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Things I Didn't Know: A Memoir (Hardcover)

by Robert Hughes (Author)
3.7 out of 5 stars See all reviews (11 customer reviews)


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Editorial Reviews

From Publishers Weekly
Starred Review. Cultural critic Hughes (The Fatal Shore) slices into his own life with his ever-ready scalpel of penetrating analysis, opening his saga in 1999 with his near-fatal car accident at age 60 in his native Australia. Glimpsing death, he perceives its mouth as "the bocca d'inferno of old Christian art," a sampling of the rich, wide-ranging corpus of knowledge he brings to bear upon every aspect of his life. His improbable recovery touches off both earnest and acerbic reflections on his upbringing, his native country and the manifold influences that power his works and wanderings through Europe and America. Recognizing his life as an act of rebellion against his sanctimonious war-hero father, he re-enacts his virulent rejection of military aggression and his punitive boarding at Catholic school, where the priests vilify him for reading James Joyce in secret. His immersion in the artistic ferment of the '60s echoes the worldwide convulsions—both cultural and political—of that decade, pulling him into the avant-garde circles that girded his critical career. Hughes's vivid ruminations and sharp-eyed insights combine in bold, definitive strokes to yield a rich portrait of the art expert. 75,000 first printing. (Sept)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Hughes, the former art critic for Time, deftly intertwines personal and cultural history in this fiercely erudite memoir. As the youngest son in a prominent Sydney family, he recalls a childhood marked by a growing distance from family, church, and Australia but also by early signs of his aesthetic vocation: the "noble" form of a freshly caught fish fills him with "a first stirring of desire for the Ideal." Stifled by Australia's cultural isolation, he fled to Italy and, later, London, which provides the backdrop for a savagely comic parade of sixties grotesques, from hippies ("stupefied herbivores nattering about karma") to his first wife, whose "near-programmatic infidelity" reminded him of a "deranged alley cat." Framed as a "settling of accounts" with his native country, Hughes's story occasionally becomes self-indulgently sour, but it offers a fascinating examination of artistic patrimony and the formation of a critic.
Copyright © 2006 Click here to subscribe to The New Yorker

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Product Details

  • Hardcover: 416 pages
  • Publisher: Knopf (September 19, 2006)
  • Language: English
  • ISBN-10: 1400044448
  • ISBN-13: 978-1400044443
  • Product Dimensions: 9.2 x 6.5 x 1.6 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 3.7 out of 5 stars See all reviews (11 customer reviews)
  • Amazon.com Sales Rank: #609,268 in Books (See Bestsellers in Books)

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Customer Reviews

11 Reviews
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10 of 11 people found the following review helpful:
5.0 out of 5 stars Excavation of Things Unknown or Merely Forgotten, December 31, 2006
By Izaak VanGaalen (San Francisco, CA USA) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This book starts with a car accident, in 1999 on Australia's Great North Highway, that almost ended Robert Hughes life. Miraculously, he survived but ended up with many pins and screws to keep his mangled body together. What happened afterwards is a good illustration of Hughes' lifelong reputation of brashness and elitism. Hughes was prosecuted for dangerous driving because he was driving on the wrong side of the road. But because the three men in the other vehicle were on drugs and later tried to blackmail him the case was dismissed. After the trial, Hughes went on to call the other party "low-life scum," and also managed to defame the prosecutors. The prosecutors were not happy and decided to sue. And they won. The Australian press was elated that this world-famous art critic had been taken down a notch, not only because he was an elitist, but because he had left Australia to become, well, a world-famous art critic.

This memoir begins in Sydney were Hughes was born and educated, and ends in 1970, when he is leaving London for New York where he would become Time Magazine's art critic for the next 30 years. While attending the University of Sydney he was a cartoonist for the Sydney Observer. When the Observer's art critic vacated the position, the editors, recognizing Hughes' talents, asked him take the job, which he did. Although he loved the work, he felt he needed more experience so he went to Italy, where he worked under the tutelage of Alan Moorhead, and then later to London.

I have read many of Hughes pieces for Time Magazine that were written between 1970 and 2000, but have to admit I was underwhelmed, for I'm not an art history enthusiast. His most impressive works were, in my opinion, The Fatal Shore (a history of Australia) and The Culture of Complaint (a study of modern crybabyism). Hughes is a consumate prose stylist who wears his learning lightly (at least in Time Magazine). He is not overburdened with theory and uses an occasional combatative obscenity to remind you that he has not lost touch with the vernacular.

