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Da Vinci's Ghost: Genius, Obsession, and How Leonardo Created the World in His Own Image Kindle Edition

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Length: 320 pages Enhanced Typesetting: Enabled
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Product Details

  • File Size: 24990 KB
  • Print Length: 320 pages
  • Publisher: Free Press (February 7, 2012)
  • Publication Date: February 7, 2012
  • Sold by: Amazon Digital Services, Inc.
  • Language: English
  • ASIN: B005FLOEJC
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  • Enhanced Typesetting: Enabled
  • Amazon Best Sellers Rank: #448,445 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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102 of 106 people found the following review helpful By las cosas on February 7, 2012
Format: Kindle Edition
Little is known about Leonardo Da Vinci's drawing known as Vitruvian Man (drawing of naked man, limbs spread, square in a circle...you know). The author argues that it is possibly the most recognized drawing in existence, but it lives within a folder locked away in Venice, and little is known about its history. Seldom seen, little understood, yet an immediately recognizable iconic reference to the Italian Renaissance and its humanist ideals. Lester sets for himself a difficult double quest, and I believe he has fulfilled each fairly well.

This quest is to explain the importance of Vitruvian Man by placing it in historical prospective, and also explaining how it fits into the life of Leonardo. There are three main hurdles the author must overcome in order to succeed in this quest.

The first hurdle is that the author attempts to tell a complex story in a very, very short book: 225 pages plus another 70 pages of notes, index, etc. The second is that it assumes that the reader knows no European history, and thus absolutely anything he wants to include of historical significance, he must explain. Medieval Europe, guilds, Augustus, Hildegarde of Bingen. Long list of fairly basic historical facts needing definitions, not much space in which to accomplish this. Third hurdle, we know almost nothing of Leonardo's life outside what he left in his notebooks. This requires a seemingly endless number of 'it is probable that' 'the odds are good that'...
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15 of 18 people found the following review helpful By Alan Cantor on February 12, 2012
Format: Hardcover
A gem of a book! Lester takes strands from history, theology, art, science, architecture, and medicine and weaves a tapestry that had me turning the pages. I enjoyed every word and illustration. And Lester creates a memorable - and economical - portrait of Leonardo and his times.

I loved The Fourth Part of the World: An Astonishing Epic of Global Discovery, Imperial Ambition, and the Birth of America, and now I loved Da Vinci's Ghost: both books will really stick with me.

I can't wait so see what Lester does next. I rank him with Charles Mann, Adam Hochschild, and John M. Barry on my list of brilliant and thought-provoking nonfiction writers and thinkers.
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Format: Hardcover
I cannot recall another book in recent years that I enjoyed reading more than I did Toby Lester's account of how "Leonardo created the world in his own image." In fact, I have twice re-read it before sharing my thoughts about it. The question that serves as this review's title was posed by Lester and he then set about to do what no one had done before. "On the surface, the story seems straightforward enough. Writing at the dawn of the Roman imperial age, Vitruvius proposed that a man be made to fit inside a circle and a square, and some fifteen hundred years later Leonardo gave that idea memorable visual form. But there's much more to the story than that." Indeed, with the skills of a storyteller and the relentless curiosity of a cultural anthropologist as well as the erudition of an art historian, Lester enables his reader to return in time to an age and an era unlike any other before or since: the Italian Renaissance and its human fulfillment, Leonardo di ser Piero da Vinci (1452-1519). Lester's narrative is developed on two separate but related levels: a sequence of events from ancient Rome until Leonardo's time, and, key developments in Leonardo's life and work, including one drawing (more about it later).

With regard to the meaning and significance of this book's title, consider these observations with which Lester concludes the book: "Brought into being more than a millennium ago and born of concepts far older still the picture [i.e. Leonardo's drawing of Vitruvian Man] contains whole lost worlds of information, ideas, stories, and patterns of thought. But look the subject directly in the eye, and you'll also see Leonardo da Vinci, staring out at you from the page.
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8 of 10 people found the following review helpful By Dianne Hales on February 12, 2012
Format: Hardcover Verified Purchase
With rigorous research, inspired insight and graceful writing, Toby Lester brings to light--and life--an unexplored dimension of Leonardo's genius. A tour de force for lovers of art, science, history, Italy and great story-telling. Yes, the plates add much to the text, and I highly recommend the paper rather than the digital edition. I find myself going back and savoring them again and again.

La Bella Lingua: My Love Affair with Italian, the World's Most Enchanting Language
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Format: Hardcover
****
"He from whom nothing is hidden created me, and I have all measure in me, both of what is heavenly above and what is earthly and infernal. And who understands himself understands much." --Plate 7 Caption

It was a hot summer day, as I approached Castello Sforzesco, a 15th century castle that served as a residence for Milan's ducal family. The curators of Michelangelo's art collection and Leonardo DaVinci*'s Codex are located in a majestic contoured garden, not far from La Scala, Milan's center. I was taken by the artistic posters of the Vetruvian man, Da Vinci's ingenious creation, whom the Milanese did not cease, all summer to pay homage to Leonardo's creative genius. The unique Vitruvian design became the substitute icon of the cosmos, in human form. Leonardo's geometric perfection and vivid anatomy, may have opened the scope of his design, to include a metaphysical parameter as well as the mundane dimension. Vitruvian Man provides an integral perspective of the dual makeup of humanity, in a unique visual expression.

The story of Vitruvian Man, in a circle and a square, has become the Renaissance's cultural icon. It celebrates the nature of 'Leonardo's genius', the beauty of the human form, and the character of the human spirit. Leonardo did not summon Vitruvian Man out of the blue, he was meditating on the universal concept, that the human body could be fitted in a circle's circumference, the mystical symbol of eternity, and a square that represented the four material elements of earthly life. It was prescribed by a Roman architect, Vitruvius who implied that the human body was a microcosm, an idea that fascinated Europeans the religious and astronomers for centuries, and Leonardo got hooked to it in an intellectual trap.
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