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The Claim 2000 R CC

3.4 out of 5 stars (72) IMDb 6.5/10

A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector (Peter Mullan) is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor (Wes Bentley) and his crew scouts the town as a location for a new railroad line and a young woman (Sarah Polley) suddenly appears in the town and is evidently the man's daughter.

Starring:
Peter Mullan, Milla Jovovich
Runtime:
2 hours, 1 minute

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Product Details

Genres Drama, Western, Romance
Director Michael Winterbottom
Starring Peter Mullan, Milla Jovovich
Supporting actors Wes Bentley, Nastassja Kinski, Sarah Polley, Shirley Henderson, Julian Richings, Sean McGinley, Randy Birch, Tom McCamus, Frank Zotter, Artur Ciastkowski, Barry Ward, Karolina Muller, David LeReaney, Valerie Planche, Grant Linneberg, Jimmy Herman, Marie Brassard, Phillipa Peak
Studio MGM
MPAA rating R (Restricted)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Video (streaming online video and digital download)

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Customer Reviews

Top Customer Reviews

By G P Padillo VINE VOICE on November 9, 2004
Format: DVD
One of the most remarkable adaptations of a literary work I've seen. Frank Cottrell Boyce completely changes Thomas Hardy's classic The Mayor of Casterbridge - and actually betters it lifting it from its original setting and tailoring it into a tale of the American West during the Gold Rush. Some of Hardy's holes hold (predictable) difficulty for many modern readers, but Boyce's western retelling fills them in and lends strong plausibility. (There's a tad too much "faint, fall ill and die" for me in the Hardy original). Some have complained that Boyce went too far - but this is a movie "based" on the book not claiming to be a faithful retelling.

Director Michael Winterbottom proves to have an enormous eye emerging in bold style at once stylized and natural. He brings us here images that, once seen, burn, linger and haunt forever be it a Victorian mansion hauled across the frozen plains or a horse's immolation as on fire it gallops across the screen.

Winterbottom's cast is a strong one - none remaining as they initially seem, each changing before our eyes. Kinski, first strong and bitter gives one of her most tender heartbreaking performances, Wes Bentley, likeable and promising becomes petty and meddlesome. Milla Jovovich serves up, predictably, hearty and hot, yet more delicate than she would like to appear.

In all of this Peter Mullan's Daniel Dillon is the focus and the fulcrum by which the story hinges. He is never less than masterful. To see him early on nearly ravaged by youthful greed then watch him in age yearn for salvation that may never come or come too late, one cannot help but be riveted by his endeavor to make up by his plight and his attempt to change it.

The Claim is a remarkable film which, while it may take a bit of time to warm up to, burns its own unique reward in a way few modern Hollywood films can.
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Format: DVD
This is the West as I imagine it actually was, rough, unrefined, and brutal. Similar in tone to DAYS OF HEAVEN, another bit of American history, THE CLAIM is told in unsentimental bleak fact; nobody is spared, and there are no real winners except the railroad.

Daniel Dillon arrives in the wilds of Northern California during the gold rush with his wife and infant daughter in hopes of making a fortune in the gold fields. They arrive at a claim shack, cold, hungry, and out of hope and are taken in by the claimer, and in short order, Dillon unsentimentally sells his family to the lonely miner for the claim. The wife, Elena, aware that she has little say, goes with her new master, but does not close the door on Dillon.

Years later, we find that Dillon has made a go of things with his claim; he has built a town called Kingdom Come, wrested out of the mountains virtually by himself, a rough-and-ready place without amenities beyond the ubiquitous saloon and whorehouse to supply the miners. A survey crew appears; negotiations are begun to possibly bring the newly-constructed railroad through Kingdom Come and establish Dillon as the baron he envisions himself to be. The survey crew brings with it, however, a nasty shock for him; his erstwhile wife and now-grown daughter - who is unaware that Dillon is her father. Elena - the wife - is dying; she has come back to make some sort of arrangement with Dillon, as the man she was sold to has died and left her destitute, and she wants to provide for her daughter, the unlikely-named Hope. Dillon, on seeing her, realizes suddenly that his ambitions have left him hollow; his closest association is the madam of the town bordello, who loves him, but who he has no intention of marrying.
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Format: DVD
If, as another reviewer said, you're looking for big blasts, action and a superficial script that has nothing to reveal then get yourself something else. This film is beautiful from start to finish. The acting is superb and contained, not overly dramatic...half of the dialogue is in the character's faces and gestures and not in the words they speak. Sarah Polley's performance as the introverted young girl who lives through the most painful years of her young life is outstanding. Shot in British Columbia (supposed to depict the Sierra Neveda Mountains), the scenes are breathtaking (particularly on a large screen) and cold, very very cold. The story will leave you weeping (at least it did me), and is even more affecting because it is all so understated. Not for those who want happy endings or who can't sit through serious drama. This is acting and cinematography at its best.
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Format: DVD
Quite simply, "The Claim" is the best film I've seen thus far in the young millennium. A dark, Shakespearean tale of retribution, it is in fact a transposition of one of British author Thomas Hardy's greatest novels, "The Mayor of Casterbridge," to the 19th Century American West. It is aimed at literate viewers whose attention span is longer than that of a golden retriever. WARNING: The subtlety and slow pacing of this film render it potentially lethal to anyone who likes auto racing, pro wrassling, and/or "Armageddon"!
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Format: DVD
This is superior film making. The acting is excellent, the setting is meticulously authentic, the story is profound on a Biblical level. Michael Nyman's music is poignant. There is one scene when Milla Jovovich sings a song which alone makes the film worth watching. This is not Clint Eastwood, thank God. It doesn't have a gun fight for twenty minutes through the town with men getting shot and falling into the horses' water troughs. It is not burdened with the overbearing presence of a major star. It wouldn't have worked if there had been someone like that prancing around. If you want that kind of Hollywood Western which even Clint can't get away from still making, then look elsewhere. Go watch "The Unforgiven" again for that stuff. The two movies are very similar in setting, but wow what a difference. Comparing this to Hardy's work too is ridiculous. Why does anyone do that? What in the world does that achieve? This is a movie wholly of itself. Once it starts its ball rolling it has nothing to do with Hardy. American author Frank Norris might be a more fruitful comparison, if anyone, but this movie is a 21st Century production, not a work made before the turn of the 20th Century. Seem to be a lot of people who come to this movie with some kind of prejudice that they then rate it by. Just sit back and watch it and digest it without the large Coke and pre-buttered popcorn. Some may not have the patience for this film. I feel sorry for them. They're missing quality at work which doesn't have an eye on the box office receipts--one of the rare films. This is a movie for the attentive viewer who can read the depth of the story being told--a strong story with personal and historical significance. Think "Oedipus" maybe. This is probably the "truest" "Western" I've ever seen. Five Stars.
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