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Editorial Reviews
Review
Moving the Image becomes an instrument of self-determination in the face of the Hollywood film. . . -- Professor Shawn Wong, University of Washington, Seattle
Product Description
<i Moving the Image is the most comprehensive effort to define independent Asian Pacific media arts and to describe its course from 1970-1990. The words, essays, and statements by the fifty media artists and cultural workers in this book challenge, celebrate, and contradict each other. Over ninety film stills and archival photos from the early 1900s to the 1990s illustrate this volume, designed to be used as a creative sourcebook and as an introductory text.
Moving the Image becomes an instrument of self-determination in the face of the Hollywood film. . . -- Professor Shawn Wong, University of Washington, Seattle
Product Description
<i Moving the Image is the most comprehensive effort to define independent Asian Pacific media arts and to describe its course from 1970-1990. The words, essays, and statements by the fifty media artists and cultural workers in this book challenge, celebrate, and contradict each other. Over ninety film stills and archival photos from the early 1900s to the 1990s illustrate this volume, designed to be used as a creative sourcebook and as an introductory text.
Russell C. Leong is the editor of Amerasia Journal and Adjunct Professor of English at UCLA.
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Inside This Book
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Key Phrases - Statistically Improbable Phrases (SIPs):
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dim sum, minority production, minority programming Key Phrases - Capitalized Phrases (CAPs): (learn more)
Asian American, New York, United States, Los Angeles, Japanese American, San Francisco, Visual Communications, Hong Kong, Chinese American, World War, Asian Pacific American, Spike Lee, Wayne Wang, Third World, Bowl of Tea, Radio Veritas, Broken Blossoms, Chan Is Missing, Sessue Hayakawa, The Last Game Show, African American, Loni Ding, Wong Howe, Pacific Island, Spencer Nakasako Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
dim sum, minority production, minority programming Key Phrases - Capitalized Phrases (CAPs): (learn more)
Asian American, New York, United States, Los Angeles, Japanese American, San Francisco, Visual Communications, Hong Kong, Chinese American, World War, Asian Pacific American, Spike Lee, Wayne Wang, Third World, Bowl of Tea, Radio Veritas, Broken Blossoms, Chan Is Missing, Sessue Hayakawa, The Last Game Show, African American, Loni Ding, Wong Howe, Pacific Island, Spencer Nakasako Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 65
books:
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25
books
cite this book:
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- The Birth of a Nation (Rutgers Films in Print) by D. W. Griffith on 5 pages
- Eat A Bowl Of Tea by Louis Chu on page 11, page 32, and page 71
- Remaking History (Discussions in Contemporary Culture , No 4) by Barbara Kruger in Front Matter (1), and Front Matter (2)
- On Visual Media Racism: Asians in the American Motion Pictures (The Asian Experience in North America) by Eugene Franklin Wong in Front Matter (1), and Front Matter (2)
- Thinking of You by Barbara Kruger in Front Matter (1), and Front Matter (2)
See all 65 books this book cites
- Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction by Gina Marchetti on 4 pages
- Screening Asian Americans by Peter X. Feng on page 101, page 129, and page 252
- The Third Eye: Race, Cinema, and Ethnographic Spectacle by Fatimah Rony in Back Matter (1), Back Matter (2), and Back Matter (3)
- Asian American Sexualities: Dimensions of the Gay and Lesbian Experience by Russell Leong in Front Matter, and Back Matter
- Immigrant Acts: On Asian American Cultural Politics by Lisa Lowe in Back Matter (1), and Back Matter (2)
See all 25 books citing this book
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