The Stone Canal: A Novel (Fall Revolution) (Mass Market Paperback)

The novel opens with a man awakening in the desert of a Mars-like planet, accompanied by a "human-equivalent" robot. Soon we meet another robot, Dee Model, this one a "gynoid" (female android), who has escaped her owner (for whom she was a sex toy), and is proclaiming her autonomy. The man is soon revealed to be Jonathan Wilde, a legendary figure of political resistance among the inhabitants of New Mars, and the gynoid is based on a clone of Wilde's long-dead wife. The two encounter each other, and both end up in the hands of the "abolitionist" movement, which favors freeing intelligent robots from human slavery. Soon they are jointly involved in lawsuits brought by Dee Model's owner, who is Wilde's friend, long time rival, and apparent murderer, Dave Reid.

This seems like plenty of background for a novel in itself, especially given the interesting environment of New Mars, with its single City, 5/6 of which is given over to "wild machines", and with the pervasive semi-VR technology, the grounds for speculation about the nature of human vs. machine intelligence, and the semi-anarchist political structure of the colony. But in parallel tracks we follow the early life, on roughly present-day Earth, of Jonathan Wilde, Dave Reid, and the two important women in their lives: Myra and Annette. Reid is a diehard Trotskyite socialist, and Wilde an anarchist and "space nut"; and the tension between their political views, as well as the tension resulting from their relationships with the two women, is followed over the decades. Both men become very powerful in the decaying near-future environment; as both in their ways push to open up space travel for people in general.

The two timelines inevitably converge, and the real concern of the novel comes clear: understanding of the nature of the "fast folk" (originally human simulations run on very fast computer hardware), and understanding the link between New Mars and Earth. MacLeod speculates fascinatingly on nanotechnology, virtual reality, and astrophysics. Everything is well-tied together in the end, although in a slightly disappointing manner. (The first and last lines of The Stone Canal, by the way, are both stunners, if a bit contrived also (as overtly "stunning" lines often are).) The characters of Wilde and Reid are very well presented, though the female characters are a bit sketchier. The novel's weaknesses are an occasional tendency to talkiness, the rather familiar setup of the relationship of the main characters, along with their realization of enormous political power, and the slight flatness of the ending. But all in all this is an excellent pure SF novel, and one which bodes well for a career to watch.

This is the predicament of Jonathan Wilde, who discovers not only that he is a resuscitation of himself on a strange planet in a distant future, but a few other things as well:

* A robotic copy of his wife has been existing as a sex slave for a man he once thought a friend;
* This man is also the one who killed him;
* Someone with his name has been building quite a legend around the world he has woken up in;
* The machine that apparently brought him to life might just be yet another copy of himself;

MacLeod is a very talented storyteller: not only is this mystery compelling, but he approaches the central puzzle not only from this distant future but also from the past. Two timelines interweave as we see the fascinating and complicated relationship between Wilde and a college buddy at once more involved in actual radical politics and also more worldly. The uncomfortable friendship between these two very believable characters takes on different dimensions over time as they compete for the love of one woman, and as their respective politics move in different directions.

The comparison with Kim Stanley Robinson is unavoidable, for both good and ill. Prior to discovering Ken MacLeod, the only science fiction writer since Ursula LeGuin who really tackled social, political, and economic issues that I have stumbled across has been Robinson. But where Robinson strongly imagines a realistic future evolution of political ideas and the clash between corporation, state, and individual, MacLeod is using science fiction to explore philosophical ideas of socialism, marxism, corporate responsibility, and anarchy. In this sense, The Stone Canal is more like The Dispossessed than the Mars series.

In writing style, as others have commented, MacLeod seems to draw more on the work of Robinson, and not always for the best. Perhaps the Mars series' greatest failing was the time spent charting out history, and similarly some of the later portions of The Stone Canal read more like blocking or choreography than like an integral portion of the story itself.

That said, the evolution of the characters is beautiful and brilliant and you won't want to put the book down.

It is delightful to encounter these flavors of politics in science fiction -- the genre is so heavily weighted with military buffs, rabid anti-government individualists, and social darwinists of every unpalatable variety. I found myself reinvigorated by finding the memes of my youth returning in a technology friendly medium.

That said, by no means skip this book if you haven't read it already. It is in many ways more entertaining than "The Cassini Division", although I found it packed less of a punch intellectualy. Even so, this is a smart book, written by a very smart author. It looks at society in a way that no other SF I am aware of does. As I said about its companion "The Stone Canal" is more of a political/moral tale hidden in SF clothing. It is a truly original, outstanding work that stands both on its own merits, and as a prequel to "The Cassini Division".