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Stop-Loss 2008 R CC

(104) IMDb 6.5/10
Watch Trailer

Back home in Texas after fighting in Iraq, a soldier refuses to return to battle despite the government mandate requiring him to do so.

Ryan Phillippe, Joseph Gordon-Levitt
1 hour, 52 minutes

Available to watch on supported devices.

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Product Details

Genres Military & War, Drama
Director Kimberly Peirce
Starring Ryan Phillippe, Joseph Gordon-Levitt
Supporting actors Rob Brown, Channing Tatum, Victor Rasuk, Quay Terry, Matthew Scott Wilcox, Connett Brewer, Timothy Olyphant, Josef Sommer, Linda Emond, Ciarán Hinds, Mamie Gummer, Abbie Cornish, Alex Frost, Chandra Washington, Cora Cardona, Isreal Saldivar, David Kroll, Marie Mizener
Studio Paramount
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 48 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Video (streaming online video and digital download)

Customer Reviews

Most Helpful Customer Reviews

61 of 79 people found the following review helpful By Shawn on July 8, 2008
Format: DVD
I am not a professional critic of any sort by any means, but after watching the movie and reading some of these reviews, I will say that my review is as professional and "accurate" as it gets. I am a Soldier amongst thousands, who has experienced these parts, as 'acted' out in the film, in reality, and what you see and experience in the film are not so and are far fetch. From the most ridiculous setup of a hasty checkpoint to the suicidal pursuit of the insurgents upon their attack (into an easily predicted ambush in a random small alley, at that) in the opening scenes. The Soldiers are equipped with ISR's (internal squad radios), and yet they yell at each other in an insurgent infested building when one Soldier is wounded...Then you have the main character (SSG King) who gets "individually" stop-lossed on his very last day of clearing, only to report, with another unit, back to Iraq... In the midst of this, the movie portrays that just about every Soldier who has just returned home, to include SSG King, as having the worse PTSD (Post Traumatic Stress Disorder) possible, leading to one fellow Soldier's suicide. Due to this PTSD, King, at one point in the movie, notices his car has been broken into and items have been stolen; at which point, he so very easily locates the perpetrators in a nearby alley (3 that I recall, armed with a handgun) and has a severe flashback of Iraq leading him to defeat these 3 thieves. Also, once King has been informed of this stop-loss, he reports directly to his LTC, superseding an unseen and unknown NCO support channel and Chain of Command. It's all bogus.

There were many things that were Very inaccurate in this movie and I think it is the wrong way to go about Honoring America's Military. Stop-loss is real.
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11 of 14 people found the following review helpful By Westley VINE VOICE on December 7, 2008
Format: DVD
Ryan Phillippe is Staff Sergeant Brandon King, the leader of a battalion fighting in a small town in Iraq. One day, the battalion is attacked by some Iraqis in a taxicab, and King and his men chase after the culprits. The chase ends in an alleyway, where they pursue on foot. Unfortunately, they are ambushed and several of King's men are killed. We then flash forward to King and some of his pals going back home to Texas for leave. Some of them, including King, will be released, and they talk about their plans....and get drunk and fight and play with guns. These men don't seem very stable, although some of it may be related to the flashbacks they have to the atrocities in Iraq. Their leave draws to a close, and King goes back to base for one final check-in, anticipating that he will soon be a civilian. However, when he tries to check-out, he's informed by a random bureaucrat that he has to go back to Iraq - he's been stop-lossed. King is outraged, punches out a few soldiers, and hightails it home. The rest of the movie progresses from there.

"Stop-Loss" starts off very strong and builds some nice characterizations, but really takes a chance by having the protagonist take on a less than heroic stance. I suspect that some people cheered his actions; after all, the Iraq war is very unpopular and seen as unjust by many people. However, it was never clear to me why King was so upset about his stop-loss. Was he afraid of getting killed (he mentioned this a few times), was he suffering from PTSD and needed help (perhaps), or was he just mad that he wasn't informed earlier (seems so)? With such murky intentions, the character comes off as unlikeable and petulant at times.
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15 of 20 people found the following review helpful By MICHAEL ACUNA on March 29, 2008
Director Kimberly Peirce's last film was the revolutionary, emotionally-charged and truthful "Boy's Don't Cry" with the galvanizing performance of Hilary Swank. That was over 8 years ago and now she has returned with the Iraq War drama, `Stop-Loss" starring a coterie of edgy, hot young actors.
Oddly enough, I think that almost all of the Iraq War based dramas like the recent "Rendition" have been failures at the box office which leads me to wonder, why?
Perhaps, since it is literally happening now, it is too current: the wounds are opening daily with no healing in sight. At the very least, We as Americans are conflicted about our involvement in Iraq.
Peirce has chosen to use the Iraq War as a background onto which she bases her drama with Universal themes of: Where do I fit in? Where do I belong? Do I belong?
Working here with co-writer Mark Richard, Peirce has found a subject in the way the war in Iraq is tearing apart many of its soldiers, in combat and when they return home. This is a wrenching story of men at arms who cannot find peace outside the military circle, who return to civilian life on the horrific edge of violence and despair. This point of view is of course not new, going back at least as far as William Wyler's "The Best Year's of Our Lives" and Michael Cimino's "The Deer Hunter." War is Hell: this we all know and can empathize with but the aftermath, the coming home, the re-adjusting to Life after War is worse.
Several actors shine here: primarily the Brandon King of Ryan Phillipe (whose stop-loss forced re-enlistment forms the backbone of this film) and the Michele of Abbie Cornish who basically steals the film from under all her hot shot male cast members with her persuasive, thoughtful and totally believable performance.
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