From Publishers Weekly
In his latest satiric bid for immortality (after The Neil Pollack Anthology of American Literature: The Collected Writings of Neal Pollack), humorist Pollack details the life of a famed rock critic named, predictably, Neal Pollack, and takes swipes at scores of legends along the way. Styled as a series of interviews by rival rock critic Paul St. Pierre, conducted after Pollack's untimely death, the novel charts the history of Neal, born Norbert Pollackovitz in 1941 Memphis, Tenn. Norbert's love for music is evident early on, and soon he and neighborhood pal Elvis Presley are making noise in town. When Elvis accidentally backs over Norbert's father with a truck, Norbert is on his own and is christened Neal Pollack by his pals; he soon flees town to discover the world. St. Pierre's progress in examining the life of the "grizzled monster" is slow until he visits Bob Dylan in Woodstock, N.Y. As Dylan tells it, he met Pollack in 1961, at Woody Guthrie's bedside. The incorrigible Pollack goes on to steal Joan Baez away from Dylan and then moves to Liverpool to become a star rock critic. By the mid-'70s, Pollack returns to Manhattan; Johnny Rotten, Iggy Pop, David Bowie and, later, Kurt Cobain make cameos. Saturated with original song lyrics and pop-up appearances by rock music's greatest legends, Pollack's novel has a swinging appeal. Not everyone will want to tune in for the author's manic tongue-in-cheek self-canonization-his kitchen-sink approach sometimes makes for garbled reading-but Spinal Tap fans and groupies everywhere will be delighted.
Copyright 2003 Reed Business Information, Inc.
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From Booklist
Billed as "a rock-'n'-roll novel"--"rock-'n'-roll-
critic novel" is probably more accurate--Pollack's foray into fiction isn't that much of a leap from his fictitious essays written by his alter ego, the "Greatest Living American Writer," Neal Pollack (
The Neal Pollack Anthology of American Literature, 2002). In his first novel, he tells the story of a late, great rock critic also named Neal Pollack. Pollack, the character, was a self-destructive, prescient, loose cannon of a critic (not unlike Lester Bangs) who was discovered by Sam Phillips in 1951, several years before he discovered Elvis Presley. In fact, Pollack was instrumental in getting Elvis to Sun studios for his first recordings (later he wrote about Elvis in 'zines) and, it turns out, in launching the careers of Dylan, the Stones, Iggy Pop, and Kurt Cobain. Iconoclastic, sometimes hilarious, and always mean-spirited, Pollack (the novelist) spares no one in his satirical jeremiad aimed at popular music and the critics who take it so seriously.
Benjamin SegedinCopyright © American Library Association. All rights reserved
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