"Pieces of April" was written and directed by Peter Hedges. It's a wonderful examination of family and an engaging portrait of these individuals who are so disparate in personality yet linked to one another by hope and tradition. And "Pieces of April" is an testament to the opportunities modern technologies provide to filmmakers with few resources. The film was shot in 16 days on digital video for $300,000. And, incredibly, the only glaring evidence of these limitations is the absence of wide-angle shots. Director Peter Hedges didn't use wide shots because they are problematic on DV. The result is that occasionally our field of view seems unnaturally truncated, but not enough to detract from the quality of the film.

I was a little surprised to learn that great thespians Patricia Clarkson and Oliver Platt and a young star like Katie Holmes would agree to such a low-budget production, but I imagine this fantastic script captured their interest. Peter Hedges' dialogue is crisp and forceful, and his characterizations are interesting and so genuine that these people might be your neighbors. Great actors, a great script, and resourceful direction can apparently create a terrific film with very little else. There is little I can say about Patricia Clarkson's performance except that she is brilliant as always. April's mother, Joy, is hypercritical, blunt, but a font of emotional strength, and no one could play this memorable character better. Oliver Platt departs from the quirky characters for which he is famous to play Jim, Joy's even-tempered tolerant husband. The supporting cast is large and perfect without exception: Alison Pill, who plays April's teenaged sister Beth, is destined to be a great character actress. Derek Luke, of "Antwone Fisher" fame, this time plays a man who is confident and comfortable with himself. All of April's neighbors are portrayed vividly, but especially memorable are Isiah Whitlock, Jr. and Lillias White as Eugene & Evette and Sean Hayes as nutty neighbor Wayne.

"Pieces of April" is an engaging, ultimately optimistic, family drama that is somehow both idiosyncratic and universally true. Great performances. Great script. This is the best Thanksgiving movie I've seen. I can't recommend it more highly.

The DVD: There are 2 unavoidable previews. Both widescreen and full screen formats are on the same disc! Bonus features include a "making of " documentary entitled "All the Pieces Together", an audio commentary by writer/director Peter Hedges, and a theatrical trailer. The documentary includes interviews with the film's cast and Peter Hedges, in which he discusses the film's genesis. Hedges also does a nice audio commentary in which he talks about the film's themes, story, and technical stuff. If you really like the film, the extras are worth watching. Hedges' commentary may be of particular interest to aspiring filmmakers seeking insight into how to get the most out of a small budget. At the very least it is inspiring on that level.

April Burns (Katie Holmes) lives in a New York City apartment with her boyfriend Bobby (Derek Luke), and the film opens as the two begin to prepare Thanksgiving dinner for the rest of April's family, which is driving in from out of town for the ordeal.

Joy Burns (Patricia Clarkson) is dying of the metastatic cancer that has already cost her both her breasts, a surgical transformation suitably documented in the family photo album. She expects this Thanksgiving to be a disaster since daughter April was a more into drugs than Home Ec. Indeed, to say she and April are estranged is an understatement. But husband Jim (Oliver Platt) persuades her, so off they go in the station wagon with their other children, daughter Beth (Alison Pill) and son Timmy (John Gallagher), and Joy's senile mother Dottie (Alice Drummond) for what may well be Joy's last Thanksgiving.

In the meantime, as Bobby goes out on a mysterious errand, April is faced with a non-functional oven, which forces her to desperately beg the other tenants in the building for the necessary range time to cook the traditional bird. Time is running short, and the rest of the clan is getting closer despite frequent stops for Joy to vomit from the nausea induced by her chemotherapy. And it also appears that the family doesn't know that April lives in a decrepit tenement in a graffiti-decorated slum, nor that Bobby is Black. The Burns festive occasion promises to make your dysfunctional Turkey Day look like a Martha Stewart showcase event in comparison.

Clarkson was deservedly nominated for, but didn't receive, an Oscar for this performance in a supporting role. She's more the "star" of PIECES OF APRIL than the ostensible lead, Holmes. The Bobby, Beth and Timmy characters are almost an unnecessary distraction. More interesting are April's neighbors which give her help, or not, especially the very strange Wayne (Sean Hayes) and the middle-age Afro-American couple, Evette (Lillias White) and Eugene (Isiah Whitlock). There's an especially good scene involving Evette's initial reaction to April when the latter first appears seeking help for her culinary crisis.

The movie's abrupt conclusion after eighty-one minutes leaves much to be desired. One wonders if the scriptwriter ran out of ideas or the producers out of money. But there's still enough there to make the film more than worth the cost of the rental. And, next Thanksgiving with the relatives, perhaps you won't take those mashed potatoes for granted.

But at some point about halfway through the film, I really started enjoying the film. Sure, it still looked bad, but I started enjoying getting to know the characters, I began to find the humor more and more biting, and I started to want her family to be pleasantly surprised at April's almost heroic efforts to create perhaps the last good day they would all have as a family. I was also enjoying some of the quirky neighbors we meet, including a very helpful middle-aged African American couple living below her, and a bizarre upstairs neighbor with a nice, new stove (played by Sean Hayes of WILL AND GRACE). Things both at April's apartment, with her boyfriend (who unhappily runs into her drug dealer ex-boyfriend just before the dinner starts), and inside the car get worse and worse until everything apparently collapses. And then, perhaps a bit too neatly, everything is put back together again. But just like the characters in the film, we in the end want everything to be nice and pleasant, and it isn't at all hard acceding to that inclination.

I liked the cast a great deal. Oliver Platt (he and NOT Will Ferrell should be starring in A CONFEDERACY OF DUNCES!) is as excellent as always, and Patricia Clarkson is outstanding as April's dying and acerbic mother. She is especially funny in the scene where she smokes dope (to counteract the effects of the chemo) and seems to rewind to her youth in the car. Katie Holmes is made to be as unlovely as it is possible to make her, but she still possesses enough wounded charm to make us root for her making her dinner a success. Indeed, her ongoing struggles both against fate and against her own culinary ineptness renders her as quite the heroine by the end of the film.

This film isn't for everyone. It is a bit bleak, and it isn't the prettiest film in the world to look at, and fans of DAWSON'S CREEK might want to see a prettier Katie Holmes, but if one can get past all this, one just might discover that this is a funny, inspiring, and moving film.