From Publishers Weekly
Is it art or murder? In Page's savory 17th Faith Fairchild mystery (after 2006's
The Body in the Ivy), the caterer/chef uncovers sinister doings at the Ganley Museum of Art in Aleford, Mass. When Faith's friend Patsy Avery, the president of the museum's board of trustees, asks her to investigate a potential forgery, Faith is reluctant to jump back into the detecting world. She finally agrees to open a cafe in the museum at Patsy's urging, but soon discovers a bald female corpse floating in a tank intended for an art installation. Faith's subsequent investigation reveals that the woman, who called herself Tess Auchincloss, had a stolen Degas sketch stashed in her apartment. Joining forces with Det. Lt. John Dunne, Faith scrambles to solve the case even as the list of suspect grows and another murder occurs. Along with fun foodie details, Page provides an entertaining subplot involving Faith's rebellious teenage son, Ben.
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From Booklist
Fans of culinary and especially catering cozies like those of Diane Mott Davidson should eat up the latest in the Faith Fairchild series. Like Davidson, Agatha Award–winning Page injects cooking lore and advice (and recipes at the back) into her conventional body-found-by-caterer plot. This latest Fairchild is further enlivened by intriguing information on art theft and art forgeries. A friend of Faith’s is convinced that someone has forged a copy of a painting she has loaned to an exhibit. Then Faith stumbles across the body of a young woman (floating in a giant fish tank installation) at the gallery. Page has to work a bit to get Faith on scene for the investigation, since the local cops want nothing to do with her, but a temporary posting to the gallery café gives the intrepid sleuth all the opportunity she needs. A bit formulaic but worth it for the atmosphere, cooking, and art expertise. --Connie Fletcher
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