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Comment: 1964 The Macmillan Company. Blue dust jacket (which differs from the one pictured) is in poor condition with many small tears and a chunk missing on bottom edge.

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The act of creation Hardcover – 1964

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Product Details

  • Hardcover: 751 pages
  • Publisher: The Macmillan Company; 1st edition (1964)
  • Language: English
  • ASIN: B0000CM5EB
  • Product Dimensions: 9.3 x 6.3 x 1.8 inches
  • Shipping Weight: 2.7 pounds
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #1,175,729 in Books (See Top 100 in Books)
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Customer Reviews

Most Helpful Customer Reviews

Format: Paperback Verified Purchase
This book is like an Owner's Manual for any thinking and creative human being. I've been reading it, pondering it, discussing it with my friends and colleagues. Koestler is a classic thinker who coined the word, biosiation. Once I groked the enormity of biosiation in the creative process, it seemed to activate a deeper quality of creativity in my own work.
I'm keeping this book as a go-to read when ever i'm in a creative cup-du-sac. A must read, a must resource, a must way of thinking for stimulating creative writing, art, invention, thinking, speaking . . . having been written in the 1960's, it seems archaically written and referenced, and that seems to be a great asset to think in this new way about the timeless classics.
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1 of 1 people found the following review helpful By Amazon Customer on February 16, 2015
Format: Paperback Verified Purchase
Best book ever
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21 of 22 people found the following review helpful By Herbert L Calhoun on May 21, 2008
Format: Hardcover
Among the clearest books ever written in the English language on any subject, but especially on the subject of the creative process.

Koestler, a most serious, and one of the earliest Existentialist Freudian thinkers, although viewing creativity as a part of the broader process of human evolution, here parses the process down to its bare psychological essentials, rather than just down to its mere scientific essence, as say Edward de Bono has done.

Koestler believes that understanding creativity is fundamental to understanding the full meaning of man. In this incredible volume, he sets forth the theory that all creative activities -- that is, the conscious and unconscious processes underlying artistic originality, scientific discovery, humor, and even cosmic inspiration - have a basic pattern in common, which he calls bi-sociative thinking. Bi-sociative thinking is Koestler's way of distinguishing normal linear thinking from what de Bono would later call "lateral thinking:" That is to say, the kind of leaps of faith that connects previously seeming unrelated frames of thought together on a higher more integrated and novel plane. He sees a "trivalent" connection between discovery, humor and art; and incredibly, uses Rene Thom's Mathematics of Catastrophe Theory and their accompanying diagrams to demonstrate mathematically how these trivalent planes are connected in psychological space.

But there is a great deal more than just this. Koestler does not limit creative ability to man alone and among perhaps his most controversial claims in the book, he also attributes creative abilities to animals as un-evolved as worms.
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4 of 5 people found the following review helpful By Christine L. Helrigel on November 15, 2010
Format: Paperback Verified Purchase
When I was in high school in Ann Arbor, MI, in the sixties, I carried a copy of Koestler's book The Act of Creation with me everywhere I went. I have bought several copies over the years when I lost my original through various moves, even when it was out of print and hard to find. Yes, it is that good.
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2 of 3 people found the following review helpful By David Chirko on March 12, 2007
Format: Paperback
Arthur Koestler (1905-1983) was a Hungarian born polymath (whose many fields of expertise included penning novels, political commentary, parapsychology and anthropology), who studied science and psychology, without graduating, at the University of Vienna; spending his final years in England.

Koestler's 751 page masterwork from 1964, "The Act of Creation," is, as its subtitle proclaims, a study of the conscious and unconscious in science and art. It is divided into two books: the first, covering discovery in art, is comprised of three major sections, entailing discussions on humour, the pursuit of truth and its application to ideas, and the arts--further divided into segments on emotions, verbal acuity and visual creativity. The second book covers the originality of habits, i.e., skills, instinct, perception, memory, learning and thinking.

The foreword to this volume was written by the renowned British educational psychologist, Sir Cyril Lodowic Burt (the man that inspired the formation of Mensa), who says the results of a creative genius were traditionally viewed quantitatively: "...his...achievements...the...concurrence...partly innate and partly environmental...developed to an exceptional degree." Viewed more qualitatively, he says that such creative persons have a "...basic idea or conception...embodied in concrete and articulate form...the outcome...new...a useful novelty." Further, he speaks of Koestler's "actualization of surplus potentials," wherein original behaviour stems from an exceptional revelation. He extols Koestler's qualifications because of his rapprochement with physicists and neurologists.
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64 of 66 people found the following review helpful By Rafe Champion on August 5, 2002
Format: Paperback
This is the first of Koestler's big three serious science books. The second is "The Sleepwalkes", on the contribution of Copernicus, Kepler and Galileo. The third is "The Ghost in the Machine", which contains a critique of behaviorist psychology and Koestler's theory to account for the apparent self-destructiveness of human nature.
"The Act of Creation" offers a theory to account for the "Ah Ha" reaction of scientific discovery, the "Ha Ha" reaction to jokes and the "Ah" reaction of mystical or religious insight. In each case the result is produced by a "bisociation of matrices" or the intersection of lines of thought which brings together hitherto unconnected ideas and fuses them into a creative synthesis. When the lines of thought are scientic the result is a scientific discovery, when they are concerned with devotional matters the result is mystical insight and when they are on a more homely plane the result can be a joke.
The model is fleshed out with a great deal of information ranging from the religions of the world to a theory about the nervous system to account for the build-up of tension and its discharge at the puchline of a joke. Peter Medawar's review was scathing in his comments on Koestler's science, which is a shame because the book can have the desirable effect of encouraging young scientists to read far beyond the usual range of their literature.
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