Although goofy behavior had been Carrey's trademark since his "In Living Color" days (remember Fire Marshal Bill?), "The Cable Guy" was the first movie in which his madcap antics hinted at something dark beneath the surface. Indeed, by playing such a twisted character, Carrey was finally able to let loose and reveal the full range of his comedic gifts (aren't bad guys always more fun?). In contrast to the likes of "Ace Ventura" and "Dumb And Dumber," which were basically just live-action cartoons (albeit amusing ones), "The Cable Guy" provides Carrey with a creepy, unsettling vehicle where he gets to show some real malevolence. When Carrey plays basketball prison-style while Filter's "Hey Man Nice Shot" plays in the background, it's both hilarious and disturbing at the same time. And even when Carrey hams it up, as when he does a vibrato-heavy rendition of Jefferson Airplane's "Somebody To Love" while a group of freaky friends dances around him, there's an undercurrent of the surreal.

In an equally dramatic departure from Carrey's norm, "The Cable Guy" even had a message mixed in with all its weirdness. It turns out Carrey's nameless cable installer, who gets his pseudonyms from old TV shows, was left by his mother to be raised by the TV, and has attachment issues stemming from his inability to relate to others. The plot is set against the backdrop of a former child star's trial for killing his twin brother, and director Ben Stiller (who also plays the murderous brother) takes several opportunities for pointed satire of our TV-addled culture. It's not until the end that the subject is addressed at length, but the pernicious effects of TV are a prominent theme of the movie. When the cable guy laments in his closing monologue that he learned about the facts of life from watching "The Facts Of Life," it's strangely poignant.

And how about a hand for Matthew Broderick as Steven Kovacs, the unfortunate object of Carrey's fixation? It's hard to believe this guy almost faded into obscurity in the five years or so after "Ferris Bueller's Day Off." If not for his classic turn in "Election," I'd say Steven was the role Broderick was born to play. At first Steven just regards the cable guy as a nuisance, but his annoyance over his new friend's increasingly creepy behavior grows as the film wears on until it turns to outright fear and desperation, and Broderick captures it perfectly. Few, if any actors, make a better hapless guy than Broderick, which is especially ironic given that he became a star playing the uber-cool Ferris Bueller.

Watching this movie, it's hard to believe it was such a letdown at the box office. I firmly believe entertainers should be rewarded for taking risks, but apparently Carrey's fans weren't quite ready for him to play such a troubled character in such a dark movie. That's too bad, because those who haven't seen this movie are really missing out. "The Cable Guy" doesn't go down as easy as Carrey's other comedies, but it's a lot more rewarding in the end.