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7 of 8 people found the following review helpful:
5.0 out of 5 stars
A triumph for Covent Garden..., November 22, 2009
This review is from: Purcell - Dido and Aeneas (Royal Opera House) (DVD)
Although I wanted to see Sarah Connolly again after her searing portrayal of Giulio Cesare at Glyndebourne, I really bought this DVD to see baritone hunk Lucas Meacham as Aeneas. He and Mariusz Kwiecien currently share the world's stages as the hottest Don Giovannis, and, with his luminous blue eyes and seductive, lyric baritone, Lucas creates an Aeneas worthy of suicide.
But, this is really Sarah's show, in which she delivers an exquisitely crafted Dido, complete with puffy eyes to emphasize her turmoil. Her final aria "When I am laid in earth" is a thing of uncommon beauty, not only because of the tasteful and welcome ornamentation, but because of a phenomenal commitment to text. There is not one moment throughout her entire performance in the opera that doesn't display the ultimate in poise, talent and concentration.
With the exception of the chief sorceress, the other roles are ideally cast. Belinda (Lucy Crowe) is young, blonde and beautiful, and has a voice to match. The two witches are bound here as siamese twins and bring a bit of humor to the proceedings. So integral and expressive is the chorus that you welcome its every appearance.
The hidden treasure of this production, though, is the dancing. Director Wayne McGregor provides some powerful choreography that bridges the scene changes, comments on the action, and at times just takes your breath away. Members of the Royal Ballet provide the stage with visual electricity, elevating the dramatic experience to a whole new level.
The photos on the DVD box show a minimalist production that makes use of strange, colorless costumes, wide, empty spaces, and drab sets. But, don't be put off by those...what may seem sparing visually actually serves the opera's origins as a modest chamber work. Some color does find its way through, eventually.
Christopher Hogwood and the OAE not only provide ideal accompaniment, but set the tenor for unbridled success.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Dido and Aeneas, February 28, 2010
This review is from: Purcell - Dido and Aeneas (Royal Opera House) (DVD)
Director and choreographer Wayne McGregor has a very interesting take on this classic Greek story. The story of "Dido and Aeneas" runs the range of emotions: from hesitant and happy to vengeful and desperate. If for some reason Henry Purcell's musical drama is unable to transport you through these feelings, The Royal Ballet provides a visual interpretation that I found very effective. The dances seem more modern than classical ballet, which appealed to me. During "Oft she visits this lone mountain" the dancers are almost doing sign language for a very literal presentation. While on the visual side of things, I must comment on the technical production and staging. The costumes and lighting are very pleasant. I enjoy the color palette used as it allows the colorful emotions to shine through without a distracting light show or costumes. The single spotlights are used sparingly and tastefully each time. The way McGregor chose to stage the chorus was also nice. Too often opera choruses can be staged in a way that pulls attention from the leads. In this case he really sticks to the Greek tragedian way of presenting the chorus. Chorus Master, Stephen Westrop, does a lovely job directing the chorus. The vocal nuance and dynamics are well approached. Lucy Crowe, as Belinda, does a beautiful job on all of the agile passes. At times her dramatic interpretation is a bit campy, but fortunately, that is not the case throughout. Sarah Connolly, as Dido, has such a substantial voice. Her rich and creamy sound is exactly what I want to remember as the piece comes to a close. Overall, the piece is very fluid and well presented.
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3.0 out of 5 stars
Odd dancing dooms this version, April 25, 2010
This review is from: Purcell - Dido and Aeneas (Royal Opera House) (DVD)
I have the greatest respect for Christopher Hogwood and the talented Ms. Connolly (her rendition of "When I'm laid in earth" is marvellous), but the dancing in this version simply ruined it for me. The dancers move in awkward ways and are dressed like they are in the gym. While watching them perform, I couldn't stop thinking of Olivia Newton John and her music video "Physical". Come on! What's wrong with being faithful to the composer and his time? An additional drawback, already pointed out by another reviewer, is the minimalist setting. I should add that, since this seems to be performed on period instruments, I really had to crank up the volume of my home theater system in order to hear the music.
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