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72 of 80 people found the following review helpful:
5.0 out of 5 stars
Story telling at its best..., June 26, 2000
I loved reading Jhumpa Lahiri's 'Interpreter of Maladies'.Being an Indian myself, I'm tired of reading books that package India's 'exoticism' to the West. Jhumpa Lahiri's stories do not revolve around the "Indianness" of the characters.India is always in the background, but the characters and their emotions are simply human. In the 'Interpreter of Maladies', Ms. Lahiri's breathtakingly beautiful, yet simple style of storytelling tells you a story about people who just happen to be Indian.The narrative she employs is very humane, with a lot of attention to detail. The stories are strong and delicate at the same time. I particularly enjoyed the title story 'Interpreter of Maladies' and the last story 'The Third and Final continent'. Another aspect of her writing I particularly liked is that she doesn't drown the story in style. The narrative occupies centerstage and the story telling is natural, not contrived. Looking forward to her next book Mekhala Vasthare
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45 of 52 people found the following review helpful:
4.0 out of 5 stars
Defining moments, November 20, 2003
Structure-wise the book is a showcase of point of views, which makes one feel as if the book was intended as a study on writing styles. Stories are written in the first person voice (as a Indian girl, as a just married Indian man), in third person voice, and as an intrusive author (in "the treatment of Bibi Haldar"). Events mostly take place in the greater Boston area (which may explain the book's popularity in New England) and Bengal, India. The WSJ review on the back cover is misleading in that not all stories concern immigrants (two short stories concern Indians living in India). However each story has at least one Indian protagonist.The stories concern snapshots of lives, defining moments of characters. By "defining moments" I do not mean anything grand. These are moments that occur in everyday life, events so banal that they seem negligible at first sight. Yet those moments impact the protagonists in the way that life becomes no longer the same for them. By confessing that their miscarried baby was a boy over a forced (the electricity went out) candle-light dinner, a deteriorating marriage is salvaged (in "a temporary matter"); a seven year old boy's compliment "you are sexy" induces her relationship with a married man to end (upon hearing it she suddenly realizes she is not unique -- in "sexy"). Lahiri is a meticulous writer. You will almost be able to smell her egg curries and feel her bright colored saris. But it is really her quiet, suggestive prose that makes one want more.
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88 of 107 people found the following review helpful:
5.0 out of 5 stars
Interpreting maladies., December 7, 2001
An Interpreter of Maladies is not, as Mrs. Das thinks (and as the reader of Jhumpa Lahiri's stories may initially be thinking, too), a medical doctor or a psychologist; someone who interprets the origin and meaning of his patients' various illnesses and malaises and then prescribes the adequate treatment. No: an Interpreter of Maladies is someone who helps them communicate, who speaks the patients' language and is therefore able to translate their personal representation of their feelings to the listener who then, in turn, must come up with his own interpretation of those representations.
And like Mr. Kapasi, the improbable hero of this collection's title story, Ms. Lahiri merely gives an account of her characters' feelings and situation in life at one particular moment - she rarely judges them, nor does she strive to tell the entire story of their lives; even where, as in "The Third and Final Continent," the narrative covers several decades, it is truly only one brief but crucial period which is important. No sledgehammer is being wielded; Lahiri's tone is subtle, subdued - like any good interpreter, she talks in a low voice, just loud enough for her listener/reader to understand; and you have to want to listen to her. If you expect her to shout, to force her account on you in bullet points and bold strikes, you will miss the many finer nuances in between.
Jhumpa Lahiris heroes are Asian and American, they live in India, Pakistan, London and the U.S., and they eat (and painstakingly slowly prepare) delicious, spicy and flavorful food. Many of the stories deal with emotions and life situations which, although they happen to be experienced by Indians and Asian Americans here, are truly universal - the slow and unspoken death of a marriage ("A Temporary Matter"), prejudice against the unknown, particularly when it comes in the form of an illness ("The Treatment of Bibi Haldar"), the frustrations of a life of unfulfilled promises ("Interpreter of Maladies"), and the multilateral deceptions of marital infidelity ("Sexy"), blunted by the trappings of middle class materialism (again, the title story).
Most of Lahiri's Asian American protagonists belong to the "intellectual" upper middle class suburbian population of Boston and other East Coast cities. While on the one hand this is a plus, because that is the author's own background, too, and therefore a segment of society she can describe from personal experience - which also allows her to make these characters particularly accessible - it on the other hand provides for the story collection's one deficiency; in that it renders her portrayal of Asian Americans (whether recent immigrants or second- and third-generation U.S. citizens) unnecessarily unilateral, to the point of bordering on stereotype - more precisely, the Indian version of the stereotypes generally associated with this part of society. Nevertheless, most of Jhumpa Lahiri's often unlikely heroes are portrayed in great depth, and many of them with a lot of sympathy for their humanness and shortcomings. In the best sense of her adopted role as an interpreter of her protagonists' maladies, it is this delicate understanding and empathy which ultimately carries the tone in Lahiri's writing and which makes her reader want to listen, and to come up with his or her own interpretation of each of these stories.
Of Marriageable Age
The God of Small Things
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