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e, the incredibly strange history of ecstasy [Paperback]

Tim Pilcher (Author)
3.8 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

April 15, 2008
Disco biscuits, happy pills, doves, wobbly eggs, burgers, X, Adam, e, ecstasy-however you refer to it, MDMA (3,4-Methylenedioxymethamphetamine) has been a life-changing force, for both good and bad, in millions of people’s lives. Not since LSD and cannabis in the ’60s has a drug acted as such a profound social and cultural catalyst. Ecstasy changed clubbing, music, fashion, design-and overall society-forever. e, the incredibly strange history of ecstasy examines every aspect of MDMA, from its creation in a German lab just before World War I and its use as a psychotherapy tool in the ’70s, to its ultimate explosion on the US and UK dance scene. This visually stunning book features more than 200 photographs and illustrations-including an extensive catalog of the most popular, unusual, and fascinating ecstasy pills-along with listings of what they contained and details about their history and cultural significance. Similar to The Cannabis Companion (which has sold more than 40,000 copies to date), e, the incredibly strange history of ecstasy covers every aspect of the subject-from the physical, emotional, and psychological effects of ecstasy and the rise of key rave locations such as Goa and Ibiza, to the futile attempts made by international governments to halt rave culture and stop MDMA use. It is the most comprehensive and contemporary book ever to explore the history and continuing cultural influences of the drug that changed the world.

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Editorial Reviews

Review

"Bookslut"
"Tim Pilcher is clearly a Generation Ecstasy insider. Yet somehow his treatment of the subject stays balanced and nuanced. He avoids getting druggie or scene-y, and he also avoids the strange, academic stiffness that mars other recent work on youth culture and raves."

About the Author

Tim Pilcher is a pop culture and drug expert and is the author of numerous books including The Cannabis Cookbook and Spliffs 2: Further Adventures in Cannabis Culture. He lives in Brighton, UK.

Product Details

  • Paperback: 192 pages
  • Publisher: Running Press (April 15, 2008)
  • Language: English
  • ISBN-10: 0762431849
  • ISBN-13: 978-0762431847
  • Product Dimensions: 6.5 x 6.4 x 0.6 inches
  • Shipping Weight: 12.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #526,684 in Books (See Top 100 in Books)

More About the Author

Tim Pilcher is a pop culture expert and has worked in and around the comics industry for over 20 years as a writer and editor. He initially started as an assistant editor at DC Comics' Vertigo imprint, based in London, working on ground-breaking titles like The Extremist by Peter Milligan & Ted McKeever; Enigma and Face by Peter Milligan & Duncan Fegredo; The Mystery Play by Grant Morrison & Jon J Muth, Rogan Gosh by Peter Milligan & Brendan McCarthy; and Kill Your Boyfriend by Grant Morrison & Phillip Bond.

In 1992 he co-founded of the bi-lingual comics publishing house, Les Cartoonistes Dangereux, with Paul Peart, Brad Brooks, Dylan Horrocks and others. They published several critically acclaimed one-off graphic novels in English and French, including White Death by Robbie Morrison & Charlie Adlard, The Malice Family by Fareed Choudhury, Aunt Connie and the Plague of Beards by Jonathan Edwards and the first appearance of Fred the Clown by Roger Langridge.

He has written comics for the BBC, DeAgostini, Weldon Owen and the Young Telegraph and has worked for numerous book publishers including Penguin Children's Books and Dorling Kindersley.

As a journalist he has written for Deadline, Comic World, Tripwire, Education Today, Comics Forum, Criminal Justice Matters and G-Spot Magazine and Star Trek Magazine. Pilcher became an associate editor at Comics International, the UK's then-only comic book trade paper, alongside Dez Skinn. Pilcher has written numerous books on comics including The Complete Cartooning Course and The Essential Guide to World Comics with Brad Brooks. He has also contributed to numerous other books including, Comix: The Underground Revolution, 500 Comicbook Action Heroes, The Slings and Arrows Comic Guide (1st Edition), 500 Essential Graphic Novels and War Comics: A Graphic History. His Erotic Comics: A Graphic History Volumes 1 & 2,were the first serious survey of this genre in over 20 years. The books have been translated into French, German, Polish and Czech and were Publication of the Year finalists in the 2010 UK Erotic Awards.

He regular gives talks on everything from Tijuana Bibles, Indian comics, the history of Ecstasy and other esoteric subjects, and is currently commissioning editor at Ilex Press and is the Chair of The Comic Book Alliance (www.comicbookalliance.co.uk), a not-for-profit organization a not-for-profit organisation and "The Voice of the British Comics Industry" promoting graphic novels, webcomics and sequential art in its many forms. He occasionally updates his intermittent blog, Sex, Drugs and Comic Books (www.sexdrugsandcomicbooks.blogspot.com).

He has also written several non-comic related books including: e: The Incredibly Strange History of Ecstasy, Spliffs 2 & 3, and the bestselling The Cannabis Cookbook. He lives in Brighton, England.

