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Drawn & Quartered: The History of American Political Cartoons
 
 
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Drawn & Quartered: The History of American Political Cartoons (Hardcover)

by Stephen Hess (Author), Sandy Northrop (Author) "STOP THEM DAMN PICTURES," demanded William M. Tweed of his cohorts..." (more)
Key Phrases: New York, United States, Thomas Nast (more...)
5.0 out of 5 stars See all reviews (2 customer reviews)


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Editorial Reviews

Amazon.com Review
It's hard to imagine a book on this topic that's better than Drawn and Quartered. Authors Stephen Hess and Sandy Northrop have created a history that is lucid, authoritative, and fun. The profuse illustrations are, as one would expect, varied and entertaining. Even better, the cartoons featured do an excellent job of demonstrating the evolution of political cartooning from Ben Franklin (America's first editorial cartoonist) to the present.

Hess and Northrop do an excellent job of relating cartoons to the political and social climate in which they were created. For example, "Caricatures of [Martin Luther] King, Malcolm X, and the other African American leaders who rose to prominence [in the 1950s and 1960s] are hard to find. Cartoonists and their newspapers grew so sensitive to the volatility of caricaturing black leaders, fearing that they would be perceived as racial slurs.... Instead, cartoonists employed generic situations and peopled them with generic black figures. Martin Luther King Jr. became an invisible man in the cartoons of the [era]."

Readers casually interested in the topic will find Drawn and Quartered an entertaining and unique book. Aficionados will be satisfied with the book's sagacity and depth, and may even discover illustrators that they did not know. All will agree that Hess and Northrop deserve a round of applause. --Michael Gerber

From Publishers Weekly
Although this book does not claim to be exhaustive, it offers an entertaining and enlightening survey of American political cartoons, illustrated by 269 examples from colonial times to the present. In their introduction, Hess (The Ungentlemanly Art of Political Cartooning) and Northrop, a PBS writer/producer, remind us of the political cartoon's role, from Thomas Nast's attacks on Tammany Hall to David Levine's memorable image of Lyndon Johnson pointing to a gallbladder-operation scar shaped like Vietnam. The authors proceed chronologically, explaining how Uncle Sam, Lady Liberty and John Q. Public entered national iconography, and they show how contemporary cartoonists reinterpret older images?as when Paul Conrad's tattooed Ronald Reagan borrowed from an 1884 Puck image. While the authors do not neglect underappreciated cartoonists like the groundbreaking African American Oliver Harrington, they cover all the recent greats; WWII imageer Bill Mauldin; Washington fixture Herblock; inner monologuist Jules Feiffer; Pat Oliphant, who uses an alter ego penguin commentator. The authors note that the rise of CNN and attendant American consciousness has allowed cartoonists to broaden their vision and comment more often on world events; still, as they lament, the rise of syndicates and the decreasing number of newspapers have shrunk the market for cartoonists.
Copyright 1996 Reed Business Information, Inc.

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Product Details

  • Hardcover: 164 pages
  • Publisher: Black Belt Press (September 1996)
  • Language: English
  • ISBN-10: 1880216396
  • ISBN-13: 978-1880216392
  • Product Dimensions: 9.7 x 7.4 x 0.8 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #378,352 in Books (See Bestsellers in Books)

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35 of 36 people found the following review helpful:
5.0 out of 5 stars Both entertaining and educational., August 23, 1998
By A Customer
This well-conceived book truly reminds us that political cartooning has held a giant role in our nation's history -- and perhaps more than it has ever been given credit for. The authors make a stong case of cartooning's political vitality, past and present. The book is a very engaging and fun read not only because of its generous use of cartooning, but also because the authors take effort to put each cartoon they use into a fitting historical context. The reader is also on a guided tour of cartooning's historical phases, starting from the 18th century. The authors suggest that some six different phases (eras) of American political cartooning can be traced.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars TOPS!, January 26, 2009
The best book on the subject I've read so far (and I've read quite a few).
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