However, Hughes defiantly admits he's an elitist but qualifies it by saying it is "in the cultural but emphatically not in the social sense". As an art critic, this is understandable, there can be no egalitarianism in art. As he himself puts it: "his job is to distinguish the good from the second rate." This attitude was no doubt formed or reaffirmed when he lived in London during the swinging, drug-taking Sixties. He had the misfortune of marrying a women who embodied all of its excesses. The phony egalitarianism and pseudo revoltionary chic of the art scene turned out to be drivel that pointed to nothing but itself. This was a very dark, but formative, period for Hughes that didn't end until he left for America.

The outcome of writing this memoir was not clear in the beginning, but the impulse was. There were certain loose ends that always lingered in his mind. Writing this book was an attempt to excavate, "to find out about things I didn't know." But the search is still inconclusive, we are already anticipating the next installment.
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3 of 3 people found the following review helpful:
3.0 out of 5 stars Things We Don't Necessarily Want To Know, June 24, 2007
By Bradley F. Smith (Miami Beach, FL) - See all my reviews
(REAL NAME)   
The first chapter about a car crash that almost killed him, and the last two about his life in '60s London and how he became the art critic for Time magazine are the most readable in this memoir. The long mid-section is as flabby as that of its aging creator. Fiercely erudite though it is, one feels much of this is over-written. To be fair, there are many fascinating anecdotes about Hughes' life in Australia and Europe. His accounts of his marriages are also acidic and entertaining. Evidently, he was quite a pot-head in his day. A bit too much art crit and not enough about his seamier side make this long book a bit less than it might have been. Still worth at least a skim through the middle.
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2 of 2 people found the following review helpful:
3.0 out of 5 stars A life well-lived, January 12, 2007
By John Talbot (Melbourne, Australia) - See all my reviews
(REAL NAME)   
Hughes first gains his catharsis by a lengthy account of his horrific car accident in Western Australia - and its consequences. The narrative improves after that, but the emphasis varies, leaving the feeling that in places more could have been revealed of the man's internal motivations and emotions.

However, he holds nothing back when he expounds on matters of art and artistic judgment. Without being didactic, his insights are illuminatingly useful, especially for the layman in this area.

Not up to his "The Fatal Shore", this work is still good value for its enlightenment and the inherent interest of a productive if sometimes erratic life well-lived, which one suspects will continue to offer much for many years.

The absence of any photographs is disappointing.
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Most Recent Customer Reviews

4.0 out of 5 stars Just enjoy
There are a number of literate reviews here. I have no desire to compete with them. I will just say this is a thoroughly enjoyable book. Read more
Published 22 months ago by Robert Gill

4.0 out of 5 stars Best when not about art
I arrived at this autobiography as a fan of "The Fatal Shore" and "Culture of Complaint", and having no recollection of having read any of Mr. Read more
Published 24 months ago by T. Burket

5.0 out of 5 stars Sex, Art & Rolling the Punches
'Things I didn't Know' finds Bob Hughes straightening his record. Immediately we've returned to the north-west of Australia's outback for Bob's account of his near fatal crash... Read more
Published on March 13, 2007 by R. J MOSS

4.0 out of 5 stars Things I didn't know: A Memoir
I bought this as a gift for a Journalist son-in-law who has followed the authors career and admires his work as an art critic. Read more
Published on January 9, 2007 by H. F. Stunzner

4.0 out of 5 stars There were plenty of things this reader didn't know...
For an art world diletante like myself, Hughes is an imposing figure. His writing often has the quality of being witheringly, definitively "right" and that makes him a critic... Read more
Published on January 9, 2007 by John Seed

2.0 out of 5 stars Things Robert Hughes "Doesn't " Know
I have followed Mr. Hughes for a number of years and appreciated his unique perspective on culture in general and the arts in particular. Read more
Published on December 27, 2006 by William D. Miller

2.0 out of 5 stars A Joycean Oddyssey
I read the book because I enjoyed Fatal Shores.It is a well written,toolong,at times lively,and sometimes tedious recounting of an intellectual journey taken perhaps most famously... Read more
Published on October 22, 2006 by Patrick Mccormick

5.0 out of 5 stars More please
So here we finally have Robbie Huge's autobio, and it turns out that a little corner of Julian Schnabel's intuition works after all. Read more
Published on September 30, 2006 by S. Matthews

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