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MPAA: Rated PG-13 for intense sequences of horror and terror/violence, and some partial nudity.
Production Company: Screen Gems, Ghost House Pictures, Senator International, Pacific Renaissance Pictures Ltd.
USA Box Office: $
46 Million
Filming Locations: Auckland Central Business District, Auckland, New Zealand | Auckland, New Zealand | Dyke Road, Karaka, Auckland, New Zealand | Florence Court, Omana Avenue, Epsom, Auckland, New Zealand | Henderson Valley Studios, Hickory Avenue, Henderson, Auckland, New Zealand | Henderson, Auckland, New Zealand | Mercer Bridge, Waikato River, Waikato, New Zealand | New Zealand | Pokeno, Waikato, New Zealand | Savannah, Georgia, USA | Albert Park, Princes Street, Auckland Central Business District, Auckland, New Zealand
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If there's one trend in horror movies that really needs to go away it's the Loud Sudden Noise, aka the "SHREEENK!"
I mean that overamplified, more-annoying-than-scary racket that jumps from the speakers during a thriller whenever anything mildly startling happens. It usually sounds like a cello being sliced in two by a guillotine and it's a sure sign that a movie doesn't have any honest scares.
You know the drill:
The hero cautiously backs into a dark room and bumps into - SHREEENK! - a coat rack.
The heroine closes a medicine cabinet and in the mirror - SHREEENK! - sees the ghost of her great-aunt.
Few recent horror flicks have relied as heavily on the "SHREEENK!" as "Boogeyman," which is often atmospheric but mostly silly and boring.
Following a childhood run-in with the title character, magazine editor Tim (Barry Watson) is left with a crippling fear of closets and other dark storage spaces. He's a mess. At 23, he still stops in for treatment at the kid's ward of his neighborhood psychiatric hospital.
"Look around you," his doctor finally tells him. "There are only children here."
I fear that scene isn't nearly as moving as the writers intended, but it sets the tone because Tim spends most of the movie walking around his dark old house wigging out - in fact, a good 60 percent of the film's running time is devoted to scenes in which he approaches sinister-looking doors/staircases/barns really... really... really... slowly (just before the "SHREEENK!").
The rest of the movie involves Tim doubting his sanity and awkwardly courting his childhood sweetheart (Emily Deschanel, who isn't given much to do but still manages to be the best thing in the movie). Eventually, they battle the fabled Boogie Man, and I could be wrong but I'm pretty sure their conflict ends as the result of a complete lack of ideas.
This is one "Boogeyman" that won't keep many viewers awake. That task falls to the "SHREEENK!"
You know what would have made "Boogeyman" scarier? Just about anything! Truly nothing happens in this movie after the first five minutes. The lead guy walks around teary-eyed and looking mysterious at half opened doors or ceiling tiles......and then.....nothing. Don't waste your time with this thing, if you want something that sets a pretty good eerie mood, get "Fear of the Dark" instead. It's shot on almost no budget, with no stars of any kind, but at least "Fear of the Dark" gives the viewer some kind of pay-off, and packs at least a minimal fright factor.
Boogeyman could have been a very scary film except that the director and producer wanted that all-important PG13 rating. This is killing the horror movie as an art form; Boogeyman is a clear case of shocks traded in for an imaginary audience who likes bloodless horror movies (like "The Ring").
This movie sets up an interesting story, then does almost nothing with it. And the "surprise twist" in the film was a surprise only to the 5 year olds in the audience taken to this film by their baby-sitterless parents.
I miss the old "Hellraiser" days when horror films strived for an "R" rating and wore it as a badge of honor. I hope Hollywood will start making films like that again.