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Editorial Reviews
From Publishers Weekly
In this fascinating excursion into modern mythmaking, Shepard (Louisiana Breakdown) draws on his experiences in the late 1990s riding the railroad and researching an apocryphal "hobo mafia" that dubbed itself the FTRA (Freight Train Riders of America) and who were suspects in a number of unsolved murders along America's rail lines. "The FTRA Story," an essay, introduces some of the colorful drifters Shepard shared boxcars with, tempering the romance of the nomadic hobo life with a gritty appraisal of its harsh realities and dangers. He reshapes nuggets of lore from this essay for the two stories that follow, adding luster to their depictions of rail hobos as everymen (and -women) embarked on odysseys of self-discovery and redemption. In "Over Yonder," trainhoppers end up in a limbo-like alternate world whose primal challenges prove important tests for determining whether they are worthy of personal salvation. "Jailbait" (original to the book) concerns a hobo couple whose growing intimacy results in personal transformations that subtly shift the foundations of reality. Shepard effortlessly works the potential for supernatural experience into the unpredictability of his social outcasts' fringe existence. The stories are fantasy writing at its best, in which, as one character puts it, "even the most familiar articles of your life could be turned on their sides, shifted, examined in new light, and seen in relation to every other thing, and thus were possessed of a universality that made them, ultimately, unknowable."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In the 1990s, a contract with Spin magazine obliged Shepard to ride the rails. He found contemporary train tramps different from the hoboes of legend. Seldom really homeless or impoverished, they were antisocial dropouts, lazy and substance abusing. Frequent victims of law enforcers and violent fellow tramps, they were hardly easygoing. This book contains the long version of the Spin piece and two stories. "Jailbait" is an edgy 22-pager about the liaison between Madcat, a screw-top wine drinker who ran after beating up the cop who was his wife's back-door man, and a teenage girl riding the rails for the first time. "Over Yonder" is a novella about a drunken tramp who hops a black train that carries him to a place beyond this world--but not at the end of all the lines, which he may be approaching at the story's end. The novella is Shepard's forte, and this guardedly optimistic yarn is almost as good as his contributions to Night Visions 11 [BKL D 1 03] and The Dark [BKL N 1 03]. Ray Olson
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
In this fascinating excursion into modern mythmaking, Shepard (Louisiana Breakdown) draws on his experiences in the late 1990s riding the railroad and researching an apocryphal "hobo mafia" that dubbed itself the FTRA (Freight Train Riders of America) and who were suspects in a number of unsolved murders along America's rail lines. "The FTRA Story," an essay, introduces some of the colorful drifters Shepard shared boxcars with, tempering the romance of the nomadic hobo life with a gritty appraisal of its harsh realities and dangers. He reshapes nuggets of lore from this essay for the two stories that follow, adding luster to their depictions of rail hobos as everymen (and -women) embarked on odysseys of self-discovery and redemption. In "Over Yonder," trainhoppers end up in a limbo-like alternate world whose primal challenges prove important tests for determining whether they are worthy of personal salvation. "Jailbait" (original to the book) concerns a hobo couple whose growing intimacy results in personal transformations that subtly shift the foundations of reality. Shepard effortlessly works the potential for supernatural experience into the unpredictability of his social outcasts' fringe existence. The stories are fantasy writing at its best, in which, as one character puts it, "even the most familiar articles of your life could be turned on their sides, shifted, examined in new light, and seen in relation to every other thing, and thus were possessed of a universality that made them, ultimately, unknowable."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In the 1990s, a contract with Spin magazine obliged Shepard to ride the rails. He found contemporary train tramps different from the hoboes of legend. Seldom really homeless or impoverished, they were antisocial dropouts, lazy and substance abusing. Frequent victims of law enforcers and violent fellow tramps, they were hardly easygoing. This book contains the long version of the Spin piece and two stories. "Jailbait" is an edgy 22-pager about the liaison between Madcat, a screw-top wine drinker who ran after beating up the cop who was his wife's back-door man, and a teenage girl riding the rails for the first time. "Over Yonder" is a novella about a drunken tramp who hops a black train that carries him to a place beyond this world--but not at the end of all the lines, which he may be approaching at the story's end. The novella is Shepard's forte, and this guardedly optimistic yarn is almost as good as his contributions to Night Visions 11 [BKL D 1 03] and The Dark [BKL N 1 03]. Ray Olson
Copyright © American Library Association. All rights reserved
See all Editorial Reviews
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7
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- Playwriting: The First Workshop by Kathleen George on page 200
- New Theatre Quarterly 71: Volume 18, Part 3 (v. 18) by Clive Barker in Back Matter
- The Locus Awards: Thirty Years of the Best in Science Fiction and Fantasy by Charles N. Brown on page 297
- Viator by Lucius Shepard in Front Matter
- American Drama 1945 - 2000: An Introduction (Blackwell Introductions to Literature) by David Krasner in Front Matter
See all 7 books citing this book
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