 

Customer Reviews

4 Reviews
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Average Customer Review
3.8 out of 5 stars (4 customer reviews)
 
 
 
 
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10 of 10 people found the following review helpful:
5.0 out of 5 stars Review from Bookslut #73 (June, 2008), June 4, 2008
This review is from: e, the incredibly strange history of ecstasy (Paperback)
"Every culture and subculture gets the drugs that it deserves," writes Douglas Rushkoff in his forward to Tim Pilcher's e: The Incredibly Strange History of Ecstasy, "In fact, almost every major cultural movement in history can be traced back to the chemicals it did or did not have." This is a profound point -- it makes sense that the Thirty Years War was fought by people who had beer soup with a side of beer from breakfast, lunch and supper from the time they were three, and that the English Romantic poets were drowning in opium dreams, and that today's Los Angeles scenesters are enjoying a Molotov cocktail of ketamine and crystal meth. The human hunger for altered states of consciousness runs the gamut from beautiful to destructive, with a good dose of the pathetic and banal thrown in along the way.

e isn't a strange history at all, but it is a surprisingly comprehensive one. e traces methylenedioxymethamphetamine (MDMA) from its roots in a Merck research lab in Darmstadt, Germany in 1912 (when a chemist who was trying to stop bleeding from wounds accidentally created a happy pill instead), through its rave culture heyday, to its embattled present moment, demonstrating how the same substance can be feared as a devil drug, revered as a therapeutic tool, adored as a mind-expander, used to inspire a music scene and the cause of a moral panic. Ecstasy isn't the first drug with this complicated and powerful social effect -- Roman herbalists were sent to the mines for peddling magic plants -- but the details of its celebration and censure reveal all sorts of juicy truths about late 20th century media and culture.

It's not the first time people have scrambled around for an instant fix, for magical transformation without meditation practices or moral struggles or scholarship or effort, but by 1988, the "second Summer of Love," life had become so hyper-instant, and so contrived, that every spiritual or experiential hope and dream seemed to be contained in that little yellow (or pink or purple) pill. Rabbi Zalman Schachter's take on it is oddly sweet: "When God saw that people, instead of turning to God, were turning to the medicine cabinet, God made himself available in the medicine cabinet." Tim Pilcher, a pop culturalist who writes mostly on cannabis and comic books, is clearly a "Generation Ecstasy" insider. Yet somehow his treatment of the subject stays balanced and nuanced. He avoids getting druggie or scene-y, and he also avoids the strange, academic stiffness that mars other recent work on youth culture and raves.

Also, e is a delicious candy necklace of a book, with textured pills on the glossy black cover, blazing yellow sunbursts featuring first-person "serotonin stories," good pictures, and pages devoted to quotes from Keith Haring, George Michael, and former drug czar Barry McCaffrey. My friends were jealous that I had it, and I had to hide it in my bag at diners. Like many artifacts of MDMA culture, this history brings up a happy feeling.

Why is ecstasy the drug "deserved" by eighties and nineties rave culture? According to an organic chemistry professor who tried a "rhubarb and custard" with his girlfriend, it brings up the waves of euphoria associated with tai chi and other martial arts and practices of deep meditation. But unlike those lifelong practices, it has a "honeymoon period," feeding on excitement and novelty. After a while, the brain assimilates the MDMA experiences of oneness with the universe, euphoria, and "overwhelming feelings of well-being," and starts to get cranky. People start to compare their early, "perfect" trips with their later ones. However wonderful it felt, that feeling goes away, and you have to start the search for a new quick fix, a happier happy pill, or else you face a "crushing disappointment." Yes, there are police breaking up the rave, and yes, there are ever tougher laws banning "spiritual" or mind-altering drugs. But the real end of the party comes from within.

by ELIZABETH BACHNER
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Good Read, April 14, 2010
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This review is from: e, the incredibly strange history of ecstasy (Paperback)
I found this book very intersting and easy to read. The author doesn't spend too much time on any one topic, but covers a lot of topics relating to this scene with adequate detail. This book is great for anyone looking for a quick read on this topic.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Great Overview, January 25, 2011
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Personally I found this an interesting little book. Good overview of x, lots of info for such a short book. Not a huge tome on x, but it gives you a starting point if you don't know much about the drug or the rave culture.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
rave scene, rave culture
Key Phrases - Capitalized Phrases (CAPs): (learn more)
San Francisco, Burning Man, New York, Fatboy Slim, Spiral Tribe, The Chemical Brothers, Paul Oakenfold, Human Traffic, Paradise Garage, Carl Cox, Alexander Shulgin, Big Beat, Music Box, Bastard Bunny, Storm Raves, Pete Tong, Leah Betts, Allan Niblo, Happy Mondays, Full Moon, Factory Records, Disco Biscuits, Summer of Love, Frankie Knuckles, Melody Maker
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Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
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