. This album is taking it's time to grow on me. It's very different from "Sunny Border Blue." It has a deeper, more emotional edge to it. Kristin's albums all have to be accepted in their own way. I can be in the mood to listen to Kristin, but it has to be a particular album depending on my mood. They all seem to be very telling of her life at the time she wrote the album. I love all of her albums, each in their own individual way. Sort of the way you love people - you can't love all of them as a collective, they are individuals and must be loved that way. The violins on "Deep Wilson" give me the chills, they are amazing. There is something about the way that they sound that gives me a very odd sensation in my body. Like they make me shiver but not exactly shiver. Sort of flutter but not in a fairy sort of way. I don't know how to describe it. If you are a Kristin fan! Buy this album. Don't dismiss it through the first few listens. Give it time and you'll grow to love it with each listen.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
found something good., November 29, 2003
I have always been passionately in love with musical albums that no matter to how many they are beloved, suddenly become your own when listened to alone in your room or car. I lucked into randomly buying a tape of Throwing Muses' University on its release when I was in middle school-and listened to it on long bike rides across my rural county, but then I never got any other albums by them or Hersh. But approaching 10 years later now, hardened by hard times and from bringing home so many carefully made music store purchases that were good but not gut wrenching, nothing was seeming to melt the musical ice and reach inside me recently. That is, until I reconnected with Kristin Hersh's solo music, starting with The Grotto last spring.The first few songs on The Grotto are immediately accessible; they make you wanna press repeat and not continue the album just yet because you've just found somethin' so good. I guiltily, sporadically repeated Sno Cat and Deep Wilson for several days, like I had just discovered some incredible, addictive food I kept plucking out of the kitchen cabinet whenever my willpower couldn't stand to wait anymore. Then, as you go deeper into The Grotto, you connect with all these other incredible songs. Right now, Vitamins V is my favorite. I can't tell you what it's supposed mean because even after dozens+ listens I still get caught up in each and every musical-lyrical moment of the song until I'm spit out on the other side of it; I could care less about the "big meaning." Something with a "mouth full of vodka," a "lukewarm catastrophe," "staring through the fishtank," and "I can't seem to lie to you," all of which only appear as words here uncoverted by her music. But don't be fooled, every single song on this album is its own speechless standout. I have to disagree with others who say Kristin's voice has lost power with years. On The Grotto, her voice may be scratchier but seems more incredibly commanding and captivating than on her previous works, the perfect remedy for many other streamlined, contemporary vocalists who are still struggling to find new ways to make their one-dimensional angst or love interests not sound regurgitated, while this woman changed the subject years ago. Only Kristin's voice over that guitar, piano, and violin could give these lyrics such life. Everything this woman has stepped out on her own to do just knocks me over: Hips and Makers, Strange Angels, Sunny Border Blue, and now The Grotto. Even with all the incredible artists on the Just Say Roe compilation, her Hysterical Bending stands out as setting a whole new musical standard you didn't even know existed. Hopefully, one day I can see her live. This woman is of another world, but, god, I'm glad she visited ours.
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10 of 10 people found the following review helpful:
4.0 out of 5 stars
Gorgeous, Difficult, Thrilling, April 12, 2003
The allure of the music of Throwing Muses has always been in hearing schizophrenic disassociation from a safe distance. In her 20's, Kristen Hersh's free-form disconnects were expected - it was an independent woman's assertive exploration of contradictory impulses. Her myth was reinforced by real mental struggle, and an intense stage presence akin to satanic possession. In her 30's, Hersh put out a series of intense acoustic records -just her wailing angst against stringed instruments - that were spookier than anything the Muses ever did. Now we have two new Hersh creations - a new solo disc, The Grotto, and the first Muses record in eight years. The Grotto is Hersh's best solo work. In her 40's, she's still chasing a private muse, but her surreal insularity has either grown more linear or I've learned how to scan her images over the years. "SRB" is about a bad ... experience. "Ether" a lamentation on indifference. "Deep Wilson" a metaphor for love. It's gorgeous, difficult, thrilling music.
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~ Kristin Hersh
~ Kristin Hersh
![Hips And Makers [CD on Demand]](http://ecx.images-amazon.com/images/I/6119pcOnIBL._SL500_SS90_.jpg)
~ Kristin Hersh
~ Kristin Hersh
~ Kristin Hersh
album The Grotto 
![Hips And Makers [CD on Demand]](http://ecx.images-amazon.com/images/I/6119pcOnIBL._SL75_SS50_.jpg)
