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103 of 113 people found the following review helpful:
5.0 out of 5 stars
A stunning masterpiece on every level, November 10, 2002
CATCH-22 is masterful in so many ways. It begins as comic farce, proceeds to the increasingly surreal, and then transforms into a nightmarish tragedy before ending triumphantly. No novel that I know so successfully blends all these disparate moods. I believe it was Hugh Walpole who wrote, "Life is a comedy to those who think, and a tragedy to those who feel." No book illustrates that better than this novel. This truly is one of the funniest books I have ever read. It is also one of the most tragic.CATCH-22 also introduces one of the most insane collection of great characters in fiction: Yossarian, the Chaplain, Orr, ex-P.F.C Wintergreen, Milo Minderbender, Maj. Major Major Major, Nately, Doc Daneeka, Danby, General Dreedle, Nately's girl (not the description in the book, but Amazon's software will bleep it), Cathcart, Nurse Duckett, The Texan, Major ----- de Coverley, The Soldier in White, and a host of other characters. It is one of the most gloriously populated novels of the past half century. This is a novel I can almost not discuss except through superlatives: greatest war novel I have read, funniest novel I have ever read, greatest English language novel of the past 40 years. But the best thing is that it is, on top of being a superb book, an exceedingly fun book to read. Even at its nightmarish, this is a fun, delightful book. And few novels contain as many unforgetable moments as this one.
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169 of 193 people found the following review helpful:
5.0 out of 5 stars
One of the 100 best American novels, July 3, 2002
We read "Catch-22" in our "alternative" high school back in the 60's. It was just as the Viet Nam War was rising to its shocking crest, people were rioting in the streets, the young were questioning everything and rebelling, the draft was taking older brothers and friends, and it was a very crazy time. We asked the teacher who selected the novel and who had served in World War II "Is this an accurate representation of the madness of war?" He replied that, in his experience, it was.After recently re-reading Heller's novel, I realized that this book wasn't, as we had studied it, just about the madness of war. Sure, that was foremost on our minds at the time the book was published. But Heller really caught the moral dilemma of an individual caught up in the mob hysteria of war, where the rules of civilization and laws are temporarily and deliberately suspended by the authorities. The key paragraph, for me, is: "Man was matter, that was Snowden's secret. Drop him out a window and he'll fall. Set fire to him and he'll burn. Bury him and he'll rot, like other kinds of garbage. That was Snowden's secret. Ripeness was all." In other words, Man is no more than meat and bone EXCEPT for a brief period when he is alive...and if he does something to preserve his soul. This is deep and perceptive. At the end of "Catch-22", Yossarian is faced with a tempting choice. He has, however, learned something from the horrors and insanity. His decision takes into account not only his personal safety, but goes beyond to the greater good. He has risen. For that reason, "Catch-22" is more than just an amusing novel, a bestseller and the novel that gave birth to M*A*SH*. Yossarian's moral dilemma is one each of us must ponder, whenever we choose to go to war. I think this is one of the best 100 American novels.
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29 of 32 people found the following review helpful:
3.0 out of 5 stars
Catching 22 Twice, July 21, 2006
For so many of us growing up in the USA, our high school teachers assigned us Joseph Heller's "Catch-22" as required reading, and I was among those assignees. I'm not sure why the requirement, other than perhaps some Catch-22 type of logic that everyone else was assigning it, so there, must be great, must read. I don't particularly remember liking the novel then, perhaps with no more substantial of a reason than -- just not my style. Reading the novel now, in midlife, my opinion (or my literary style) has changed little, but today, I can attempt to add to "not my style" perhaps a few deeper insights.
In this second read, I realize what so fails to appeal to me is Heller's slapstick, absurdist, repetitive and dizzyingly circular style of storytelling. At the same time, I fully realize this is also the appeal of the novel for many: it's absurdity. Indeed, time has tested Heller's topic of war having little logic or reason in the real world, mostly born of individual and governmental insanity, power plays and mere whim, male ego clashing and chest thumping. Few wars seem to have good reason for happening when one considers all the other possibilities of resolution. While leaders sit safely in secure offices on fortressed hilltops, the common soldier takes all the risks, offers up his/her body for battering, endures indescribable torments in battle, and often gives the ultimate sacrifice of life. Shall we debate the virtues of boxing rings for political leaders instead? Yes, war is absurd. And Heller captures this "crazy-making" truth in a crazy-making novel in which characters dance to illogical commands, spin in frustration, and dig themselves in ever deeper as they try harder and harder to dig themselves out. You know... as in war.
So I slogged through the pages like a good soldier. Characters leapt forward and backward in time, one event led to no other event, resolution rarely made a showing, and the dance of insanity kept the main lead. Even as I slogged, I could not deny what an excellent reflection of warring reality Heller's writing proved to be. Kudos for that. Redeeming factor.
And then, somewhere towards the final pages, I was somewhat won over. Without losing his voice of absurdity, the author had Yossarian, key player, say lines so absurd they rang true to the core, e.g. "but we don't want what we want!" and I could only shake my head and echo, oh indeed. We don't. When offered a bounty of temptations to sell out his soul, Yossarian denied them all, and in his crazy way, spoke utter sanity. How common is it to want something desperately much of our lives, only to realize we don't want it at all when fantasy turns into reality? A gold star for the author. Other episodes of Yossarian struggling to keep a fellow soldier alive even as his guts spill out, the sheer horror and despair and helplessness of the situation, hit target. Bravo.
This, and Heller's commentaries on man being little more than meat, fodder for the brutalities of war, resounded with such painful truth that today's reader can only look up at current events and current disasters and realize -- we are living in a world ruled by absurdities even today. History has taught us nothing.
And so, I could be convinced that Heller's novel is a classic. Perhaps it is.
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