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Bullitt 1968 PG CC

Steve McQueen is a San Francisco cop assigned to guard a star witness who soon ends up dead.

Starring:
Steve McQueen, Robert Vaughn
Runtime:
1 hour, 53 minutes

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Product Details

Genres Drama, Mystery
Director Peter Yates
Starring Steve McQueen, Robert Vaughn
Supporting actors Jacqueline Bisset, Don Gordon, Robert Duvall, Simon Oakland, Norman Fell, Georg Stanford Brown, Carl Reindel, Felice Orlandi, Vic Tayback, Justin Tarr
Studio Warner Bros.
MPAA rating PG (Parental Guidance Suggested)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Video (streaming online video and digital download)

Customer Reviews

Top Customer Reviews

Format: DVD
Arguably the best crime film of 1968, and certainly one of the most influential films of the genre...."Bullitt" established new directions in the mood and style of crime thrillers, and firmly established McQueen as one of the key anti-hero stars of the 60's. Based on the gritty novel "Mute Witness" by Robert L. Pike, this was the first, and only, time McQueen portrayed a police officer (albeit a maverick one) in his movie career. In 1968 Steve was then riding high on the success of his previous heist film, "The Thomas Crown Affair", and "Bullitt" just propelled his star even higher into the cinematic heavens !

The plot is tight, economical and well crafted....taciturn, moody Detective Frank Bullitt (McQueen) is charged with the protection of a key witness vital to an upcoming trial involving Mafia connections. Whilst hidden away in a supposed secure location, the witness and his police guard are brutally gunned down by unknown assailants. The heat is turned up on Bullitt by his tough Captain (Simon Oakland) and the manipulative, opportunistic politician Walter Chalmers (Robert Vaughn) to come up with the right answers fast ! Between the draining investigation, Bullitt struggles to maintain his relationship with his cultured, sensitive girlfriend, Cathy (Jacqueline Bisset)

Primarily coming from a TV series background, Englishman Peter Yates (directing his fourth movie) did a commendable job as director on "Bullitt"...producing a complex, intense crime thriller with a unique style that would ultimately influence many other films. Yates would later to go onto direct tough guy Robert Mitchum in the excellent 1973 "sleeper" crime film "The Friends of Eddie Coyle" !
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Format: VHS Tape
Few people who see this movie for the first time understand the profound impact it had when it came out. While modern day crime dramas are filled with gratuitous, numbing violence, the reality of this movie was a real breakthrough. The famous car chase may be the thiing that brings people back to "Bullitt" but the gritty realism is what makes this a classic. The only movie of that time which matched it for realism may have been "The Detectives". This movie really changed filmmaking. When I saw this movie in 1968, five people fainted in the theatre during the scene where the killers broke into the hotel room to murder the potential witness. There is also the fine performance of Robert Vaughn as a politician whose murdered star witness was his mealticket. Vaughn is noted as the consummate Hollywood liberal, and his portrayal of this self-serving scumbag is perfect.
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Format: DVD
I have read GQ and other men's fashion magazines for the last 20 years. No single person is mentioned as a men's style icon more often than Steve McQueen, and this movie defines his style most clearly. What I think that is not often understood, is why his style is so beloved. It is minimalist, yes, but also, this is someone not playing the middle class America game.

1) He lives in a small apartment. The furniture is ordinary, with a few hip 60's touches. (Watch for the picture over his bed, his paisley bathrobe, the cool paper hanging lampshade, and a couple of hippie style items on the walls). You get the impression he owns about six pairs of clothes at most. He eats cheap frozen dinners (except for the occasional date at the cool San Fran Restaurant). He is not wasting this time and life keeping up with the Jones's.

2.) He is not climbing the career ladder. On this case, he doesn't give a thought to politics. He is not chasing the American ideal of success.

3.) Look closely and you will see his car, the most famous in any movie ever, is a olive drab color. Not candy apple bright red. It is a Mustang, a symbol of blue collar America. It is dusty, and he parks it in the street, not a garage. He does not inspect it for door dings every time he goes out to it. It has dents in it. You get the impression he doesn't spend his free time polishing and waxing it.

4.) He doesn't spend his time chasing money. He spends it on his job, trying to do what he thinks is right, not what is good for office politics and promotion.

5.) His clothes are 60's pre-hippie fashion perfection (look for the extremely tapered legs, the suede loafers, and of course the famous tweed blazer and blue turtleneck).
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10 Comments 156 of 181 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: DVD
The car chase in Bullitt may seem a bit less impressive than it once did because filmmakers have been trying to top it for the best part of four decades. More of a cat-and-mouse game than a demolition derby, its overshadowed by the film's other action setpieces - a murder in a safe house, a tense chase in a hospital and a great airport finale that Michael Mann ripped off wholesale in Heat. A beautifully constructed star vehicle for Steve McQueen at his best, it's pretty much the prototype for every Hollywood cop movie that followed, but benefits from good casting (Robert Vaughn, Jacqueline Bisset, Don Gordon, Simon Oakland, Robert Duvall), better characterisation than the norm and a low key approach from director Peter Yates that makes the highs seem a lot more effective than they should. The plot's not bad either, with Lalo Schifrin contributing a cool score and Pablo Ferra a terrific main title sequence.

The 2-disc set certainly boasts an improved transfer over the original single-disc release, but aside from Yates audio commentary, a vintage making of featurette and the trailer, the extras aren't that film specific - a good feature-length documentary on film editing and another on McQueen.
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