The novel of the future [Unknown Binding]

Anaïs Nin (Author)

Product Details

• Unknown Binding: 214 pages
• Publisher: Macmillan (1968)
• Language: English
• ASIN: B0007DL67Q
• Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)

More About the Author

Anaïs Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she wrote primarily fiction until 1964, when her last novel, Collages, was published. She wrote The House of Incest, a prose-poem (1936), three novellas collected in The Winter of Artifice (1939), short stories collected in Under a Glass Bell (1944), and a five-volume continuous novel consisting of Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Seduction of the Minotaur (1961). These novels were collected as Cities of the Interior (1974). She gained commercial and critical success with the publication of the first volume of her diary (1966); to date, fifteen diary volumes have been published. Her most commercially successful books were her erotica published as Delta of Venus (1977) and Little Birds (1979). Today, her books are appearing digitally.

Customer Reviews

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2 of 4 people found the following review helpful:

2.0 out of 5 stars This Future Was Yesterday, August 22, 2008

By 

nonlinearize (the third coast, usa) - See all my reviews

This review is from: Novel Of Future (Paperback)

This book, a manifesto of sorts, is probably of most interest for close followers of Nin's work. Written in 1968, the book serves as an exploration and defense of Nin's creative process, and while it was probably fairly engaging at the time, "Of the Future" definitely feels a little dated today. Nin is perhaps best known for her erotic short fiction, and all of her work develops from a commitment to bringing the unconscious substratum of experience into the forefront of the reader's perception, "to proceed from the dream outward" and, fundamentally, to write about what's really going on within the mental and emotional worlds of her characters.

Throughout this book Nin periodically rails against the stuffiness and insincerity of writers and artists preoccupied with conventional realism. Mostly, however, she devotes herself to repeatedly stressing the importance of integrating psychoanalytic and surrealist insights into contemporary art, of exploring and communicating the subjective experience. What she is basically arguing for, though she doesn't seem to realize it, is post-modernism.

This is why the book feels dated: in the past few decades we've already seen, in frequently overblown variations, both the positive and negative ramifications of the kind of art and writing that Nin is arguing so enthusiastically for here. There are definitely some perceptive observations, insights and rewarding anecdotes throughout the book, but the reader will have to work for them, trundling along through what amounts, in part, to an argument for the validity of her own output. I've read one of Nin's novels and was quite impressed, but the lengthy excerpts from a number of her works included in "Of the Future" don't seem to make for very good demonstrations. She talks quite a bit about her own work in this book, and for the devoted reader there appears to be lots of good stuff here. For me, though, it was a little too self-concerned and really rather boring.

Perhaps the most interesting aspect is that much of what Nin calls for is an assertion of independence and individuality in response to the stifling conformity of life in 1950's post-war America. Now, existing as we do in a hyper-individualistic, narcissistic world culture, we may actually begin to imagine the trajectory of the "novels of the future" as a re-envisioning and return to the collective, to a new articulation of community and possible balance between extremes...