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Great Collectors of Our Time is the first major survey of contemporary collecting and collectors since Douglas Cooper's Great Private Collections, published in 1963. It examines many of the greatest collectors of our time in Europe, North America and the Far East, and follows their tastes - whether in the Old Masters or the avant garde - from the 20th century into the 21st. In 1945, Paris was still the cultural capital of the world, but its culture was being increasingly challenged by America. American collecting was soon to pull up its European anchor and move across the Atlantic, in growing acceptance of America's own art, the decline in the domination of three European schools of art - Italian Renaissance, English 18th century and French 19th century Impressionism - and the rise of the New York School and contemporary art. Prior to 1939, collecting was a private pleasure, sometimes intellectual and scholarly, but more often about enhancing surroundings - 'la douceur de vivre'. Today, colle
About the Author
James Stourton is Chairman of Sotheby's UK. He read History of Art at Cambridge and joined Sotheby's in 1979. He is the author of Great Smaller Museums of Europe and frequently writes on the history of collecting. He has written on the subject for Apollo, The Art Newspaper, Matrix, The Independent and The Spectator and regularly lectures to the National Art Collections Fund, Sotheby's Institute of Education and Cambridge University faculty of Art History.
Great Collectors of Our Time is the first major survey of contemporary collecting and collectors since Douglas Cooper's Great Private Collections, published in 1963. It examines many of the greatest collectors of our time in Europe, North America and the Far East, and follows their tastes - whether in the Old Masters or the avant garde - from the 20th century into the 21st. In 1945, Paris was still the cultural capital of the world, but its culture was being increasingly challenged by America. American collecting was soon to pull up its European anchor and move across the Atlantic, in growing acceptance of America's own art, the decline in the domination of three European schools of art - Italian Renaissance, English 18th century and French 19th century Impressionism - and the rise of the New York School and contemporary art. Prior to 1939, collecting was a private pleasure, sometimes intellectual and scholarly, but more often about enhancing surroundings - 'la douceur de vivre'. Today, colle
About the Author
James Stourton is Chairman of Sotheby's UK. He read History of Art at Cambridge and joined Sotheby's in 1979. He is the author of Great Smaller Museums of Europe and frequently writes on the history of collecting. He has written on the subject for Apollo, The Art Newspaper, Matrix, The Independent and The Spectator and regularly lectures to the National Art Collections Fund, Sotheby's Institute of Education and Cambridge University faculty of Art History.
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